28 Article found

Make a purchase from the transaction mode to a strategic game.

Today is one of the main concerns of organizations and manufacturing companies, how to supply raw materials. Some consumer materials are imported, and each buy the materials within the country through more intermediaries and prices. For example, in the hand-made rug industry, given that large volumes of production products are silk-made rugs, and because the amount of silk production inside Iran is not the response of the industry’s annual needs, most production companies use imported silk. But most of these companies buy the silk they need individually and decentralized and through mediums and at high prices, leading to an increase in production costs. Although the issue of how to buy in the Iranian-made rug industry and other domestic industries has become a major problem, today, in most of the world’s major organizations and corporations, buying has become a strategic game as an effective role. That’s because the right strategy is used to buy. Therefore, in this section, there are some tips on making the right purchase and solution to the problems of domestic producers. Two basic buying methods in organizations or manufacturing companies are focused buying methods and decentralized buying methods: 1- Concentrated shopping: a purchase made by the total logistics unit. When the needs of different companies are similar, such companies are close together and in a geographical area. In these circumstances, several companies can buy one or two people in coordination and buy one place and directly. 2-Buy ¬ decentralized: a purchase made individually and decentralized by any company if the geographical dispersion of companies, and the same as the goods required by any company. According to the above description, several manufacturing companies that focus on a geographical area and produce similar goods can form a group and perform their raw materials through centralized purchases and make sufficient use of this type of purchase. For example, as manufacturing companies of the hand-made rug industry live in a geographical area, and they all need the same raw materials as silk, they can do their shopping in a focused and group-oriented way. Some of the benefits of centralized shopping are: in the use of the human force Saving costs related to purchase and transport save time to get discounts in large amounts Analysis of Market Risks The price reduction of the finished commodity by removing intermediaries and thus improving productivity and financial performance is the central purchase of raw materials as follows: 1-Conclusive centralized shopping network: As the first step for centralized buying operations, manufacturers who wish to buy the same raw materials are centralized and not; bonded, formed a team and act as a logistics unit. 2- Selection of raw materials sales: After the establishment of a shopping network by manufacturers, the selection of a sales source or supplier via embassies, Chamber of Commerce, the review of books, magazines and catalogs ¬s, or the Internet. 3 – Sales terms demand: In any foreign purchases, the terms of sales of sellers such as price, pay conditions, the delivery time is essential for any sales source. 4- negotiation: At this stage, which is usually discussed about price setting, the issue of discounts is also important. At this stage, if the results of the negotiation were positive, the next stage of the purchase is to be made, otherwise it will return again from the second phase, the selection of the sales source. 5 – Proferma: Proferma or pre-agents include the terms proposed by the seller such as the full profile of the name and address of the seller and buyer, type of goods, unit weight, total price, payment terms, date of credit, country of origin and destination, the time of transport and delivery of goods;/p> 6- Set the contract: the purchase contract is signed after the negotiation between the buyer and seller and a definite decision to buy and sell. In the purchase contract, the duties of each party are determined and not; 7 – The legal authorization of entry of materials and the opening of credit by the bank: This stage is related to the opening of documents that the buyer has provided documentation to the bank for the application of credit opening, and the bank of the credit process is also valid after careful and quick examination of the applicant’s documents; 8 – Sending raw materials by the seller to the buyer’s country: This stage, which includes transporting goods and not; is accepted according to the cases listed in the contract. 9 – Entry of raw materials to the country and its clearance from Customs 10 – carrying raw materials from customs to buyer store & The summarised research in the Journal of Economics – No. 16 Complete article in the Journal of Business Review – No. 84 and 85

Publish Date : 1399/10/07

Creator : (The Chief Executive Officer in the Hand-made Carpet)

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Game Theory: A strategic game between competitors

The traditional view of business space is considered trade as a form of war field and sees victory in it as a result of removing competitors. As we know, there is only one winner in the war and it is necessary to defeat one of the opposite forces. But today, professional competitors do not define their success in eliminating each other. For they believe that in business, it is possible for them to win without destroying their competitors and no longer need to succeed. But how? &

Publish Date : 1399/10/07

Creator : (The Chief Executive Officer in the Hand-made Carpet)

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Examining factors affecting the decision of Iranian handmade rug importers in the EU

چکیده The main aim of this research is to identify effective factors on the decision of Iranian hand rug importers. This applied research and in terms of the type of data used is qualitative. Research data was collected using interviews with Iranian hand rug importers in the European Union, which were present in Tehran’s twenty-fifth international exhibition of Bachov. The sample method was available and used to determine sample size. Accordingly, 14 Iranian rug importers were interviewed to the European Union, 11 of which were originally European and three Iranian residents. Information analysis was conducted using qualitative content analysis. The results of content analysis led to the identification of 233 primary codes that were classified as 62 selective code. With the review and purification of selective codes, 38 subvert themes were identified, eventually classified as the top five themes. Some indicators had a positive impact and some negative impact on the decision to buy Iranian carpets. Five main themes identified are: “The product, price, distribution, promotion, and environmental factors.” Some of the indicators identified in this research, such as ordering in production, supply quality, negative media space against Iran, the uniqueness of rugs, having a secure business partner in Iran, providing unauthorised international certificates, economic status in the country of destination, etc., have been cited for the first time and from the point of view of importers, demonstrating the distinction of this research with previous research research on carpet marketing. Keywords: Buying import decision, Iranian hand rug, rug marketing, EU, qualitative content analysis

Publish Date : 1397/01/01

Creator : The National Court of the CIA – Muhammad Ghafernia – rare and rare

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Mainness, transparency and dignity, three basic principles of Iran’s interconnected complex

Publish Date : 1402/11/14

Creator : Research and Development Unit of Iran's Association

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Do you have any magic on earth?

After a century of my orbital carpets in national and international markets, silk-made carpets have always had a name among Iranian art lovers.‌O you who have a history of grace, culture, and identity.‌slow the year.‌It is a lot of people in the mind.‌The title of art and exquisite works is known.‌And sometimes they are on the walls.‌Then, under the roof of a luxurious mansion.‌Sometimes in the box.‌For generations.‌The next one will be remembered.‌And sometimes like capital.‌You buy and sell valuable.‌It will become.

Publish Date : 1405/02/12

Creator : The knowledge of the knowledge of the master.

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A hand-made rug, an art that sits on the ground, a dialogue with the wisdom of the farm, Iranian handmade rug designer.

Farm wisdom is born in 1359 in the city of Gorgan, this young designer of handmade rugs in 1381 to 1381.‌random face and seeing a few flowers.‌They are full of magic.‌Hand of hand.‌He became Iranian, and despite his family’s inner desire.‌She decided to take this field at college to college.‌Follow seriously.‌His promise is to fight for art that is not so valuable at university.‌It was, and perhaps art is not known at all.‌He was born in 1385 from the University of Art of Tehran.‌He was taught and walked in a path that was determined to succeed.

Publish Date : 1404/06/20

Creator : ← Siddham, a PhD in Art Research, Designer and Idea Design

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Look at the signs of the sale and export of the hand-made palm

In the second hand-made number in the ‘eye size’ section with Mr. And he is a gravitate.We were the head of the union of hand-made rug exporters, a person who recently held this important responsibility. They have been working for nearly four decades in the field of production and export of hand-made rugs, and are known as expensive experience. Mr Kazemi emphasized the trust and co-workers of the hand-made rug class, notes that four courses have been active in the board of production and sale of hand-made rugs and five courses in the board of hand-made rug exporters. Now, in addition to the head of the union of hand-made rug exporters, they play as treasury and members of the board of directors of the Chamber of Commerce. He believes that this is the result of the trust of colleagues and the accompanying Iranian hand-made rug community. We will continue to pay their operational plans and prospects for improving sales and expanding the export of hand-made silk carpets..

Publish Date : 1404/06/20

Creator : Iranian content production unit node

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Our priceless rug is welcome to market.

and in the market. About three decades ago, when I was a student in Kashan, the passage of Kashan was one of the entertainment.‌It was forever and what it was like to see the faithful team.‌Drink and drink tea, and drink.‌Milk sales and maps.‌And the priests and. As if the market is the only driver of the economic wheel or the interface between the manufacturer and consumption.‌It was no longer a place for people to pass and browse and shelter to keep the heat and solar radiation in the hot and cold season as if the market was a way between the cold.‌It was for the city, and we and I were under the roof of the market with that particular architecture.‌They will be comforted and peaceful.‌We arrived.

Publish Date : 1404/12/20

Creator : Guest worker, carpet expert, PhD in Communication Science

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How to define the intrinsic value of Iranian carpets in the market?

In the carpet market, usually dominant.‌The most important question is:«How many of these pieces are?»A simple, short and seemingly rational question, but the same question, and the apparent questions of such a question, the boundary between it.‌What you saw?‌and it, and‌What they ignore.‌They reveal the truth.‌Iranian carpet, before.‌which sets.‌One of the nodes.‌It is the collection,‌from time.‌and the bio,‌They, beliefs and narratives.‌But the market, often when converting the value of the rug into numbers, is this layer.‌determining.‌He ignores the receiver.‌Or to take it or‌It's hard.‌It can.‌Translate them..

Publish Date : 1404/12/20

Creator : Iranian merchant, producer and activist in the field of Iranian handmade rug

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Talk to Ali Mirzazadeh, from international activists of Iranian handmade rugs in Europe

I went to someone who lived the market in five decades of trading, travel, risk, and trust, Ali Mirzazadeh, from the known.‌It was made.‌Iran’s most hand-made rug traders in the global markets, the dialogue that was formed with him, an explicit reading of the Iranian rug ratio with the concept of the concept of Iranian rug.«value.»It was in today’s market..

Publish Date : 1404/12/20

Creator : The knowledge of the knowledge of the master.

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In fact, they are the ones who are in the right place.

If we consider it an act of gravity, neither judgment is merely a pleasure, nor a poetic or philosophical expression of the matter.‌Cash, before everything, is an attempt to understand the effect, recognize the characteristic.‌They and why it works.‌It can be important for art audiences in modern history. And contemporary art, this understanding has always been formed in a direct proportion to the art market, an institution that bases the effect in the social world.‌And wait for that horizon.‌He is the one who makes it easy to judge.‌The art market, unlike the common imagination, is not merely an economic exchange field, but one of the fields of the field.‌There are indications in which art is defined, described and evaluated.‌and shall be judged.‌How do you see an effect?‌What awaits him?‌And what is the foundation of value?‌They are investing.‌It depends largely on its position in this economic field.

Publish Date : 1404/12/20

Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training

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Review of Iranian rug value in global markets

A special conversation with Ali Maryam and Ali Bradbar, Iranian rug activists in international space The Iranian hand-made rug market does not‌It can only be read with numbers and charts; this market is the result of the intersection of experience, trust, narrative and decision.«value.»You should listen to the voices that make the market from the heart of the profession.‌I have experienced myself.‌Those who are familiar with the logic of the global economy and with the layer.‌Hidden Cultures and Meanings‌This number is an attempt to hear these sounds; the narrative of two different paths in two different geographies, but with concern.‌Common: Rereading Iranian rug value in the contemporary market.

Publish Date : 1404/12/20

Creator : The knowledge of the knowledge of the master.

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A narrative of the market; in search of the lost value of the Iranian rug, from the peak of exports to the dust of sanctions.

He is the owner of the land and the owner of the land. In the trade area between‌The name of some people is tied to the blossoming period of an industry.‌He is the 13-year-old walk in the corridor.‌And the full.‌And the market’s crust has seen many ups and downs, since the rug was the second pillar of Iran’s economy by 1374, which, as a country sample exporter, had the pulse of the global market.«Iranian rug value.»Let us say, “The value of the time.”‌They are hidden in the name of the producer and sometimes in politics.‌They lose money.‌It will become.

Publish Date : 1404/12/20

Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology

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The goddess promises to give the rug to love Iran

The goddess promises to be a 63-year-old woman and a son of Tehran. She has been known as persistence and hard work since her childhood and spent her education in schools that have influenced her personality formation. Today it is in the field of pharmacy and medicine, a profession that has no relation to carpets. His family does not have any background in this area, except in two generations before, which is the promise of a special place in the family, and the name of Abd al-Malaam is a testament to the walls of Karbala and Karbala..

Publish Date : 1404/06/20

Creator : Iranian content production group of nodes

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From graphics to redefinition of value in the Iranian rug market.

The story of career path.‌I wish the young Iranian carpet market activists. Sometimes career path.‌Adam.‌From the same point.‌You start.‌Not thinking.‌They did, but the future.‌They take them.‌Make it..

Publish Date : 1404/12/20

Creator : Iranian content production group of nodes.

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How to buy on the basis of “value understanding”, not just price

Buying handmade rugs is not the choice of a consumer product, but rather the exposure of time, human skill, culture, experience and individual creativity. However, a significant portion of rug purchases, even at high price levels, end with discontent, doubt or regret. The root of this issue often lies not in the quality of the rug, but in the way of the buyer’s eyes, where the price takes the place of “value perception.”This article is written for hand-made rug lovers, who are not experts, but do not want to buy unknowingly. The first and most important stage in buying carpets starts before seeing any rugs.

Publish Date : 1404/12/20

Creator : ← Expert, producer and hand-made furniture

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Take a look at the most important recent events of hand-made rug.

First event. International Exhibition of Research, Technology and Technology‌Market and advertising, marketing. 1404 Official story of what you are talking about.‌We read: 2020‌The show between‌International Research, Technology and Technology‌Market and 20‌The exhibition between‌International advertising, marketing was held.

Publish Date : 1404/12/20

Creator : The Iranian public relations unit.

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The story of a “time” designer in the hands of Sir Mary.

In this context,‌from the«Time time.»In Iranian handmade rugs, especially carpets‌Designed or designed by the Lord.‌For this purpose, it is necessary for this purpose before everything to have a hand-made rug ratio with the concept of the concept.«Time time.»Let’s identify the point of view.‌Iran’s unique rugs say this.‌At least in three senses: The first effect.«Time time.»In the works of an artist such as the Lord,‌O and the artist's style.«Over time.»He knew that under the shadow.‌Heavy time conditions such as political, economic and social conditions, the artist has made changes in his art.‌These conditions in Persian.«Time.»They would eat.‌They say they seem accurate.‌Best and appropriate.‌The most important word is the effect of the time on the works of an artist such as J.S., it is important because in time.‌And he is the one who dwells in the darkness.‌He's in.«Part 1»to this. The category is paid. In the second sense.‌How to Open the Element«Time time.»In Iran’s hand-made rug, it is based on the position of time as a place of time.‌A Samantha.‌The donor.‌And they will be able to do the magic of the hand.‌In this section (second) the cash is believed to be common.‌Iranian art, then.«Unless.‌Time time.»Names.‌They entered, and instead, the Iranian rug is dominated.‌The system.‌from the«Time of non-disclosure or time.»It was known. In the third part, when the process of creating an Iranian hand-made rug or in a sense that«Part 3»It is said, in the sense.«Slow slowly.»In the process of creating an Iranian rug. ‌It is.

Publish Date : 1404/03/20

Creator : Professor of Art Research

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The story of a conversation with one of the oldest incarnations, Mrs. Mohammad Reza.

In order to register with the city of the city, the first generation of women and the second generation, the woman of the Baha'u'llah deliberately concealed from men, was not in his mother's womb, nor was he able to remember his mother. The palm of the It’s a type of rug that doesn’t have the back and forth from each side that you look at, you see a different map, the use of these types of rugs is generally decorative and, for example, used in sacred and authentic places. He was the only one who was in the first place, and he was the only one who was the only one, and the one who was the only one who was the one who was the one who was the one who was the only one who was the only one who was the only one who was the only one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one.

Publish Date : 1404/03/20

Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology

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Mr. Flynn is a summary of W. L. Flynn's private memories.

The son of a Manchester Zigler partner traveled for 40 years for Zigler’s purposes in Iran. Zigler‌It was Manchester that was the arch.‌cotton cloths.‌You export yourself to Iran.‌He gave him his money around Sultanabad.‌Personal travel.‌He left about sixty photographs of the Iranian community, which he was a member of, most notes.‌His selfish feelings are travel reporting, but there are important points during which he has a feature.‌And they say that day.‌Unfortunately he is less about the carpet.‌He wrote his own words.

Publish Date : 1404/09/20

Creator : Written by Anthony Wayne, a researcher.

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In the Qur’an, the Qur’an is a reminder of the magic of the earth.

A little over a century of urban rug production.‌They came by the immigrants who came from Kashan.‌This time is a short life compared to cities like Kerman, Tabriz, Isfahan, Mashhad and many other cities producing carpets in Iran.‌But in the short term, that is the same.‌Like Cecil Edwards before.‌He saw it, the palm of the mountain.‌reputation and reputation in terms of texture quality, design and color‌Then he turned away.‌species of species.‌You who are today,‌Especially in the production of all the silks, the horn of the other cities has been hijacked and so on.‌There is a quality and beauty that some cities have been copied from the plot.‌colors and colors.‌The carpet.‌From this city,‌They call their names.‌They will do it..

Publish Date : 1404/09/20

Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology

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An artist who went from the wooden house of the grandmother to the world record of the rug of his area

“I learned from a child that every node is not just a task; it is a responsibility for the history of my land...” I am Kashani, born in 1337 in the village of Kilno, a green and beautiful village on the border between Kardstadt and Chavis. If I have a 49-year history of art and 30 years of history, if UNESCO’s show, seal of originality, art degree, patent, entrepreneurship, and dozens of honors and titles recorded in my record, its root dates back to the same simple house of childhood; a house in its courtyard always held two six meters, and our lives of the newly resolved wool, natural colors, the rugs and the natural sound of the sense of the rugs..

Publish Date : 1404/06/20

Creator : ← Dr. M. C. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. F. B. B. B. B. B. B. B. B. M. B. B. B. B. B. M. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B.D.D. B. B. B. B. B

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Look at the horizons for sale and export of hand-made silk

In the second hand-made number in the ‘eye size’ section with Mr. And he is a gravitate.We were the head of the union of hand-made rug exporters, a person who recently held this important responsibility. They have been working for nearly four decades in the field of production and export of hand-made rugs, and are known as expensive experience. Mr Kazemi emphasized the trust and co-workers of the hand-made rug class, notes that four courses have been active in the board of production and sale of hand-made rugs and five courses in the board of hand-made rug exporters. Now, in addition to the head of the union of hand-made rug exporters, they play as treasury and members of the board of directors of the Chamber of Commerce. He believes that this is the result of the trust of colleagues and the accompanying Iranian hand-made rug community. We will continue to pay their operational plans and prospects for improving sales and expanding the export of hand-made silk carpets..

Publish Date : 1404/06/20

Creator : Iranian content production group of nodes

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Art critique in Iran’s contemporary handmade rug: from the lack of ancestry to the roadmap for the new generation.

Introduction Iran’s contemporary hand-made rug from few phenomena‌In the world of art,‌It can too.‌Cover the floor time and conquer the gallery wall.«Also, too.‌Time time.»Not a simple event, which is the modern and reflectable nature of Iran’s handmade rug, in that unit, an applied object for everyday life, an artwork with the visual system of the organization.‌It was an economic product and a skilled product.‌Carpet, rug, carries Iran’s historical and cultural memory and sequencing style style.‌tradition, tradition.‌Visual and transformation.‌And the taste.‌Beauty.‌← Psychologists.‌O thou who dwells in the centuries.‌In this continued civilization, they maintain themselves.‌and return.‌They are shining. In contemporary times, on this layer.‌Before available, layer.‌new ones.‌And it is the one who has made it.‌Especially in the realm of art, complex.‌On the one hand, contemporary art is made with the logic of concept.‌Question and question.‌No, no, no.‌title of a decorative commodity, which‌as media.‌For an idea.‌The narrative,‌and worries.‌Today’s people are served.«Art of texture.[1] »From the second half of the twentieth century, the boundaries between the high art and the crafts of hands-on, fibers, nodes and textures to the light.‌The title of the independent language of artistic expression is recognized. in this new situation, technique is the technique.‌Traditional ovens are no longer just the means of producing a commodity, but the media itself.‌For the creation of art.‌They come too.‌Time, expansion.«Design design.»to‌The title of a paradigm that blurs the boundary between the functional object and the artistic object has shown carpets in a new realm, where a rug is a rug.‌It can too.‌Time of a floor.‌A visual statement is a consumer product and a collection effect, thus, Iran’s hand-made rug that previously floated across the borders of art, culture, history, economics and industry, now within the realm of art itself with a new multiplicity.‌Amidst traditional art, contemporary art, the art of texture and design is encountered and«Being in the middle.»Contemporary rug to a very complicated situation.‌He has become more. This is a few characters.‌Ability through two distinct theoretical concepts but complementary facial expressions‌The first concept,«border object.[2]»Star and Ferrari in the community‌Science is introduced.‌They are concept.«border object.»In this theory, to object.‌It points out that while maintaining its material integrity, it is possible to interpret differently among the system.‌They provide knowledge and social heterogeneity.‌They will do it.(Star & Griesemer, 1989)This concept provides an efficient framework for understanding Iran’s contemporary handmade rug.‌It makes sense because hand-made carpets operate in their contemporary state not in a single semantic system, but at the intersection of several knowledge regimes, including art, design and market,‌Along this reading, the situation.«Among the‌It was you.[3]»They will.‌power to‌As a cultural dimension.–Theoretically understood that it refers to the possibility of generating meaning in midway spaces, where identity, meaning and value are attributed to the possibility of producing meaning in midway spaces where identity, meaning and value.‌face stabilized.‌They do not exist, but in the process of continuous exposure and translation.‌They take this situation.‌power in relation to concept.«Third space.[4]»Father's face.‌He said, where the meaning is.‌Liquid space between tradition and modernity, center and around, and the domestic and global production.‌It will become (Bhabha, 1994)As a result, the contemporary rug would take Iran.‌power to‌title of a title.«Border object is translating.»He also considered it.‌Time is present in several systems of knowledge and its meaning and value not through stability, but through the same situation, suspended and intertwined.‌It was shape.‌Take it. Combining these two concepts, the exact picture.‌More of Iran’s contemporary handmade rugs.‌And the carpet, on the one hand, as a«border object.»Between the world.‌There are different social groups and between them.‌Translated.‌On the other hand, as a phenomenon.‌with a feature.«Among the‌It was you.»In none.‌One of these worlds.‌to them.‌Not completely solved.‌And it keeps a unique, fluid and multiple identity.‌From this point of view, the contemporary rug of Iran’s hand-made rug.‌power of one.«border object.»He knew that his identity was not exclusive to a field, which is exactly the same.«Being in the middle.»And floating between different realms.‌It is the boundary that is the horizon.‌The future of the hand-made carpet.‌Maybe the carpet is hand-made.‌It can too.‌Time of a floor.‌Applications are at home, a luxury in the market, a visual document at the museum, a conceptual statement in the gallery and a design effect.‌Based on a design event,‌And none.‌One of these roles.‌They will reject other things.‌You need an analytical framework that can.‌Time for all these funds. There are literature on Iran’s handmade rugs, with all breadth and length.‌It was mostly based on approaches that each given one aspect of this border phenomenon.‌They are research.‌Historical, hand-made carpet to‌As a document from the period.‌Previous studies.‌And cultural and cultural studies, it to‌symbol of Iranian identity.‌Technical and economic approaches also analyze hand-made rugs in a workshop product.‌They are based on the‌Number, raw materials and scalable market mechanisms‌It's also packed.‌Time, an interpretation of the design and role, followed by decryption of hidden symbols and meanings, and the style of interpretation is hidden.‌Regional Biology.‌And they tried to do it.‌Organize them according to texture geography, each of these approaches has made a part of the truth of hand-made rug.‌They are, but nothing.‌One as one.«border object.»I haven’t seen it.‌His identity is not in compliance with a framework, which is right in line.«Among the‌It was you.»And a sail between it.‌shape.‌Take it. Understanding and recognizing contemporary handmade rugs as one«border object.»It still requires a conversation that can handle these few steps, not in history.‌He is a journalist.‌It can be found, not in style.‌Biology, not in analysis.‌Technical and economic approaches, because each of these approaches, according to its nature, inevitably sink the hand-made rug into one of its funds.‌They are the discourse they make.‌It can not be a few.‌title of a class issue.‌by which,‌The title of the basic nature of the hand-made rug, and from the heart of this acceptance, it is possible.‌new ones.‌You will open for the future of Iran’s contemporary hand-made rug,«Henry's critique.»However, such a discourse has always been absent in Iranian hand-made rug studies. What criticism of history‌← Style, Style.‌Biology and technical description are separate.‌Not only the method of analysis,‌It's time-consuming history.‌Poetry to the past.‌Do not look at it, nor do it.‌Biology within the framework of known rules.‌to the floor.‌The works.‌Paying.‌In fact, in his own nature,«Contemporary contemporary contemporary»It's now, he's going.‌and possible.‌They will take the future.‌Maybe they are.(Belting, 1987)If history.‌Ask the hand hand-made carpet.«How do you find this magic?‌Does it take?»cash,‌Asked.«What is the possibility of this hand-made rug for the future of Iranian handmade carpets?‌Or maybe?»This direction.‌The future.‌Then he turned the cash into a conversation.‌It slows it.‌It can also be with contemporary handmade rug dynamics.‌Take a step, unlike history.‌And the past is fixed.‌Kennedy, it's from the past.‌And the way.‌He will bring them to the new generation, and the horizon.‌new ones.‌Open for this artistic heritage. [1] Textile Art [2] Boundary Object [3] In-Betweenness [4] Third Space

Publish Date : 1405/03/18

Creator : Mehdi Farmer | Associate of Art Research Department of University Teacher Training

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The future that is designed is not a repetition of dialogue with the magic of the New Generation in Iranian rugs.

Magician, hand-made rug designer, including new generation designers, is a career path.‌You are at the point.‌He created many young people today.‌There is a place between choice and doubt, between tradition and innovation, and between what they learned.‌And what they are in reality.‌They become. He entered the field of hand-made rug design at Tehran University of Art in 1384, a choice that he said was not quite conscious at first, but soon became a path with which he felt deep belonging.‌First educated, from one.«academic degree.»to one.«ecological.»It became the soul in it.‌The clock.‌They sat down, among the rules of the root.‌Designed, St.‌Historical ideas and ideas.‌He moved and reached a new mix. And the design of the palms.‌You are.‌He knows in it, too.‌Time with an accurate and structured system.‌At the same time, there is also the possibility of creativity and unconsciousness of the artist.‌A kind of reflection is the status of a generation that must be a legacy of consolidation.‌Revisioned in a changing world. Professional path.‌O you, after the end of the education, he started from limited and dispersed works, from Eddie and the reform of the map.‌In the field of machine rugs to gradually enter independent design. the turning point of this path was the presence of Iran’s rug company and working alongside the poor professor; experience of experience;‌He says, second.‌to‌The second was learning for him. He goes on with different manufacturers in style.‌Different regions and regions.—From the place to the right,‌And the tribes.—He has collaborated and this diversity is one of the most important.‌The biggest growth factors are growing.‌Along the way, the teaching of hand-made rug design and production experience is also part of his work, where he tries.‌between education, experience and practice, establish a real link. For Ilkhan, the design of a hand-made rug is not a job, but a separation.‌It is an inescapable of life, as far as he says, from morning to night his mind is involved in the map.‌ideas, idea.‌There are signs and images.

Publish Date : 1405/03/18

Creator : Siddham, Ph.D. of Art Research, designer and idea-making in the field of traditional design

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The story of life in the Iranian rug world is the story of Samantha Godard’s professional path, from young activists in Iranian rug trade.

In the old market of Kashan, under the roof.‌And the light of the light,‌And they have a hundred years old.‌Where the cool of the desert architecture is complex, the stone.‌There is more like a life gallery.‌to the carpet.‌Sales sales.. Its walls have color. it has music.‌He sits on the wall.‌And some of them are on earth.‌They seem like they were in the yard.‌Old in the summer,‌They are wide; they are the same.‌live and full of memories..and the shape of the‌More like telling a life.‌There is a place where the color and shape are complete.‌It will become.When you enter there.‌before, before it.‌Ask the price or even know what.‌You face.‌So, it feels,‌She entered the mental world of someone who was the year.‌To create taste.‌She lived her.. A man from that man.‌There are no ones that are just raised in the market; he looks more like someone else.‌It has made itself of the heart of art, nature, book, cinema, music and look.. God's story is a different story, but it's not a show difference between these days.‌Come from this.‌It was not the same world.‌As they gave him, he accepted..

Publish Date : 1405/03/18

Creator : Iranian content production group of nodes.

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How could the new generation narrative help develop Iranian rugs for the future of Iranian handmade carpets using storytelling?

Introduction Iranian handmade rug is part of Iran’s cultural, historical and social identity.‌In each hand-made rug,‌One of the symbols, color.‌mix, mix.‌grading.‌and narratives.‌There are signs that come from the century.‌Experiences, joy, belief and lifestyle of the people of this land. However, in today’s world, lifestyle, communication and taste of generation.‌The rapidly changing, relying only on the historical background of the Iranian rug is not enough to maintain its place. the Iranian handmade rug to continue life and effectively present in today’s markets and cultural space requires a new redefinition, narrative and communication with the young generation. One important one.‌The most important tools for achieving this goal are stories.‌A story or a story.‌They say.‌It can turn carpets from a purely decorative object into a cultural and emotional experience. a young generation also because of more familiarity with the media.‌New, Digital Space and Method‌New communication, you.‌It can play an important role in this path. In this part of the teaching.‌Handwritten, review.‌How the New Generation Is New‌You can use the story.‌Speech helps maintain, introduce and develop Iranian handmade rugs without damaging its authenticity and identity.

Publish Date : 1405/03/18

Creator : Expert, producer and hand-made furniture.

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And the right hand of hand

In this section of the journal’s teachings, handmade is addressed to the most important legal questions related to Iranian handmade rugs. In each number, an applied question in areas such as contracts, purchases and sales, ownership, exports, trade disputes and legal issues of the hand-made rug market will be reviewed by official justice experts and answered clearly and documentedly.The audience can also send us legal questions to answer them in the next numbers, with experts. The aim of this sector is to increase the legal awareness of activists, consumers and enthusiasts of the field and to help make more accurate decisions in transactions and activities related to hand-made rugs..

Publish Date : 1405/03/18

Creator : The Magician of Justice

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