38 Article found
Do not compare hand-made rugs with any other floor...
Publish Date : 1402/08/05
Creator : (The Chief Executive Officer in the Hand-made Carpet)
"It is a world that is calm.And the oven." The Iranian carpet is a narrative of the human being’s bio, which flows in every node, in the dice and the prophecies.He has it.: Time time.A rare and unique element in human life that is not the same.He says, from slowness, and from consistency, of those who spend time not as something to spend, but as an element of the creation of meaning.They are.. At a time when the world is overwhelmed by the speed and technology, one of my concerns, at the moment, living in the present, and understanding of time.O thou who hast spoken unto me,And he who has always taken a deep and different look at the Iranian carpet.Fer, Professor of Kashan University and researcherThe familiarity of Iran’s hand-made rug that has always been a source of inspiration in this conversation, from his perspective on three elements.Time, slowness and consistency in Iranian rugsI asked him what he might have heard in today’s life.But in the depth of the Iranian carpet, they have a strong and historical presence.They can restore us to our inner, calm and authentic life again..And they say some of their precious words.I will.
Publish Date : 1405/01/22
Creator : The knowledge of the knowledge of the master.
Time in the context of nodes: Philosophical reflection on the concept of time in Iranian rugs
In a world where speed is measured.So fast, the discourse is the master of everyday life, the arts that invites us to the moment, reflection and presence.They need more than ever.In this case, the Iranian rug, with a thousand years of history and a lasting effect, is like a cultural context that not only returns time.Rather, it is recorded in itself.This article is an attempt to re-read the concept of time in texture, plot and role, structure and inner meanings of the Iranian rug, from an intertwined perspective.A philosophy, beauty.Biology and people.And he binds together.She is crying..
Publish Date : 1404/03/20
Creator : Iranian merchant, producer and activist in the field of Iranian handmade rug
And the time and time, and time,
In the age of human beings,And the fall of meaning, where all things mean short term.In the age of habit to be consumed and then discarded, it’s easy to talk and write about a rug like a rug and writing.and will not end.It is worth it, but with consumption.In this regard, the spiritual and material capital of life.It is hard to write from the carpet because in the age of the house.and the people of Paradise and Adam.Memoryless rugs have little opportunity to breathe along with humans, but writing a thousand pieces of rugs every time is a favor that is less writer.O eyes of it,Wearing.
Publish Date : 1404/03/20
Creator : Mehdi Rosen, PhD student of Philosophy of History
This article is not the case, but it is an attempt to answer what Iranian rug is.
Even though ancient discoveries still exist.And, by the way,The face is wide and astonishing.And they have a variety of flowers and carpets.History is against us.But the main question remains for the examiners.In addition to the Enlightenment in primary functions, it is a form of autopsies in the form of an autopsies.and the shape of the palm.title of a phenomenon.[1]It’s social and a pre-emptive note.It's coming.. [1]phenomenon or phenomen.Phenomenonword word word.It is a philosophy that is called every visible and experienced event (independent or indirect) in Persian language."Seed."There are two of them, and they are visible.
Publish Date : 1404/06/20
Creator : The Iranian-made carpet researcher
And twice in the garden, from the cradle to the grave.
Unlike many industries.The hand used is an element beyond an efficient device or object, although the Iranian rug, though it does.It can warm and soft, but nothing.Which of these physical functions does not justify its true face.slow.. And the place,For the experience of biographies, cultural memory and Iranian human rituals.. Like the cradle, the first place in which the Iranian man is in.He turned, hand.And he goes.She is crying,Fall and go.rise, look.slow, pictured.He created the world and created the world.He teaches against the cradle.Wood or metal that the child is pulling out after a few months.Come, the cradle.He is the last day of his life.He wants to live in a garden like a garden and a garden.. This article is an attempt to explain the work of rugs in the Iranian bio experience, from first sight to the final farewell..
Publish Date : 1404/06/20
Creator : ← A researcher of hand-made rugs, Deputy Director of Iranian Carpet
Do you have any magic on earth?
After a century of my orbital carpets in national and international markets, silk-made carpets have always had a name among Iranian art lovers.O you who have a history of grace, culture, and identity.slow the year.It is a lot of people in the mind.The title of art and exquisite works is known.And sometimes they are on the walls.Then, under the roof of a luxurious mansion.Sometimes in the box.For generations.The next one will be remembered.And sometimes like capital.You buy and sell valuable.It will become.
Publish Date : 1405/02/12
Creator : The knowledge of the knowledge of the master.
IntroductionIn contemporary society, critique of an essential tool for dealing with complexityThe growing arts has become today’s art because of its characteristics.like the foundation.Discipline, identity rethink, addressing social issues, passing through style.Science and beauty.Classical Biology, concept.Main and pluralism in form, matter and meaning, constantly new dimensions.You are.And every day, it will be complicated.It's more.It will become. In the lack of cash.Many, many layers.FormsCognitive, beautiful.Cognitive, intellectual and social works of contemporary art.And that is what it does.It can lead to understanding, denying and even exclusion of art from the audience, so artistic critique transcends a purely descriptive role or value.It has become an analytical and interpretive paradigm that is capable of layering.Multiple Beauty.Cognitive, social and context.To reveal the works of art and to the possibility of deep understanding.More than that.And he made it easy for him to do it.He moved to the understanding of contemporary art..
Publish Date : 1404/06/20
Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training
From the smears to the smears.
Renzied and cotton-like wool, i.e. converting sheep and cotton wool into a machine called cycles-creation (in the local term) and cloth, flowering, rugs and carpets, were among the household jobs of women, although the cloth was mostly done in shops with men, but things that show women’s texture.
Publish Date : 1404/06/20
Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology
Types of Physical Uses of Iranian Handmades (focused on carpet style)
Will they?You know that the Iranian carpet is not only woven to cover the land.Will it be? Introduction Iranian rug, life narrative, culture, and generation needsWhat we have today as the title."And the carpet."Or or"A hand-made rug."They would eat.We know, actually the collection.A vast loss of hand.They are woven.There are many different types: rugs, flowers, gijims, Plus, Chete, and... This shit.No, no.Only the house floor.They take them.Covered, but also the walls, ceilings, bed of sleep, quadrant load, transportation equipment, furniture, and even ritual and display structures.In this case, in this manner,Teaching and summary.Physical applications of hand.They are woven.Review Iranian people.Let us use the heart of people’s lives, not just from behind the museum.Oh, guys.
Publish Date : 1404/06/20
Creator : And the world’s guidance, the healing, and the furniture.
Look at recent news and events in different areas related to hand-made rugs
First event: How did Iran’s National Handphone Day go? 20 For the National Week of Iranian Handmade CarpetHenry Olden and the symbol of Iranian culture and identity this week is an opportunity to pass the heritage of carpets, emphasize its preservation and promotion, and reminding his important role in the domestic and global markets and transfer this treasure to the generation of the treasures to the generation.Futures..Let’s look at the events of this great day...
Publish Date : 1404/06/20
Creator : The Iranian public relations unit.
Our priceless rug is welcome to market.
and in the market. About three decades ago, when I was a student in Kashan, the passage of Kashan was one of the entertainment.It was forever and what it was like to see the faithful team.Drink and drink tea, and drink.Milk sales and maps.And the priests and. As if the market is the only driver of the economic wheel or the interface between the manufacturer and consumption.It was no longer a place for people to pass and browse and shelter to keep the heat and solar radiation in the hot and cold season as if the market was a way between the cold.It was for the city, and we and I were under the roof of the market with that particular architecture.They will be comforted and peaceful.We arrived.
Publish Date : 1404/12/20
Creator : Guest worker, carpet expert, PhD in Communication Science
How to define the intrinsic value of Iranian carpets in the market?
In the carpet market, usually dominant.The most important question is:«How many of these pieces are?»A simple, short and seemingly rational question, but the same question, and the apparent questions of such a question, the boundary between it.What you saw?and it, andWhat they ignore.They reveal the truth.Iranian carpet, before.which sets.One of the nodes.It is the collection,from time.and the bio,They, beliefs and narratives.But the market, often when converting the value of the rug into numbers, is this layer.determining.He ignores the receiver.Or to take it orIt's hard.It can.Translate them..
Publish Date : 1404/12/20
Creator : Iranian merchant, producer and activist in the field of Iranian handmade rug
Talk to Ali Mirzazadeh, from international activists of Iranian handmade rugs in Europe
I went to someone who lived the market in five decades of trading, travel, risk, and trust, Ali Mirzazadeh, from the known.It was made.Iran’s most hand-made rug traders in the global markets, the dialogue that was formed with him, an explicit reading of the Iranian rug ratio with the concept of the concept of Iranian rug.«value.»It was in today’s market..
Publish Date : 1404/12/20
Creator : The knowledge of the knowledge of the master.
In fact, they are the ones who are in the right place.
If we consider it an act of gravity, neither judgment is merely a pleasure, nor a poetic or philosophical expression of the matter.Cash, before everything, is an attempt to understand the effect, recognize the characteristic.They and why it works.It can be important for art audiences in modern history. And contemporary art, this understanding has always been formed in a direct proportion to the art market, an institution that bases the effect in the social world.And wait for that horizon.He is the one who makes it easy to judge.The art market, unlike the common imagination, is not merely an economic exchange field, but one of the fields of the field.There are indications in which art is defined, described and evaluated.and shall be judged.How do you see an effect?What awaits him?And what is the foundation of value?They are investing.It depends largely on its position in this economic field.
Publish Date : 1404/12/20
Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training
Review of Iranian rug value in global markets
A special conversation with Ali Maryam and Ali Bradbar, Iranian rug activists in international space The Iranian hand-made rug market does notIt can only be read with numbers and charts; this market is the result of the intersection of experience, trust, narrative and decision.«value.»You should listen to the voices that make the market from the heart of the profession.I have experienced myself.Those who are familiar with the logic of the global economy and with the layer.Hidden Cultures and MeaningsThis number is an attempt to hear these sounds; the narrative of two different paths in two different geographies, but with concern.Common: Rereading Iranian rug value in the contemporary market.
Publish Date : 1404/12/20
Creator : The knowledge of the knowledge of the master.
He is the owner of the land and the owner of the land. In the trade area betweenThe name of some people is tied to the blossoming period of an industry.He is the 13-year-old walk in the corridor.And the full.And the market’s crust has seen many ups and downs, since the rug was the second pillar of Iran’s economy by 1374, which, as a country sample exporter, had the pulse of the global market.«Iranian rug value.»Let us say, “The value of the time.”They are hidden in the name of the producer and sometimes in politics.They lose money.It will become.
Publish Date : 1404/12/20
Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology
The goddess promises to give the rug to love Iran
The goddess promises to be a 63-year-old woman and a son of Tehran. She has been known as persistence and hard work since her childhood and spent her education in schools that have influenced her personality formation. Today it is in the field of pharmacy and medicine, a profession that has no relation to carpets. His family does not have any background in this area, except in two generations before, which is the promise of a special place in the family, and the name of Abd al-Malaam is a testament to the walls of Karbala and Karbala..
Publish Date : 1404/06/20
Creator : Iranian content production group of nodes
Between tradition and innovation, the narrative of a designer in search of Iranian rug value
I am God’s grace. My career path in hand-made rug design began in 1905, which unlike many activists in the field had no family roots. My arrival into the world of hand-made rugs, not from the heart of an old workshop, not from the generations of carpets, but from the path of graphics..I spent my student time in the field of photography, and the knowledge in Tehran. In those years, I met a few students in the garden. This simple, quiet acquaintance opened a new window on me. They needed to paint and point out to design their handmade rug maps, and I was seriously involved in design and painting, starting from interest to help them..At least it came to a place where, along with my graphic projects, I also painted and pointing out my friends’ rug maps. At that time I could only do this from curiosity, but later I found that the same constant exercises were actually an unconscious education for me. Every time I painted a map, the principles of design, fit, and structure of the rug map were formed in my mind, without realizing it..After the end of the student's era, something happened in July of 2011, which made my path more serious. In the province of Rashe, a production set of hand-made carpets accidentally offered me a project to design a hand-made rug map. At the time I had no independent experience of carpet design. I had previously worked with maps just alongside hand-made rug students, not to be a project designer. However, I accepted the offer. It was a simple reason to believe.And: I think graphic design and rug design are not far from each other, and both eventually work with image, composition and color..In that project, I used the knowledge I had in design and drawing, and on the other hand, I consulted with friends who were educated in hand-made rugs. The result was an orderly satisfaction and that satisfaction became a serious motivation for me. Since then, there has been a spark in my mind that I may continue this path professionally..Before that, I had taken a lot of private classes in my field of design and painting. I tried to learn different techniques of design and hand painting such as black pen, coal, Kent, Patel, Goa and acrylic oil color. I was also trained professionally with computer software. But now I had decided to enter the Iranian rug design world and I knew I had to learn the specialized principles of hand-made rug design..For this reason, in Tehran, I learned the principle of Iranian rug design, and then I was a student of Master Ali Peggy and Master of Gold. Along with these high-performing professors, I learned very important points about the structure of rug design, the combination of traditional reviews and reviews to the hand-made rug map. A few months of intensive training passed, and then returned to the new knowledge..From year to time, by combining the experiences I had in traditional design and drawing, and the knowledge of graphic software and training I had seen in graphic design and hand-made rug design, I started my independent activity in rug design and painting. The first plan I presented was a plan in size of the cynic, a plan that met a good reception in the market and the same design reached the production stage..
Publish Date : 1404/12/20
Creator : A great student of the hand
From graphics to redefinition of value in the Iranian rug market.
The story of career path.I wish the young Iranian carpet market activists. Sometimes career path.Adam.From the same point.You start.Not thinking.They did, but the future.They take them.Make it..
Publish Date : 1404/12/20
Creator : Iranian content production group of nodes.
The story of a “time” designer in the hands of Sir Mary.
In this context,from the«Time time.»In Iranian handmade rugs, especially carpetsDesigned or designed by the Lord.For this purpose, it is necessary for this purpose before everything to have a hand-made rug ratio with the concept of the concept.«Time time.»Let’s identify the point of view.Iran’s unique rugs say this.At least in three senses: The first effect.«Time time.»In the works of an artist such as the Lord,O and the artist's style.«Over time.»He knew that under the shadow.Heavy time conditions such as political, economic and social conditions, the artist has made changes in his art.These conditions in Persian.«Time.»They would eat.They say they seem accurate.Best and appropriate.The most important word is the effect of the time on the works of an artist such as J.S., it is important because in time.And he is the one who dwells in the darkness.He's in.«Part 1»to this. The category is paid. In the second sense.How to Open the Element«Time time.»In Iran’s hand-made rug, it is based on the position of time as a place of time.A Samantha.The donor.And they will be able to do the magic of the hand.In this section (second) the cash is believed to be common.Iranian art, then.«Unless.Time time.»Names.They entered, and instead, the Iranian rug is dominated.The system.from the«Time of non-disclosure or time.»It was known. In the third part, when the process of creating an Iranian hand-made rug or in a sense that«Part 3»It is said, in the sense.«Slow slowly.»In the process of creating an Iranian rug. It is.
Publish Date : 1404/03/20
Creator : Professor of Art Research
The story of a conversation with one of the oldest incarnations, Mrs. Mohammad Reza.
In order to register with the city of the city, the first generation of women and the second generation, the woman of the Baha'u'llah deliberately concealed from men, was not in his mother's womb, nor was he able to remember his mother. The palm of the It’s a type of rug that doesn’t have the back and forth from each side that you look at, you see a different map, the use of these types of rugs is generally decorative and, for example, used in sacred and authentic places. He was the only one who was in the first place, and he was the only one who was the only one, and the one who was the only one who was the one who was the one who was the one who was the only one who was the only one who was the only one who was the only one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one.
Publish Date : 1404/03/20
Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology
Abbasidone, born in September 1362 in Tehran, is a specialist of the Swiss country. He also has an academic background in the field of clinical psychology from London and the Grand Diploma in both cooking and confederation of the prestigious Paris Blue School. This unique combination of behavioral science, international customs and the delicate arts of cooking, draws a multi-layered picture of his curious and unproductive personality..She is now resident of Tehran and teaches research and writing in the fields of ethics, social customs and communication practices, as well. Along with all of these activities, he has come with an attachment to the Iranian handmade rug, an art that is not only a long tradition, but also a form of meditation and daily peace..One of the main concerns of Abbasid is the culture in areas where he has learned knowledge and skills. He believes that any expertise, if combined with a human and cultural perspective, can have a lasting impact on society. Therefore, weaving for him is not merely the art of working with darkness, but a way to return to himself, to speak to the past and reflect the inner order of man..In addition, Al-Sadiq al-Sadiq (A) writes from his sight to the path of the weaving..
Publish Date : 1404/03/20
Creator : The Qur’an of the Qur’an, the researcher and the writer of the field, the protocol and the Iranian carpet
In the Qur’an, the Qur’an is a reminder of the magic of the earth.
A little over a century of urban rug production.They came by the immigrants who came from Kashan.This time is a short life compared to cities like Kerman, Tabriz, Isfahan, Mashhad and many other cities producing carpets in Iran.But in the short term, that is the same.Like Cecil Edwards before.He saw it, the palm of the mountain.reputation and reputation in terms of texture quality, design and colorThen he turned away.species of species.You who are today,Especially in the production of all the silks, the horn of the other cities has been hijacked and so on.There is a quality and beauty that some cities have been copied from the plot.colors and colors.The carpet.From this city,They call their names.They will do it..
Publish Date : 1404/09/20
Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology
In contemporary times, we stand over history.We are a lot of texts, images and material objects.Beyond the past, history is against the eyes of the contemporary man, not as a single and continuous line, but rather a narrative of narrative.And they are the ones.It turns.It makes the layer.They will reveal the past in connection with each other.Create a history.Not in the past.One of the signs.separate, but the system.One interaction.interference, interference.And, too,retreat.and layers.grading.It has been a host..
Publish Date : 1404/06/20
Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training
“I learned from a child that every node is not just a task; it is a responsibility for the history of my land...” I am Kashani, born in 1337 in the village of Kilno, a green and beautiful village on the border between Kardstadt and Chavis. If I have a 49-year history of art and 30 years of history, if UNESCO’s show, seal of originality, art degree, patent, entrepreneurship, and dozens of honors and titles recorded in my record, its root dates back to the same simple house of childhood; a house in its courtyard always held two six meters, and our lives of the newly resolved wool, natural colors, the rugs and the natural sound of the sense of the rugs..
Publish Date : 1404/06/20
Creator : ← Dr. M. C. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. F. B. B. B. B. B. B. B. B. M. B. B. B. B. B. M. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B.D.D. B. B. B. B. B
In the third edition of the Journal of Handbayev in the Part of the “Surely Eyes,” this time we moved to Mohammadjudyan, the young and highly sought-after director of Iran’s Carpet Museum; a manager born of 1367 who has taken a background in adult education management and tourism development, two years ago leading one of Iran’s most important handmade rug identity centers, Iran’s Museum of Iranian carpets..
Publish Date : 1404/06/20
Creator : Iranian content production group of nodes
Introduction Iran’s contemporary hand-made rug from few phenomenaIn the world of art,It can too.Cover the floor time and conquer the gallery wall.«Also, too.Time time.»Not a simple event, which is the modern and reflectable nature of Iran’s handmade rug, in that unit, an applied object for everyday life, an artwork with the visual system of the organization.It was an economic product and a skilled product.Carpet, rug, carries Iran’s historical and cultural memory and sequencing style style.tradition, tradition.Visual and transformation.And the taste.Beauty.← Psychologists.O thou who dwells in the centuries.In this continued civilization, they maintain themselves.and return.They are shining. In contemporary times, on this layer.Before available, layer.new ones.And it is the one who has made it.Especially in the realm of art, complex.On the one hand, contemporary art is made with the logic of concept.Question and question.No, no, no.title of a decorative commodity, whichas media.For an idea.The narrative,and worries.Today’s people are served.«Art of texture.[1] »From the second half of the twentieth century, the boundaries between the high art and the crafts of hands-on, fibers, nodes and textures to the light.The title of the independent language of artistic expression is recognized. in this new situation, technique is the technique.Traditional ovens are no longer just the means of producing a commodity, but the media itself.For the creation of art.They come too.Time, expansion.«Design design.»toThe title of a paradigm that blurs the boundary between the functional object and the artistic object has shown carpets in a new realm, where a rug is a rug.It can too.Time of a floor.A visual statement is a consumer product and a collection effect, thus, Iran’s hand-made rug that previously floated across the borders of art, culture, history, economics and industry, now within the realm of art itself with a new multiplicity.Amidst traditional art, contemporary art, the art of texture and design is encountered and«Being in the middle.»Contemporary rug to a very complicated situation.He has become more. This is a few characters.Ability through two distinct theoretical concepts but complementary facial expressionsThe first concept,«border object.[2]»Star and Ferrari in the communityScience is introduced.They are concept.«border object.»In this theory, to object.It points out that while maintaining its material integrity, it is possible to interpret differently among the system.They provide knowledge and social heterogeneity.They will do it.(Star & Griesemer, 1989)This concept provides an efficient framework for understanding Iran’s contemporary handmade rug.It makes sense because hand-made carpets operate in their contemporary state not in a single semantic system, but at the intersection of several knowledge regimes, including art, design and market,Along this reading, the situation.«Among theIt was you.[3]»They will.power toAs a cultural dimension.–Theoretically understood that it refers to the possibility of generating meaning in midway spaces, where identity, meaning and value are attributed to the possibility of producing meaning in midway spaces where identity, meaning and value.face stabilized.They do not exist, but in the process of continuous exposure and translation.They take this situation.power in relation to concept.«Third space.[4]»Father's face.He said, where the meaning is.Liquid space between tradition and modernity, center and around, and the domestic and global production.It will become (Bhabha, 1994)As a result, the contemporary rug would take Iran.power totitle of a title.«Border object is translating.»He also considered it.Time is present in several systems of knowledge and its meaning and value not through stability, but through the same situation, suspended and intertwined.It was shape.Take it. Combining these two concepts, the exact picture.More of Iran’s contemporary handmade rugs.And the carpet, on the one hand, as a«border object.»Between the world.There are different social groups and between them.Translated.On the other hand, as a phenomenon.with a feature.«Among theIt was you.»In none.One of these worlds.to them.Not completely solved.And it keeps a unique, fluid and multiple identity.From this point of view, the contemporary rug of Iran’s hand-made rug.power of one.«border object.»He knew that his identity was not exclusive to a field, which is exactly the same.«Being in the middle.»And floating between different realms.It is the boundary that is the horizon.The future of the hand-made carpet.Maybe the carpet is hand-made.It can too.Time of a floor.Applications are at home, a luxury in the market, a visual document at the museum, a conceptual statement in the gallery and a design effect.Based on a design event,And none.One of these roles.They will reject other things.You need an analytical framework that can.Time for all these funds. There are literature on Iran’s handmade rugs, with all breadth and length.It was mostly based on approaches that each given one aspect of this border phenomenon.They are research.Historical, hand-made carpet toAs a document from the period.Previous studies.And cultural and cultural studies, it tosymbol of Iranian identity.Technical and economic approaches also analyze hand-made rugs in a workshop product.They are based on theNumber, raw materials and scalable market mechanismsIt's also packed.Time, an interpretation of the design and role, followed by decryption of hidden symbols and meanings, and the style of interpretation is hidden.Regional Biology.And they tried to do it.Organize them according to texture geography, each of these approaches has made a part of the truth of hand-made rug.They are, but nothing.One as one.«border object.»I haven’t seen it.His identity is not in compliance with a framework, which is right in line.«Among theIt was you.»And a sail between it.shape.Take it. Understanding and recognizing contemporary handmade rugs as one«border object.»It still requires a conversation that can handle these few steps, not in history.He is a journalist.It can be found, not in style.Biology, not in analysis.Technical and economic approaches, because each of these approaches, according to its nature, inevitably sink the hand-made rug into one of its funds.They are the discourse they make.It can not be a few.title of a class issue.by which,The title of the basic nature of the hand-made rug, and from the heart of this acceptance, it is possible.new ones.You will open for the future of Iran’s contemporary hand-made rug,«Henry's critique.»However, such a discourse has always been absent in Iranian hand-made rug studies. What criticism of history← Style, Style.Biology and technical description are separate.Not only the method of analysis,It's time-consuming history.Poetry to the past.Do not look at it, nor do it.Biology within the framework of known rules.to the floor.The works.Paying.In fact, in his own nature,«Contemporary contemporary contemporary»It's now, he's going.and possible.They will take the future.Maybe they are.(Belting, 1987)If history.Ask the hand hand-made carpet.«How do you find this magic?Does it take?»cash,Asked.«What is the possibility of this hand-made rug for the future of Iranian handmade carpets?Or maybe?»This direction.The future.Then he turned the cash into a conversation.It slows it.It can also be with contemporary handmade rug dynamics.Take a step, unlike history.And the past is fixed.Kennedy, it's from the past.And the way.He will bring them to the new generation, and the horizon.new ones.Open for this artistic heritage. [1] Textile Art [2] Boundary Object [3] In-Betweenness [4] Third Space
Publish Date : 1405/03/18
Creator : Mehdi Farmer | Associate of Art Research Department of University Teacher Training
Magician, hand-made rug designer, including new generation designers, is a career path.You are at the point.He created many young people today.There is a place between choice and doubt, between tradition and innovation, and between what they learned.And what they are in reality.They become. He entered the field of hand-made rug design at Tehran University of Art in 1384, a choice that he said was not quite conscious at first, but soon became a path with which he felt deep belonging.First educated, from one.«academic degree.»to one.«ecological.»It became the soul in it.The clock.They sat down, among the rules of the root.Designed, St.Historical ideas and ideas.He moved and reached a new mix. And the design of the palms.You are.He knows in it, too.Time with an accurate and structured system.At the same time, there is also the possibility of creativity and unconsciousness of the artist.A kind of reflection is the status of a generation that must be a legacy of consolidation.Revisioned in a changing world. Professional path.O you, after the end of the education, he started from limited and dispersed works, from Eddie and the reform of the map.In the field of machine rugs to gradually enter independent design. the turning point of this path was the presence of Iran’s rug company and working alongside the poor professor; experience of experience;He says, second.toThe second was learning for him. He goes on with different manufacturers in style.Different regions and regions.—From the place to the right,And the tribes.—He has collaborated and this diversity is one of the most important.The biggest growth factors are growing.Along the way, the teaching of hand-made rug design and production experience is also part of his work, where he tries.between education, experience and practice, establish a real link. For Ilkhan, the design of a hand-made rug is not a job, but a separation.It is an inescapable of life, as far as he says, from morning to night his mind is involved in the map.ideas, idea.There are signs and images.
Publish Date : 1405/03/18
Creator : Siddham, Ph.D. of Art Research, designer and idea-making in the field of traditional design
Khashoghani, born 1361, is Iran's rug today, a woman whose story begins from a child, from the same day that her small hands struck her mother's first node in the dark. He said, “My story starts from childhood, from the day my small hands shook the first node with hands.”His hometown, the province of Ilam, the village of the bottom, was where under the shadow of old oak trees, the rugs were set up, and life was meant by Tard. It wasn’t six years that she sat next to her mother, her aunt and Mrs. Mrs. Mrs. His hands were shaken, but he was proud. The first node, the new world opened before it, the world in which everything was summed up in the abyss and nodes..
Publish Date : 1405/03/18
Creator : Dr. Abdham, researcher and lecturer
In the old market of Kashan, under the roof.And the light of the light,And they have a hundred years old.Where the cool of the desert architecture is complex, the stone.There is more like a life gallery.to the carpet.Sales sales.. Its walls have color. it has music.He sits on the wall.And some of them are on earth.They seem like they were in the yard.Old in the summer,They are wide; they are the same.live and full of memories..and the shape of theMore like telling a life.There is a place where the color and shape are complete.It will become.When you enter there.before, before it.Ask the price or even know what.You face.So, it feels,She entered the mental world of someone who was the year.To create taste.She lived her.. A man from that man.There are no ones that are just raised in the market; he looks more like someone else.It has made itself of the heart of art, nature, book, cinema, music and look.. God's story is a different story, but it's not a show difference between these days.Come from this.It was not the same world.As they gave him, he accepted..
Publish Date : 1405/03/18
Creator : Iranian content production group of nodes.
Introduction Iranian handmade rug is part of Iran’s cultural, historical and social identity.In each hand-made rug,One of the symbols, color.mix, mix.grading.and narratives.There are signs that come from the century.Experiences, joy, belief and lifestyle of the people of this land. However, in today’s world, lifestyle, communication and taste of generation.The rapidly changing, relying only on the historical background of the Iranian rug is not enough to maintain its place. the Iranian handmade rug to continue life and effectively present in today’s markets and cultural space requires a new redefinition, narrative and communication with the young generation. One important one.The most important tools for achieving this goal are stories.A story or a story.They say.It can turn carpets from a purely decorative object into a cultural and emotional experience. a young generation also because of more familiarity with the media.New, Digital Space and MethodNew communication, you.It can play an important role in this path. In this part of the teaching.Handwritten, review.How the New Generation Is NewYou can use the story.Speech helps maintain, introduce and develop Iranian handmade rugs without damaging its authenticity and identity.
Publish Date : 1405/03/18
Creator : Expert, producer and hand-made furniture.
From the spring of 1369 to the spring of 1405, a written heritage review
Iran’s rug is not only an artistic achievement, but also a narrative of the continuation of thought, the joy and experience of generations, the art of which each node carries a memory of the past and a message for the future. Each generation of artists and professors, such as a ring in the continuous chain of this heritage, have tried to convey what they learned, to the generations after themselves, and in the form of roles and colors, and sometimes in the form of words and recommendations.The hand of the front line is a souvenir from the Master of Prexote and the late art of contemporary Iranian rug, an Arab tradition of birth; an artist who, looking beyond his time, tried to rely on deep knowledge in design and coloring using literary, cultural, and inventing techniques.In the context, the new Persian carpet is made up of repetitions of the patterns and becomes an arena for expression of thought, narrative and identity. What is left of him is not the only roles and carpets, but rather a way of attitude to the art of Iran’s rug; a way in which creativity, knowledge, commitment, and bonding with culture, together. Therefore, his recommendations and writings can be considered not merely a souvenir from the past, but a guide to the future.The manuscript, written in the winter of 1368, was written for the 18th edition of Art and published in the spring of 1369, reflects the biologic experience and concerns of the artist who saw the rug as a living identity. Its opening in this number of journal is an attempt to communicate between yesterday and today, a relationship in which the voice of the masters becomes a guide to the new generation path.
Publish Date : 1405/03/18
Creator : And he is a researcher, a researcher
The Magic Kingdom, which is first created, is a sign of the Master of Light
The Magician animation, directed by Lightin Gold Kolk, is one of the most different short films of the Iranian rug collection; a work that was built on the order of the Iranian National Carpet Center, but takes away from the common themes of the introduction of hand rugs and goes to imagination instead of reporting and explaining. Master of Gold Kolk, whose name is tied to the dynamic history of Iran, creates a world in which carpets are a means to return, friendship, imagination and future..From the beginning, the film illuminates its view: “They say the magic of Adam takes the world to the world, but it’s better to say that it’s the magic of the rug that takes people to an unforgettable journey.” This is the key to understanding the effect. This is the destination in this story. The more you look at, the more you discover. World of Role, Color, Meaning and Opportunity.
Publish Date : 1405/03/18
Creator : Iranian content production group of nodes
Iran’s future landscape, from its existential wisdom to sustainability in the global economy.
In this number of sections.«Eye eye eye.Saving savings.»He said to him.We went to an understanding of the future of the Iranian rug, which is based on a vision.Mr. John Al Isaac’s Cultural and Economic Affairs, President of the Strategic Council of Iranian Handmade Carpet and said beyond one.And the magic of the soul,«Iranian historical wisdom.»and«necessity.Today’s global economy»They would eat.He is paying attention.. Al-John.Isaac from the face.Known.Economy and politics.Investing in Iran is that his look at Iranian hand rugs is not purely from an artistic or heritage perspective, but rather as a form of a heritage.«Economic-cultural ecosystem.»Analysis.To survive and compete.Tolerance requires the redefinition of the production structure, transparency in the value chain, and an effective connection to global markets, at this glance, the Iranian rug is a living system of production, design, commerce and meaning that if it comes out of the orbit of the contemporary economy, it will gradually move away from its global position.. The main axis of this said.It is a reminder of what they say.Its power.«Wisdom is in the dark and in the right place.»He called the historical wisdom.You who are during the century.in important places.Iran is formed and is facing a serious challenge today: how to turn this heritage into a sustainable economic advantage in the world of network networks.O, data,and full-hearted,. Based on this, this eye.Saving is trying.To reshape the ratio between the past and the future in Iran’s hand-made rug, from one.And with an emphasis on the value.Iranian civilization and cultural identity, and on the other hand, focusing on necessityLike economic transparency, infrastructure developmentIntelligences, the role of the new generation, and the reestablishment of handmade carpets in contemporary life. What continues.It is a path to cross the crisis.and to reach a pattern in which«Iranian rug.»They can too.Time to carry meaning, identity and economic value on a global scale.
Publish Date : 1405/03/18
Creator : Iranian content production group of nodes.
Vision of the Chamber of Commerce for Hand-made rugs
Talk to Iranian Muhammad, head of the Chamber of Commerce, Industries, Mines and AgricultureIn this number of the “super eye” section, we moved to Iranian Muhammad, head of the Chamber of Commerce; a manager with the education of metallurgy engineering and the Master of corrosion engineering who has been active in the private sector and in the field of industry and production, especially the polymer industry. He has a history of CEO management, membership and chairmanship of several manufacturing and industrial units, and his career path from the heart of the industry and economic associations, a path that has finally taken into account with the confidence of the economic activists of the province..Iranian Muhammad is a representative of a generation of private sector managers who have looked at hand rugs not from a purely artistic angle but from the perspective of economics, market and policymaking. The same approach specifies the framework of our dialogue: Iranian handmade rug as a cultural-economic sphere that requires structural reform and look to survive..
Publish Date : 1405/05/03
Creator : Iranian content production group of nodes
Wind carpet film, a common language between cultures
The film “The Wind Road” is made by Tabrizi, one of the special experiences of Iranian cinema, which removes the border between the seventh art and the old art of the carpet. The film appears to be a simple and intimate narrative of two different cultures, Iran and Japan, but in its depth, it takes the audience to the Iranian rug world in the traditional context of Isfahan and shows how it introduces a part of our lives and culture of Iranians..
Publish Date : 1404/06/20
Creator : Iranian content production group of nodes