Magician, hand-made rug designer, including new generation designers, is a career path.‌You are at the point.‌He created many young people today.‌There is a place between choice and doubt, between tradition and innovation, and between what they learned.‌And what they are in reality.‌They become.

He entered the field of hand-made rug design at Tehran University of Art in 1384, a choice that he said was not quite conscious at first, but soon became a path with which he felt deep belonging.‌First educated, from one.«academic degree.»to one.«ecological.»It became the soul in it.‌The clock.‌They sat down, among the rules of the root.‌Designed, St.‌Historical ideas and ideas.‌He moved and reached a new mix.

And the design of the palms.‌You are.‌He knows in it, too.‌Time with an accurate and structured system.‌At the same time, there is also the possibility of creativity and unconsciousness of the artist.‌A kind of reflection is the status of a generation that must be a legacy of consolidation.‌Revisioned in a changing world.

Professional path.‌O you, after the end of the education, he started from limited and dispersed works, from Eddie and the reform of the map.‌In the field of machine rugs to gradually enter independent design. the turning point of this path was the presence of Iran’s rug company and working alongside the poor professor; experience of experience;‌He says, second.‌to‌The second was learning for him.

He goes on with different manufacturers in style.‌Different regions and regions.—From the place to the right,‌And the tribes.—He has collaborated and this diversity is one of the most important.‌The biggest growth factors are growing.‌Along the way, the teaching of hand-made rug design and production experience is also part of his work, where he tries.‌between education, experience and practice, establish a real link.

For Ilkhan, the design of a hand-made rug is not a job, but a separation.‌It is an inescapable of life, as far as he says, from morning to night his mind is involved in the map.‌ideas, idea.‌There are signs and images.

Image 1: Magic, Iranian handmade rug designer

• How did you enter into the design of the hand-made rug? 

I arrived in the field of handcrafted rug design at Tehran University of Art in 1384, perhaps at first this choice was not entirely accurate in recognition, but I soon realized that this path was perfectly coordinated with my spirits.

from the same year.‌First, handmade rug design for me became something beyond a string.‌That clock.‌I sit in my own house and plan.‌I work, I enjoy it.‌I took that.‌I can learn.‌Rules of hand-made rug design and tradition.‌With the idea.‌I mix new ones, it was interesting for me.

I think rug design is a perfect blend; there is a tradition in it, both contemporary looking, both art and industry, both personal creativity and the need and taste of the audience.

• How much did the college education experience prepare you to enter the real market?

University gives us a very important foundation.‌We teach the principles of design, structures and rules.‌But the reality is that much of the path is formed after college.‌Take it.

For me, real work started when I entered the market and with the producer.‌I worked every producer.‌O I worked with, he taught me something new.‌There are many different things like magic and magic.‌Modern ones.

In fact, we learn a theoretical base at university.‌It's the market that makes us step.‌to‌Step ahead.‌and cooked.‌slow.

 Image 2: The corner‌From the magic of magic.

• Design for you where you start.‌From a personal idea or a market?

For me, design almost always starts from order.‌It doesn’t happen that without a clear purpose, I just want to make a plan.

The first thing they do.‌This is how I check the order carefully.‌I order it.‌What does the recipient do?‌Will and important.‌More than that, what definition of«Good carpet.»She has it later.‌I'm going to make his previous productions.‌I see what is beautiful.‌He knows.

Because really taste.‌What is beautiful for one person may not be for another.‌My own design principles, experience.‌ideas and ideas.‌I am on the same path.‌Ten and try.‌I get a single result.

• thought.‌Take this confrontation.‌How much you said about this.‌Are you a new generation of designers?‌Is it more?

thought.‌I look at some of these circumstances.‌Our generation has entered the labor market at a time when the gap between academic education and market reality is very tangible.‌It was better, and if he did not understand this distance.‌We did, virtually, not.‌We could work.

That’s why maybe a generation.‌Before, different.‌More and more serious.‌We faced the market more and learned to see the design in relation to a real order, a clear taste and a possibility of production.‌Rather, the path of shape.‌The idea is different.‌The idea does not form in a vacuum.‌He said, but he said.‌Talk to the market, with the manufacturer and with the audience.‌Take it.

I think this is in many young designers because they have to.‌Time to see a few things together: both the origin of design, the possibility of production, the sale, and the continuation of work.‌More recently, they had the opportunity to be in a certain space.‌They work harder, but we are in situations where we have to adapt ourselves.

At the same time, it’s not just a limitation, it’s an opportunity because when the designer can recognize the market and keep his eyes, the result concludes.‌It can be something that is both identity and can be found in the market.‌I think the main challenge of our generation is exactly the balance.

• On this path, has the market or producer look changed at you?

There have been a lot of times I initially disagreed with a producer and thought.‌I didn’t have a good result, but when I did it, I saw that the result was good.

This experience.‌I knew I shouldn’t look at the manufacturer or experience.‌O thou who is behind it,‌It was underestimated.‌They have market experience and this experience is very valuable.

Even once in a job for one producer.‌I did it, I was asked to combine the structure of a map with the flaws at first.‌I had a good result, but eventually it was successful.

This is this.‌It’s what you just learned about working with the market.‌It becomes.

• How the design position is in the final value of the hand-made rug‌Do you see?

I think the value of a hand-made rug is the value of a collection.‌There are no factors.‌It can only be considered the design. raw materials, colors, textures and all steps together take a good handmade rug.‌Create.

But at the same time, the first thing you are talking about.‌Our audience is not just experts; they are all people, so it is the plan that creates the first connection.‌slow.

For this reason, design has a very important role and will always have it.

• Are you planning to change or abandon a plan for the market?

Yes, that happens.‌Sometimes the order.‌The idea.‌He is different from my taste and I have to do it.

In such cases, the result may not be perfect in my opinion, and even in my mind it is a favorite thing.‌I don't know, but that's part of the job.

Of course, I think the best thing is that the designer and the producer can convince each other if it is an opportunity that the designer’s idea runs and then changes will usually be better.

Image 3 and 4: Examples‌A map.‌Designed by Magic Ilkhan in order to restore the works of Iranian carpets in Iranian rug company

• How the Experience of Presence in Iran’s Carpet Stock Company influences the career path‌Have you?

This course was a turning point for me. working alongside a poor professor was really valuable to me.

I remember in one of the things, the map.‌I had been pulled, and they were part of it, and they said that you had to work again, that was a very difficult moment, but when I came back, I saw how much better it was.

This experience.‌It made me very advanced, really every moment.‌I learned something there.

• How did teaching experience affect your look at the new generation?

Teaching for me so much pleasure.‌Part, even more important than design.‌The most important thing in education is the idea.‌It's an excuse.

Students.‌I don’t need everyone.‌You know the whole thing, but you have to think, I love every student to find his own path.

At the same time, she always emphasized.‌I don’t forget to know the market and the principles of design.

• Have you ever made the idea?‌My personal people think.‌Are you?

Yes, yes, I think.‌This is the wish of most designers.‌They produce themselves.

For me, in the course.‌I was in Iran’s carpet company, it was possible that the plan was proposed.‌I am in the shape of the palm.‌I saw it and that was a great experience.

After that, along with two of my friends in Shiraz, we started to produce flowers and go to compete with the producer.‌It was not big, but to experience the production process.

From buying raw materials to connecting with bots, all of these are.‌Experiences.‌I was looking at my full design.‌It becomes more.

Image 5: Examples‌Flowers of flowers produced by magic.

• Question: How do you design the future of hand-made rugs?‌Do you see?

I don't think.‌From technology and progress.‌It was far from AI and new tools.‌can help.‌They are boring, but they don’t think.‌I can take the place of the creative mind of a designer.The real design of imagination and experience forms.‌Take it.

• Important important.‌What is today’s most challenging designer?

One important one.‌The most challenging challenge.‌The price issue.‌Designers need to negotiate for their wages and this is simple.‌It is not.

It takes a lot of time to design.‌But a clear framework for price.‌There is no change and this is a bothersome thing.

Image 6: Released from Open Carpet‌The Safavid period with the opening of the magic of Ilkhan to the order of the Order of Julius and Al-March 1404, Iran's Carpet Museum.

The Magic Kingdom is the story of a generation that does not design hand-made rugs.‌The title of continuing a path, but also to‌The title of a conscious choice is chosen in today’s circumstances.

In this story, the future of Iranian carpets does not define the continuation of the past.‌Rather, it is formed in its redefinition.‌Where the designer between experience, market, education and creativity creates a new balance.‌slow.

What he said in this‌Dialogue is outstanding, not just the path of a designer, but a look at the future.‌In which the Iranian carpet continues to live.‌But with the language that the new generation forms.‌Give it.