27 Article found

Make a purchase from the transaction mode to a strategic game.

Today is one of the main concerns of organizations and manufacturing companies, how to supply raw materials. Some consumer materials are imported, and each buy the materials within the country through more intermediaries and prices. For example, in the hand-made rug industry, given that large volumes of production products are silk-made rugs, and because the amount of silk production inside Iran is not the response of the industry’s annual needs, most production companies use imported silk. But most of these companies buy the silk they need individually and decentralized and through mediums and at high prices, leading to an increase in production costs. Although the issue of how to buy in the Iranian-made rug industry and other domestic industries has become a major problem, today, in most of the world’s major organizations and corporations, buying has become a strategic game as an effective role. That’s because the right strategy is used to buy. Therefore, in this section, there are some tips on making the right purchase and solution to the problems of domestic producers. Two basic buying methods in organizations or manufacturing companies are focused buying methods and decentralized buying methods: 1- Concentrated shopping: a purchase made by the total logistics unit. When the needs of different companies are similar, such companies are close together and in a geographical area. In these circumstances, several companies can buy one or two people in coordination and buy one place and directly. 2-Buy ¬ decentralized: a purchase made individually and decentralized by any company if the geographical dispersion of companies, and the same as the goods required by any company. According to the above description, several manufacturing companies that focus on a geographical area and produce similar goods can form a group and perform their raw materials through centralized purchases and make sufficient use of this type of purchase. For example, as manufacturing companies of the hand-made rug industry live in a geographical area, and they all need the same raw materials as silk, they can do their shopping in a focused and group-oriented way. Some of the benefits of centralized shopping are: in the use of the human force Saving costs related to purchase and transport save time to get discounts in large amounts Analysis of Market Risks The price reduction of the finished commodity by removing intermediaries and thus improving productivity and financial performance is the central purchase of raw materials as follows: 1-Conclusive centralized shopping network: As the first step for centralized buying operations, manufacturers who wish to buy the same raw materials are centralized and not; bonded, formed a team and act as a logistics unit. 2- Selection of raw materials sales: After the establishment of a shopping network by manufacturers, the selection of a sales source or supplier via embassies, Chamber of Commerce, the review of books, magazines and catalogs ¬s, or the Internet. 3 – Sales terms demand: In any foreign purchases, the terms of sales of sellers such as price, pay conditions, the delivery time is essential for any sales source. 4- negotiation: At this stage, which is usually discussed about price setting, the issue of discounts is also important. At this stage, if the results of the negotiation were positive, the next stage of the purchase is to be made, otherwise it will return again from the second phase, the selection of the sales source. 5 – Proferma: Proferma or pre-agents include the terms proposed by the seller such as the full profile of the name and address of the seller and buyer, type of goods, unit weight, total price, payment terms, date of credit, country of origin and destination, the time of transport and delivery of goods;/p> 6- Set the contract: the purchase contract is signed after the negotiation between the buyer and seller and a definite decision to buy and sell. In the purchase contract, the duties of each party are determined and not; 7 – The legal authorization of entry of materials and the opening of credit by the bank: This stage is related to the opening of documents that the buyer has provided documentation to the bank for the application of credit opening, and the bank of the credit process is also valid after careful and quick examination of the applicant’s documents; 8 – Sending raw materials by the seller to the buyer’s country: This stage, which includes transporting goods and not; is accepted according to the cases listed in the contract. 9 – Entry of raw materials to the country and its clearance from Customs 10 – carrying raw materials from customs to buyer store & The summarised research in the Journal of Economics – No. 16 Complete article in the Journal of Business Review – No. 84 and 85

Publish Date : 1399/10/07

Creator : (The Chief Executive Officer in the Hand-made Carpet)

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Review the barriers and provide e-commerce methods in the development of Iranian handmade rug exports

چکیده the presence of some problems in the field of marketing, supply and provision of post-sales services to customers in global markets has caused significant problems for the hands of iranian hand-made rug industry vendors, and despite the product supply, we see the decline in iranian hand-made rug production and export in recent years, and in general, more than other competitors abroad. in this research, it has been attempted that by exploring various models of e-commerce and studies conducted in this context, how to apply and use of participatory systems, a model for the barriers of electron trade in the export position of iranian handmade rugs, and through questionnaires and taking into account the five points of μ=3 as the elements of the iranian model were proposed in a few ways to export the production of the production of the goods and scale of the world. problems and barriers related to information infrastructure 2 – problems related to infrastructure law, rights and security 3 – problems and barriers under human structure, education, culture and behavior 4 problems related to customs, merchant and tax structures 6 problems related to technological and hardware structures under financial and software structures. keywords: e-commerce/electronics and e-commerce/processors/wires / hand-made/collectives

Publish Date : 1388/07/01

Creator : Dr. Ibrahim al-Haqir is the guardian of the Covenant

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In the field of Iranian hand-made carpets

Forum & Rob; to category &; you are told that to't;; voluntarily, they come together to think together in a field; and tai;strong > Trade Forum; a forum in which people have the same is therefore the most important point among members of a business forum in the first place to perform the same activity and profession and then to have a common purpose, language and concern in their business field that come together with confidence.

Publish Date : 1402/07/09

Creator : (The Chief Executive Officer in the Hand-made Carpet)

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Time, slowness and co-ordination, a different look at Iranian rug | special dialogue with Master of Honours, Lecturer and researcher of Handmade Carpet.

"It is a world that is calm.‌And the oven." The Iranian carpet is a narrative of the human being’s bio, which flows in every node, in the dice and the prophecies.‌He has it.: Time time.A rare and unique element in human life that is not the same.‌He says, from slowness, and from consistency, of those who spend time not as something to spend, but as an element of the creation of meaning.‌They are.. At a time when the world is overwhelmed by the speed and technology, one of my concerns, at the moment, living in the present, and understanding of time.‌O thou who hast spoken unto me,‌And he who has always taken a deep and different look at the Iranian carpet.‌Fer, Professor of Kashan University and researcher‌The familiarity of Iran’s hand-made rug that has always been a source of inspiration in this conversation, from his perspective on three elements.Time, slowness and consistency in Iranian rugsI asked him what he might have heard in today’s life.‌But in the depth of the Iranian carpet, they have a strong and historical presence.‌They can restore us to our inner, calm and authentic life again..And they say some of their precious words.‌I will.

Publish Date : 1405/01/22

Creator : The knowledge of the knowledge of the master.

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Time in the context of nodes: Philosophical reflection on the concept of time in Iranian rugs

In a world where speed is measured.‌So fast, the discourse is the master of everyday life, the arts that invites us to the moment, reflection and presence.‌They need more than ever.‌In this case, the Iranian rug, with a thousand years of history and a lasting effect, is like a cultural context that not only returns time.‌Rather, it is recorded in itself.‌This article is an attempt to re-read the concept of time in texture, plot and role, structure and inner meanings of the Iranian rug, from an intertwined perspective.‌A philosophy, beauty.‌Biology and people.‌And he binds together.‌She is crying..

Publish Date : 1404/03/20

Creator : Iranian merchant, producer and activist in the field of Iranian handmade rug

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And the time and time, and time,

In the age of human beings,‌And the fall of meaning, where all things mean short term.‌In the age of habit to be consumed and then discarded, it’s easy to talk and write about a rug like a rug and writing.‌and will not end.‌It is worth it, but with consumption.‌In this regard, the spiritual and material capital of life.‌It is hard to write from the carpet because in the age of the house.‌and the people of Paradise and Adam.‌Memoryless rugs have little opportunity to breathe along with humans, but writing a thousand pieces of rugs every time is a favor that is less writer.‌O eyes of it,‌Wearing.

Publish Date : 1404/03/20

Creator : Mehdi Rosen, PhD student of Philosophy of History

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This article is not the case, but it is an attempt to answer what Iranian rug is.

Even though ancient discoveries still exist.‌And, by the way,‌The face is wide and astonishing.‌And they have a variety of flowers and carpets.‌History is against us.‌But the main question remains for the examiners.‌In addition to the Enlightenment in primary functions, it is a form of autopsies in the form of an autopsies.‌and the shape of the palm.‌title of a phenomenon.[1]It’s social and a pre-emptive note.‌It's coming.. [1]phenomenon or phenomen.Phenomenonword word word.‌It is a philosophy that is called every visible and experienced event (independent or indirect) in Persian language."Seed."There are two of them, and they are visible.

Publish Date : 1404/06/20

Creator : The Iranian-made carpet researcher

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Carpet as a miniature canvas: A fresh narrative of Iranian rug with Iran’s Sinai Race

"The sense of curiosity and pleasure that exists in the touch of handmade rugs and living with it is far more and more valuable than watching it." In the year.‌More recently, the art style of insight.[1]It has attracted me more than anything else, which is why in cyberspace and the internet, it is always new.‌Follow the news about this style.‌About two years ago, when reviewing the artists’ pages of this area, I filmed Alex Gray.[2]I was sitting next to the carpet.‌with a map.‌In the same post, the name of the creator was mentioned:Sinai Iran.‌Race.. [1]- Visionary Art [2]from known.‌It was made.‌Best and most influential face.‌The art of vision.

Publish Date : 1404/06/20

Creator : Saeed Fishing, researcher of Iranian art and hand-made rug

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Identity openings in Iran’s contemporary handmade rug: hand-made rug critique of “war and peace” by faithful honey.

IntroductionIn contemporary society, critique of an essential tool for dealing with complexity‌The growing arts has become today’s art because of its characteristics.‌like the foundation.‌Discipline, identity rethink, addressing social issues, passing through style.‌Science and beauty.‌Classical Biology, concept.‌Main and pluralism in form, matter and meaning, constantly new dimensions.‌You are.‌And every day, it will be complicated.‌It's more.‌It will become. In the lack of cash.‌Many, many layers.‌Forms‌Cognitive, beautiful.‌Cognitive, intellectual and social works of contemporary art.‌And that is what it does.‌It can lead to understanding, denying and even exclusion of art from the audience, so artistic critique transcends a purely descriptive role or value.‌It has become an analytical and interpretive paradigm that is capable of layering.‌Multiple Beauty.‌Cognitive, social and context.‌To reveal the works of art and to the possibility of deep understanding.‌More than that.‌And he made it easy for him to do it.‌He moved to the understanding of contemporary art..

Publish Date : 1404/06/20

Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training

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A hand-made rug, an art that sits on the ground, a dialogue with the wisdom of the farm, Iranian handmade rug designer.

Farm wisdom is born in 1359 in the city of Gorgan, this young designer of handmade rugs in 1381 to 1381.‌random face and seeing a few flowers.‌They are full of magic.‌Hand of hand.‌He became Iranian, and despite his family’s inner desire.‌She decided to take this field at college to college.‌Follow seriously.‌His promise is to fight for art that is not so valuable at university.‌It was, and perhaps art is not known at all.‌He was born in 1385 from the University of Art of Tehran.‌He was taught and walked in a path that was determined to succeed.

Publish Date : 1404/06/20

Creator : ← Siddham, a PhD in Art Research, Designer and Idea Design

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Look at recent news and events in different areas related to hand-made rugs

First event: How did Iran’s National Handphone Day go? 20 For the National Week of Iranian Handmade Carpet‌Henry Olden and the symbol of Iranian culture and identity this week is an opportunity to pass the heritage of carpets, emphasize its preservation and promotion, and reminding his important role in the domestic and global markets and transfer this treasure to the generation of the treasures to the generation.‌Futures..Let’s look at the events of this great day...

Publish Date : 1404/06/20

Creator : The Iranian public relations unit.

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Look at the signs of the sale and export of the hand-made palm

In the second hand-made number in the ‘eye size’ section with Mr. And he is a gravitate.We were the head of the union of hand-made rug exporters, a person who recently held this important responsibility. They have been working for nearly four decades in the field of production and export of hand-made rugs, and are known as expensive experience. Mr Kazemi emphasized the trust and co-workers of the hand-made rug class, notes that four courses have been active in the board of production and sale of hand-made rugs and five courses in the board of hand-made rug exporters. Now, in addition to the head of the union of hand-made rug exporters, they play as treasury and members of the board of directors of the Chamber of Commerce. He believes that this is the result of the trust of colleagues and the accompanying Iranian hand-made rug community. We will continue to pay their operational plans and prospects for improving sales and expanding the export of hand-made silk carpets..

Publish Date : 1404/06/20

Creator : Iranian content production unit node

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How to define the intrinsic value of Iranian carpets in the market?

In the carpet market, usually dominant.‌The most important question is:«How many of these pieces are?»A simple, short and seemingly rational question, but the same question, and the apparent questions of such a question, the boundary between it.‌What you saw?‌and it, and‌What they ignore.‌They reveal the truth.‌Iranian carpet, before.‌which sets.‌One of the nodes.‌It is the collection,‌from time.‌and the bio,‌They, beliefs and narratives.‌But the market, often when converting the value of the rug into numbers, is this layer.‌determining.‌He ignores the receiver.‌Or to take it or‌It's hard.‌It can.‌Translate them..

Publish Date : 1404/12/20

Creator : Iranian merchant, producer and activist in the field of Iranian handmade rug

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Review of Iranian trade and carpets from the Safavid period so far

This review article.‌Set on Iranian rug trade and value from the Safavid period to the contemporary period (the time opening of 1300 to 1370), in which to the start of Iranian rug trade during the Safavid period, the development of Iranian global rug trade in the Qajar period and the Iranian rug value in the market within the period of 1300 to 1370 of the Solar Solar Sun.‌It was made.‌It is.

Publish Date : 1404/12/20

Creator : The Magician, the University of Kashan

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In fact, they are the ones who are in the right place.

If we consider it an act of gravity, neither judgment is merely a pleasure, nor a poetic or philosophical expression of the matter.‌Cash, before everything, is an attempt to understand the effect, recognize the characteristic.‌They and why it works.‌It can be important for art audiences in modern history. And contemporary art, this understanding has always been formed in a direct proportion to the art market, an institution that bases the effect in the social world.‌And wait for that horizon.‌He is the one who makes it easy to judge.‌The art market, unlike the common imagination, is not merely an economic exchange field, but one of the fields of the field.‌There are indications in which art is defined, described and evaluated.‌and shall be judged.‌How do you see an effect?‌What awaits him?‌And what is the foundation of value?‌They are investing.‌It depends largely on its position in this economic field.

Publish Date : 1404/12/20

Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training

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Take a look at the most important recent events of hand-made rug.

First event. International Exhibition of Research, Technology and Technology‌Market and advertising, marketing. 1404 Official story of what you are talking about.‌We read: 2020‌The show between‌International Research, Technology and Technology‌Market and 20‌The exhibition between‌International advertising, marketing was held.

Publish Date : 1404/12/20

Creator : The Iranian public relations unit.

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The story of a “time” designer in the hands of Sir Mary.

In this context,‌from the«Time time.»In Iranian handmade rugs, especially carpets‌Designed or designed by the Lord.‌For this purpose, it is necessary for this purpose before everything to have a hand-made rug ratio with the concept of the concept.«Time time.»Let’s identify the point of view.‌Iran’s unique rugs say this.‌At least in three senses: The first effect.«Time time.»In the works of an artist such as the Lord,‌O and the artist's style.«Over time.»He knew that under the shadow.‌Heavy time conditions such as political, economic and social conditions, the artist has made changes in his art.‌These conditions in Persian.«Time.»They would eat.‌They say they seem accurate.‌Best and appropriate.‌The most important word is the effect of the time on the works of an artist such as J.S., it is important because in time.‌And he is the one who dwells in the darkness.‌He's in.«Part 1»to this. The category is paid. In the second sense.‌How to Open the Element«Time time.»In Iran’s hand-made rug, it is based on the position of time as a place of time.‌A Samantha.‌The donor.‌And they will be able to do the magic of the hand.‌In this section (second) the cash is believed to be common.‌Iranian art, then.«Unless.‌Time time.»Names.‌They entered, and instead, the Iranian rug is dominated.‌The system.‌from the«Time of non-disclosure or time.»It was known. In the third part, when the process of creating an Iranian hand-made rug or in a sense that«Part 3»It is said, in the sense.«Slow slowly.»In the process of creating an Iranian rug. ‌It is.

Publish Date : 1404/03/20

Creator : Professor of Art Research

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← Understanding carpet fibers and hand-made tips to keep them from them

Because of all the carpets.‌Iranian handmade fibers are woven from natural fibers such as wool, cotton and silk.‌They are aware of the character.‌These fibers in the maintenance and care process.‌of special importance.‌It is possible that the structure of an Iranian handmade rug is entirely composed of wool or silk fibers, or a combination of wool, silk and cotton.‌The title of Tar or Pop.‌And they will be in the midst of the dust.‌They can too.‌The title of Tar, both Pooh and Perez in hand-made rug texture.‌Continue, variety of fibers, feature.‌The unique effects of each and the impact of environmental factors on it‌The reviews will be explored and finally, important points will be provided regarding the correct maintenance of Iranian handmade rugs with natural fibers..

Publish Date : 1404/03/20

Creator : And the world’s guidance, the healing, and the furniture.

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← Iranian hand-made palms.

Good luck.‌Iran’s hand-made rug has a cuddle.‌It is a great part in the field of research, which is each of the banks.‌That culture and art of the Iranians.‌Good reflection.‌Give it.. History, society.‌Biology, Technology.‌texture and color, design.‌Men and women, human strength, skill, skill.‌Repair and rebuild, economy, idea.‌Creativity and creativity.‌Manufacturers and ... are research topics and approaches that have been attended by the University in the past two decades.‌Favorite researchers and researchers.‌Iranian traditional culture and art have been considered.‌They are..

Publish Date : 1404/09/20

Creator : B. B. Master, a faculty member of the University of Art, Teacher and researcher hand-made rug.

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In the Qur’an, the Qur’an is a reminder of the magic of the earth.

A little over a century of urban rug production.‌They came by the immigrants who came from Kashan.‌This time is a short life compared to cities like Kerman, Tabriz, Isfahan, Mashhad and many other cities producing carpets in Iran.‌But in the short term, that is the same.‌Like Cecil Edwards before.‌He saw it, the palm of the mountain.‌reputation and reputation in terms of texture quality, design and color‌Then he turned away.‌species of species.‌You who are today,‌Especially in the production of all the silks, the horn of the other cities has been hijacked and so on.‌There is a quality and beauty that some cities have been copied from the plot.‌colors and colors.‌The carpet.‌From this city,‌They call their names.‌They will do it..

Publish Date : 1404/09/20

Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology

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In the passages of time: the history of the so-called "peaceful" carpet, the true virtue of the righteous.

In contemporary times, we stand over history.‌We are a lot of texts, images and material objects.‌Beyond the past, history is against the eyes of the contemporary man, not as a single and continuous line, but rather a narrative of narrative.‌And they are the ones.‌It turns.‌It makes the layer.‌They will reveal the past in connection with each other.‌Create a history.‌Not in the past.‌One of the signs.‌separate, but the system.‌One interaction.‌interference, interference.‌And, too,‌retreat.‌and layers.‌grading.‌It has been a host..

Publish Date : 1404/06/20

Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training

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Old recognition and authenticity in Iranian handmade rugs

An analytical approach to visual and technical signs.Recognition of the age and authenticity of a hand-made rug is one of the most difficult undergraduate discussions in the field of Iranian handmade rug. This process, more than based on the public appearance of the effect, relies on deep recognition of the history of texture, technical structure, color system and cognitive design characteristics. Handmade rugs, like any other artwork, carry signatures and cues of their time, and each node can be a document of social, technical and aesthetic transformations of a period..

Publish Date : 1404/06/20

Creator : And the world’s hand-investment, producer and lecturer

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Look at the horizons for sale and export of hand-made silk

In the second hand-made number in the ‘eye size’ section with Mr. And he is a gravitate.We were the head of the union of hand-made rug exporters, a person who recently held this important responsibility. They have been working for nearly four decades in the field of production and export of hand-made rugs, and are known as expensive experience. Mr Kazemi emphasized the trust and co-workers of the hand-made rug class, notes that four courses have been active in the board of production and sale of hand-made rugs and five courses in the board of hand-made rug exporters. Now, in addition to the head of the union of hand-made rug exporters, they play as treasury and members of the board of directors of the Chamber of Commerce. He believes that this is the result of the trust of colleagues and the accompanying Iranian hand-made rug community. We will continue to pay their operational plans and prospects for improving sales and expanding the export of hand-made silk carpets..

Publish Date : 1404/06/20

Creator : Iranian content production group of nodes

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Iranian rug museum landscape, a look at the new path of management, preserving the originality and future of Iran’s Carpet Museum, speaking with the head of the museum’s museum, Mohammadjud Slow, president of the museum

In the third edition of the Journal of Handbayev in the Part of the “Surely Eyes,” this time we moved to Mohammadjudyan, the young and highly sought-after director of Iran’s Carpet Museum; a manager born of 1367 who has taken a background in adult education management and tourism development, two years ago leading one of Iran’s most important handmade rug identity centers, Iran’s Museum of Iranian carpets..

Publish Date : 1404/06/20

Creator : Iranian content production group of nodes

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Art critique in Iran’s contemporary handmade rug: from the lack of ancestry to the roadmap for the new generation.

Introduction Iran’s contemporary hand-made rug from few phenomena‌In the world of art,‌It can too.‌Cover the floor time and conquer the gallery wall.«Also, too.‌Time time.»Not a simple event, which is the modern and reflectable nature of Iran’s handmade rug, in that unit, an applied object for everyday life, an artwork with the visual system of the organization.‌It was an economic product and a skilled product.‌Carpet, rug, carries Iran’s historical and cultural memory and sequencing style style.‌tradition, tradition.‌Visual and transformation.‌And the taste.‌Beauty.‌← Psychologists.‌O thou who dwells in the centuries.‌In this continued civilization, they maintain themselves.‌and return.‌They are shining. In contemporary times, on this layer.‌Before available, layer.‌new ones.‌And it is the one who has made it.‌Especially in the realm of art, complex.‌On the one hand, contemporary art is made with the logic of concept.‌Question and question.‌No, no, no.‌title of a decorative commodity, which‌as media.‌For an idea.‌The narrative,‌and worries.‌Today’s people are served.«Art of texture.[1] »From the second half of the twentieth century, the boundaries between the high art and the crafts of hands-on, fibers, nodes and textures to the light.‌The title of the independent language of artistic expression is recognized. in this new situation, technique is the technique.‌Traditional ovens are no longer just the means of producing a commodity, but the media itself.‌For the creation of art.‌They come too.‌Time, expansion.«Design design.»to‌The title of a paradigm that blurs the boundary between the functional object and the artistic object has shown carpets in a new realm, where a rug is a rug.‌It can too.‌Time of a floor.‌A visual statement is a consumer product and a collection effect, thus, Iran’s hand-made rug that previously floated across the borders of art, culture, history, economics and industry, now within the realm of art itself with a new multiplicity.‌Amidst traditional art, contemporary art, the art of texture and design is encountered and«Being in the middle.»Contemporary rug to a very complicated situation.‌He has become more. This is a few characters.‌Ability through two distinct theoretical concepts but complementary facial expressions‌The first concept,«border object.[2]»Star and Ferrari in the community‌Science is introduced.‌They are concept.«border object.»In this theory, to object.‌It points out that while maintaining its material integrity, it is possible to interpret differently among the system.‌They provide knowledge and social heterogeneity.‌They will do it.(Star & Griesemer, 1989)This concept provides an efficient framework for understanding Iran’s contemporary handmade rug.‌It makes sense because hand-made carpets operate in their contemporary state not in a single semantic system, but at the intersection of several knowledge regimes, including art, design and market,‌Along this reading, the situation.«Among the‌It was you.[3]»They will.‌power to‌As a cultural dimension.–Theoretically understood that it refers to the possibility of generating meaning in midway spaces, where identity, meaning and value are attributed to the possibility of producing meaning in midway spaces where identity, meaning and value.‌face stabilized.‌They do not exist, but in the process of continuous exposure and translation.‌They take this situation.‌power in relation to concept.«Third space.[4]»Father's face.‌He said, where the meaning is.‌Liquid space between tradition and modernity, center and around, and the domestic and global production.‌It will become (Bhabha, 1994)As a result, the contemporary rug would take Iran.‌power to‌title of a title.«Border object is translating.»He also considered it.‌Time is present in several systems of knowledge and its meaning and value not through stability, but through the same situation, suspended and intertwined.‌It was shape.‌Take it. Combining these two concepts, the exact picture.‌More of Iran’s contemporary handmade rugs.‌And the carpet, on the one hand, as a«border object.»Between the world.‌There are different social groups and between them.‌Translated.‌On the other hand, as a phenomenon.‌with a feature.«Among the‌It was you.»In none.‌One of these worlds.‌to them.‌Not completely solved.‌And it keeps a unique, fluid and multiple identity.‌From this point of view, the contemporary rug of Iran’s hand-made rug.‌power of one.«border object.»He knew that his identity was not exclusive to a field, which is exactly the same.«Being in the middle.»And floating between different realms.‌It is the boundary that is the horizon.‌The future of the hand-made carpet.‌Maybe the carpet is hand-made.‌It can too.‌Time of a floor.‌Applications are at home, a luxury in the market, a visual document at the museum, a conceptual statement in the gallery and a design effect.‌Based on a design event,‌And none.‌One of these roles.‌They will reject other things.‌You need an analytical framework that can.‌Time for all these funds. There are literature on Iran’s handmade rugs, with all breadth and length.‌It was mostly based on approaches that each given one aspect of this border phenomenon.‌They are research.‌Historical, hand-made carpet to‌As a document from the period.‌Previous studies.‌And cultural and cultural studies, it to‌symbol of Iranian identity.‌Technical and economic approaches also analyze hand-made rugs in a workshop product.‌They are based on the‌Number, raw materials and scalable market mechanisms‌It's also packed.‌Time, an interpretation of the design and role, followed by decryption of hidden symbols and meanings, and the style of interpretation is hidden.‌Regional Biology.‌And they tried to do it.‌Organize them according to texture geography, each of these approaches has made a part of the truth of hand-made rug.‌They are, but nothing.‌One as one.«border object.»I haven’t seen it.‌His identity is not in compliance with a framework, which is right in line.«Among the‌It was you.»And a sail between it.‌shape.‌Take it. Understanding and recognizing contemporary handmade rugs as one«border object.»It still requires a conversation that can handle these few steps, not in history.‌He is a journalist.‌It can be found, not in style.‌Biology, not in analysis.‌Technical and economic approaches, because each of these approaches, according to its nature, inevitably sink the hand-made rug into one of its funds.‌They are the discourse they make.‌It can not be a few.‌title of a class issue.‌by which,‌The title of the basic nature of the hand-made rug, and from the heart of this acceptance, it is possible.‌new ones.‌You will open for the future of Iran’s contemporary hand-made rug,«Henry's critique.»However, such a discourse has always been absent in Iranian hand-made rug studies. What criticism of history‌← Style, Style.‌Biology and technical description are separate.‌Not only the method of analysis,‌It's time-consuming history.‌Poetry to the past.‌Do not look at it, nor do it.‌Biology within the framework of known rules.‌to the floor.‌The works.‌Paying.‌In fact, in his own nature,«Contemporary contemporary contemporary»It's now, he's going.‌and possible.‌They will take the future.‌Maybe they are.(Belting, 1987)If history.‌Ask the hand hand-made carpet.«How do you find this magic?‌Does it take?»cash,‌Asked.«What is the possibility of this hand-made rug for the future of Iranian handmade carpets?‌Or maybe?»This direction.‌The future.‌Then he turned the cash into a conversation.‌It slows it.‌It can also be with contemporary handmade rug dynamics.‌Take a step, unlike history.‌And the past is fixed.‌Kennedy, it's from the past.‌And the way.‌He will bring them to the new generation, and the horizon.‌new ones.‌Open for this artistic heritage. [1] Textile Art [2] Boundary Object [3] In-Betweenness [4] Third Space

Publish Date : 1405/03/18

Creator : Mehdi Farmer | Associate of Art Research Department of University Teacher Training

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The future that is designed is not a repetition of dialogue with the magic of the New Generation in Iranian rugs.

Magician, hand-made rug designer, including new generation designers, is a career path.‌You are at the point.‌He created many young people today.‌There is a place between choice and doubt, between tradition and innovation, and between what they learned.‌And what they are in reality.‌They become. He entered the field of hand-made rug design at Tehran University of Art in 1384, a choice that he said was not quite conscious at first, but soon became a path with which he felt deep belonging.‌First educated, from one.«academic degree.»to one.«ecological.»It became the soul in it.‌The clock.‌They sat down, among the rules of the root.‌Designed, St.‌Historical ideas and ideas.‌He moved and reached a new mix. And the design of the palms.‌You are.‌He knows in it, too.‌Time with an accurate and structured system.‌At the same time, there is also the possibility of creativity and unconsciousness of the artist.‌A kind of reflection is the status of a generation that must be a legacy of consolidation.‌Revisioned in a changing world. Professional path.‌O you, after the end of the education, he started from limited and dispersed works, from Eddie and the reform of the map.‌In the field of machine rugs to gradually enter independent design. the turning point of this path was the presence of Iran’s rug company and working alongside the poor professor; experience of experience;‌He says, second.‌to‌The second was learning for him. He goes on with different manufacturers in style.‌Different regions and regions.—From the place to the right,‌And the tribes.—He has collaborated and this diversity is one of the most important.‌The biggest growth factors are growing.‌Along the way, the teaching of hand-made rug design and production experience is also part of his work, where he tries.‌between education, experience and practice, establish a real link. For Ilkhan, the design of a hand-made rug is not a job, but a separation.‌It is an inescapable of life, as far as he says, from morning to night his mind is involved in the map.‌ideas, idea.‌There are signs and images.

Publish Date : 1405/03/18

Creator : Siddham, Ph.D. of Art Research, designer and idea-making in the field of traditional design

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How could the new generation narrative help develop Iranian rugs for the future of Iranian handmade carpets using storytelling?

Introduction Iranian handmade rug is part of Iran’s cultural, historical and social identity.‌In each hand-made rug,‌One of the symbols, color.‌mix, mix.‌grading.‌and narratives.‌There are signs that come from the century.‌Experiences, joy, belief and lifestyle of the people of this land. However, in today’s world, lifestyle, communication and taste of generation.‌The rapidly changing, relying only on the historical background of the Iranian rug is not enough to maintain its place. the Iranian handmade rug to continue life and effectively present in today’s markets and cultural space requires a new redefinition, narrative and communication with the young generation. One important one.‌The most important tools for achieving this goal are stories.‌A story or a story.‌They say.‌It can turn carpets from a purely decorative object into a cultural and emotional experience. a young generation also because of more familiarity with the media.‌New, Digital Space and Method‌New communication, you.‌It can play an important role in this path. In this part of the teaching.‌Handwritten, review.‌How the New Generation Is New‌You can use the story.‌Speech helps maintain, introduce and develop Iranian handmade rugs without damaging its authenticity and identity.

Publish Date : 1405/03/18

Creator : Expert, producer and hand-made furniture.

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