The goddess promises to be a 63-year-old woman and a son of Tehran. She has been known as persistence and hard work since her childhood and spent her education in schools that have influenced her personality formation. Today it is in the field of pharmacy and medicine, a profession that has no relation to carpets. His family does not have any background in this area, except in two generations before, which is the promise of a special place in the family, and the name of Abd al-Malaam is a testament to the walls of Karbala and Karbala..

The image of the goddess promising, doctor of the drug maker and manufacturer of the hand rug of Isfahan

But the roots of interest in the rug sprouted from adolescence in the heart of the goddess. In his sixteen-year-old, on a trip to Isfahan, he put his foot in his aunt’s house, where he was busy with the classical rug texture of Isfahan. It was here that this art took his eyes and heart. After that, every time his family went to buy a rug, they came unconsciously to him, without experience, looking at the details and characteristics of each rug..

It has been years before a hard disease is in the way: cancer. But he defeated the disease and thought that life is shorter than that of man’s interests. That’s why he decided to move to the world of the rug. She called a competent engineer and wanted to introduce a Master in Isfahan. He wanted to give him a love for Iran and to give him a lasting impression..

By entering this path, he just realized that there are still many famous artists who create quality carpets with love. However, he went his way: the design of proprietary maps, the order of plant paints and accuracy to the health of the working environment. He rented an apartment to work in a healthy and comfortable environment. Even the wages paid directly to the accounts of the rich women, not their husbands; for him, it was important that each person had an independent personality..

The goddess did not promise only to the carpet. Books read, participated in congresses and meetings and followed scientific articles. From the works of the Royal Jude and Nazia Sea, he studied the notes of art students. His interest in the Safavid and Qajar periods made him use of flowers and poultry and natural symbols in his design. For him, he was not just a product for the market; every rug must have thought and a message. His first day of the year is the spring, the sun, the deer and the birds that promise to live. He is also inspired by the Qur’an, which speaks of God’s Spirit in man, a paradise with the birds of love, a plan that surprised his listeners..

Image 2 Part of the rug woven by the goddess

He also uses the design. In some of them, the signs of a series of signs. But all of these costs were sometimes opposed to his family. His children said it was better to turn his capital into gold and dollars, because he had learned none of his carpets. However, the goddess promises to continue because for him love for carpets is higher than economic profit..

From his sight, the Iranian rug is not merely flooring or decorative means; it is Iran’s dignity and pride. He has never used a machine rug and believes that even though expensive, many can replace rural and tribal rugs. He clearly points to the brain functions of the rug: As in cold Russia, carpets were hanged to keep the house warm, today can be used in modern design as wall cover..

The goddess of the promise is worried about Iran’s future. The closure of workshops in Isfahan and the unemployment of the Bavarians led him to the conclusion that if support is not serious, the prospect of this art would be dark. He believes that carpets should not be the only industry affiliated with the Ministry of Saud, but also a cultural heritage that requires real support..

With all of these concerns, there are great wishes: one day every Iranian has a hand-made rug in his home; all producers return to the plant-based paint; the plumbers reach their true right; and the magnificence of the Iranian rug, like the Safavid era, has again disappeared. He says.And:

“.”I’ve come here to find the Iranian rug of its greatness again, although I’m not someone, but I take a small step into my share. I hope that with all unity, this art will return to its rightful place in the world..>>

The third image of the goddess and his works at the exhibition