34 Article found

It is about a hand-made rug and maintenance

The hand-made rug of this ancient Iranian art, such as a pure poem, has made the imaginations of artists of this land in its dark and frightful fashion with patience, intertwined in the form of a dream paradise with a multitude of flowers and birds and nonsense. This imaginary paradise of thousands of distant sights has always made the most eye-catching sights of the people of the art of love and beauty cheap. Now, you need to know how to protect and protect this fully-placed wizard. Before all, we must know what they have done. .

Publish Date : 1400/04/30

Creator : conductors of the world (the senior expert in the management and economy of the rug)

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About the maintenance of hand-made rugs and methodical materials on the internet pages and some books

Publish Date : 1404/04/19

Creator : And the world's drive

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And the time and time, and time,

In the age of human beings,‌And the fall of meaning, where all things mean short term.‌In the age of habit to be consumed and then discarded, it’s easy to talk and write about a rug like a rug and writing.‌and will not end.‌It is worth it, but with consumption.‌In this regard, the spiritual and material capital of life.‌It is hard to write from the carpet because in the age of the house.‌and the people of Paradise and Adam.‌Memoryless rugs have little opportunity to breathe along with humans, but writing a thousand pieces of rugs every time is a favor that is less writer.‌O eyes of it,‌Wearing.

Publish Date : 1404/03/20

Creator : Mehdi Rosen, PhD student of Philosophy of History

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And twice in the garden, from the cradle to the grave.

Unlike many industries.‌The hand used is an element beyond an efficient device or object, although the Iranian rug, though it does.‌It can warm and soft, but nothing.‌Which of these physical functions does not justify its true face.‌slow.. And the place,‌For the experience of biographies, cultural memory and Iranian human rituals.. Like the cradle, the first place in which the Iranian man is in.‌He turned, hand.‌And he goes.‌She is crying,‌Fall and go.‌rise, look.‌slow, pictured.‌He created the world and created the world.‌He teaches against the cradle.‌Wood or metal that the child is pulling out after a few months.‌Come, the cradle.‌He is the last day of his life.‌He wants to live in a garden like a garden and a garden.. This article is an attempt to explain the work of rugs in the Iranian bio experience, from first sight to the final farewell..

Publish Date : 1404/06/20

Creator : ← A researcher of hand-made rugs, Deputy Director of Iranian Carpet

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Do you have any magic on earth?

After a century of my orbital carpets in national and international markets, silk-made carpets have always had a name among Iranian art lovers.‌O you who have a history of grace, culture, and identity.‌slow the year.‌It is a lot of people in the mind.‌The title of art and exquisite works is known.‌And sometimes they are on the walls.‌Then, under the roof of a luxurious mansion.‌Sometimes in the box.‌For generations.‌The next one will be remembered.‌And sometimes like capital.‌You buy and sell valuable.‌It will become.

Publish Date : 1405/02/12

Creator : The knowledge of the knowledge of the master.

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Identity openings in Iran’s contemporary handmade rug: hand-made rug critique of “war and peace” by faithful honey.

IntroductionIn contemporary society, critique of an essential tool for dealing with complexity‌The growing arts has become today’s art because of its characteristics.‌like the foundation.‌Discipline, identity rethink, addressing social issues, passing through style.‌Science and beauty.‌Classical Biology, concept.‌Main and pluralism in form, matter and meaning, constantly new dimensions.‌You are.‌And every day, it will be complicated.‌It's more.‌It will become. In the lack of cash.‌Many, many layers.‌Forms‌Cognitive, beautiful.‌Cognitive, intellectual and social works of contemporary art.‌And that is what it does.‌It can lead to understanding, denying and even exclusion of art from the audience, so artistic critique transcends a purely descriptive role or value.‌It has become an analytical and interpretive paradigm that is capable of layering.‌Multiple Beauty.‌Cognitive, social and context.‌To reveal the works of art and to the possibility of deep understanding.‌More than that.‌And he made it easy for him to do it.‌He moved to the understanding of contemporary art..

Publish Date : 1404/06/20

Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training

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A hand-made rug, an art that sits on the ground, a dialogue with the wisdom of the farm, Iranian handmade rug designer.

Farm wisdom is born in 1359 in the city of Gorgan, this young designer of handmade rugs in 1381 to 1381.‌random face and seeing a few flowers.‌They are full of magic.‌Hand of hand.‌He became Iranian, and despite his family’s inner desire.‌She decided to take this field at college to college.‌Follow seriously.‌His promise is to fight for art that is not so valuable at university.‌It was, and perhaps art is not known at all.‌He was born in 1385 from the University of Art of Tehran.‌He was taught and walked in a path that was determined to succeed.

Publish Date : 1404/06/20

Creator : ← Siddham, a PhD in Art Research, Designer and Idea Design

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From the smears to the smears.

Renzied and cotton-like wool, i.e. converting sheep and cotton wool into a machine called cycles-creation (in the local term) and cloth, flowering, rugs and carpets, were among the household jobs of women, although the cloth was mostly done in shops with men, but things that show women’s texture.

Publish Date : 1404/06/20

Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology

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Types of Physical Uses of Iranian Handmades (focused on carpet style)

Will they?‌You know that the Iranian carpet is not only woven to cover the land.‌Will it be? Introduction Iranian rug, life narrative, culture, and generation needs‌What we have today as the title."And the carpet."Or or"A hand-made rug."They would eat.‌We know, actually the collection.‌A vast loss of hand.‌They are woven.‌There are many different types: rugs, flowers, gijims, Plus, Chete, and... This shit.‌No, no.‌Only the house floor.‌They take them.‌Covered, but also the walls, ceilings, bed of sleep, quadrant load, transportation equipment, furniture, and even ritual and display structures.‌In this case, in this manner,‌Teaching and summary.‌Physical applications of hand.‌They are woven.‌Review Iranian people.‌Let us use the heart of people’s lives, not just from behind the museum.‌Oh, guys.

Publish Date : 1404/06/20

Creator : And the world’s guidance, the healing, and the furniture.

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Our priceless rug is welcome to market.

and in the market. About three decades ago, when I was a student in Kashan, the passage of Kashan was one of the entertainment.‌It was forever and what it was like to see the faithful team.‌Drink and drink tea, and drink.‌Milk sales and maps.‌And the priests and. As if the market is the only driver of the economic wheel or the interface between the manufacturer and consumption.‌It was no longer a place for people to pass and browse and shelter to keep the heat and solar radiation in the hot and cold season as if the market was a way between the cold.‌It was for the city, and we and I were under the roof of the market with that particular architecture.‌They will be comforted and peaceful.‌We arrived.

Publish Date : 1404/12/20

Creator : Guest worker, carpet expert, PhD in Communication Science

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How to define the intrinsic value of Iranian carpets in the market?

In the carpet market, usually dominant.‌The most important question is:«How many of these pieces are?»A simple, short and seemingly rational question, but the same question, and the apparent questions of such a question, the boundary between it.‌What you saw?‌and it, and‌What they ignore.‌They reveal the truth.‌Iranian carpet, before.‌which sets.‌One of the nodes.‌It is the collection,‌from time.‌and the bio,‌They, beliefs and narratives.‌But the market, often when converting the value of the rug into numbers, is this layer.‌determining.‌He ignores the receiver.‌Or to take it or‌It's hard.‌It can.‌Translate them..

Publish Date : 1404/12/20

Creator : Iranian merchant, producer and activist in the field of Iranian handmade rug

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Review of Iranian trade and carpets from the Safavid period so far

This review article.‌Set on Iranian rug trade and value from the Safavid period to the contemporary period (the time opening of 1300 to 1370), in which to the start of Iranian rug trade during the Safavid period, the development of Iranian global rug trade in the Qajar period and the Iranian rug value in the market within the period of 1300 to 1370 of the Solar Solar Sun.‌It was made.‌It is.

Publish Date : 1404/12/20

Creator : The Magician, the University of Kashan

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Talk to Ali Mirzazadeh, from international activists of Iranian handmade rugs in Europe

I went to someone who lived the market in five decades of trading, travel, risk, and trust, Ali Mirzazadeh, from the known.‌It was made.‌Iran’s most hand-made rug traders in the global markets, the dialogue that was formed with him, an explicit reading of the Iranian rug ratio with the concept of the concept of Iranian rug.«value.»It was in today’s market..

Publish Date : 1404/12/20

Creator : The knowledge of the knowledge of the master.

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In fact, they are the ones who are in the right place.

If we consider it an act of gravity, neither judgment is merely a pleasure, nor a poetic or philosophical expression of the matter.‌Cash, before everything, is an attempt to understand the effect, recognize the characteristic.‌They and why it works.‌It can be important for art audiences in modern history. And contemporary art, this understanding has always been formed in a direct proportion to the art market, an institution that bases the effect in the social world.‌And wait for that horizon.‌He is the one who makes it easy to judge.‌The art market, unlike the common imagination, is not merely an economic exchange field, but one of the fields of the field.‌There are indications in which art is defined, described and evaluated.‌and shall be judged.‌How do you see an effect?‌What awaits him?‌And what is the foundation of value?‌They are investing.‌It depends largely on its position in this economic field.

Publish Date : 1404/12/20

Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training

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Review of Iranian rug value in global markets

A special conversation with Ali Maryam and Ali Bradbar, Iranian rug activists in international space The Iranian hand-made rug market does not‌It can only be read with numbers and charts; this market is the result of the intersection of experience, trust, narrative and decision.«value.»You should listen to the voices that make the market from the heart of the profession.‌I have experienced myself.‌Those who are familiar with the logic of the global economy and with the layer.‌Hidden Cultures and Meanings‌This number is an attempt to hear these sounds; the narrative of two different paths in two different geographies, but with concern.‌Common: Rereading Iranian rug value in the contemporary market.

Publish Date : 1404/12/20

Creator : The knowledge of the knowledge of the master.

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A narrative of the market; in search of the lost value of the Iranian rug, from the peak of exports to the dust of sanctions.

He is the owner of the land and the owner of the land. In the trade area between‌The name of some people is tied to the blossoming period of an industry.‌He is the 13-year-old walk in the corridor.‌And the full.‌And the market’s crust has seen many ups and downs, since the rug was the second pillar of Iran’s economy by 1374, which, as a country sample exporter, had the pulse of the global market.«Iranian rug value.»Let us say, “The value of the time.”‌They are hidden in the name of the producer and sometimes in politics.‌They lose money.‌It will become.

Publish Date : 1404/12/20

Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology

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The goddess promises to give the rug to love Iran

The goddess promises to be a 63-year-old woman and a son of Tehran. She has been known as persistence and hard work since her childhood and spent her education in schools that have influenced her personality formation. Today it is in the field of pharmacy and medicine, a profession that has no relation to carpets. His family does not have any background in this area, except in two generations before, which is the promise of a special place in the family, and the name of Abd al-Malaam is a testament to the walls of Karbala and Karbala..

Publish Date : 1404/06/20

Creator : Iranian content production group of nodes

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The story of my life and the love of the rug, the beginning of an unwanted love

I’m Ala Abdelhamdi, a baffling from childhood, in the rural heart of the province of Ilam, my life was tied to the colors and roles of the hands of local woven. My interest in the carpet, but the beginning was bitter and sad.At age 12, I lost my father. To escape grief, I sought refuge in a carpet workshop that one of his family’s women ran. There, there was a world of girls who created flowers with their magical fingers. But, because of the little age, I could only vacuum and gather the workshop.Every day I looked at those beautiful flowers on the carpet and I was skilled at the deceased. This regret became my motor.

Publish Date : 1404/12/20

Creator : Abd al-Madiq al-Madiq, al-Baqir and the University Teacher

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From graphics to redefinition of value in the Iranian rug market.

The story of career path.‌I wish the young Iranian carpet market activists. Sometimes career path.‌Adam.‌From the same point.‌You start.‌Not thinking.‌They did, but the future.‌They take them.‌Make it..

Publish Date : 1404/12/20

Creator : Iranian content production group of nodes.

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Slow culture of living by looking at Iranian rug | a special dialogue with Saeed Aaris, social and environmental activist, founder of the Algen Foundation

In the midst of the‌colors, colors.‌and subtleties.‌Somewhere in the booth.‌The collection.‌from the«Iran Iran‌node.»In the 18th exhibition, there was a conversation that transcended the play of the character, a meeting in which two deep sights of life and art.—One of the heart of nature, the other from the heart of the dark and the carpet.—They sit together and make a new plan of time.. Sa’alas, Social Active and Environment‌In a conversation with Al-Khal.‌In an intimate but vibrant atmosphere, the sons of Levi were given the words that these days, more than ever.‌We need them: Slow life, bonding with nature, and root.‌In a culture that is a symbol,.

Publish Date : 1404/03/20

Creator : Iran’s content production team.

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The story of a conversation with one of the oldest incarnations, Mrs. Mohammad Reza.

In order to register with the city of the city, the first generation of women and the second generation, the woman of the Baha'u'llah deliberately concealed from men, was not in his mother's womb, nor was he able to remember his mother. The palm of the It’s a type of rug that doesn’t have the back and forth from each side that you look at, you see a different map, the use of these types of rugs is generally decorative and, for example, used in sacred and authentic places. He was the only one who was in the first place, and he was the only one who was the only one, and the one who was the only one who was the one who was the one who was the one who was the only one who was the only one who was the only one who was the only one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one.

Publish Date : 1404/03/20

Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology

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← Understanding carpet fibers and hand-made tips to keep them from them

Because of all the carpets.‌Iranian handmade fibers are woven from natural fibers such as wool, cotton and silk.‌They are aware of the character.‌These fibers in the maintenance and care process.‌of special importance.‌It is possible that the structure of an Iranian handmade rug is entirely composed of wool or silk fibers, or a combination of wool, silk and cotton.‌The title of Tar or Pop.‌And they will be in the midst of the dust.‌They can too.‌The title of Tar, both Pooh and Perez in hand-made rug texture.‌Continue, variety of fibers, feature.‌The unique effects of each and the impact of environmental factors on it‌The reviews will be explored and finally, important points will be provided regarding the correct maintenance of Iranian handmade rugs with natural fibers..

Publish Date : 1404/03/20

Creator : And the world’s guidance, the healing, and the furniture.

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and the burning of blood.

In the wake of the spring, it is a story of water. One day... In the dust of the lost time.‌His name is only in the name.‌The Old Testament.‌There is a reminder of the magic.‌and mines.‌He is a sign of the covenant.‌In it, Abbey.‌Muhammad’s name is easy.«So they turned away.»facing face.‌face.‌It was Ben.‌We of this.«Research-based.»This is the historical document that is unprecedented.‌at least.‌The Arabic is returned from Arabic to Persian and under the title.«A good reminder of God’s Word.»It came, but the other part.‌This is the interest,‌The passage of the language of historical documentation is built on the delicate boundary between history and imagination, the journalist has tried to summon the spirit of the so-called carpet and show how his body is of origin.‌He went,‌It can memory.‌O Lord, who dwells in the kingdom of God, and in the spring of Sodom, is the story of God’s Word, and his people are the people of the world.‌This land in the long run...

Publish Date : 1404/09/20

Creator : David Hilello, an assistant professor of the Faculty of Arts in Shiraz University of Art

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Mr. Flynn is a summary of W. L. Flynn's private memories.

The son of a Manchester Zigler partner traveled for 40 years for Zigler’s purposes in Iran. Zigler‌It was Manchester that was the arch.‌cotton cloths.‌You export yourself to Iran.‌He gave him his money around Sultanabad.‌Personal travel.‌He left about sixty photographs of the Iranian community, which he was a member of, most notes.‌His selfish feelings are travel reporting, but there are important points during which he has a feature.‌And they say that day.‌Unfortunately he is less about the carpet.‌He wrote his own words.

Publish Date : 1404/09/20

Creator : Written by Anthony Wayne, a researcher.

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In the Qur’an, the Qur’an is a reminder of the magic of the earth.

A little over a century of urban rug production.‌They came by the immigrants who came from Kashan.‌This time is a short life compared to cities like Kerman, Tabriz, Isfahan, Mashhad and many other cities producing carpets in Iran.‌But in the short term, that is the same.‌Like Cecil Edwards before.‌He saw it, the palm of the mountain.‌reputation and reputation in terms of texture quality, design and color‌Then he turned away.‌species of species.‌You who are today,‌Especially in the production of all the silks, the horn of the other cities has been hijacked and so on.‌There is a quality and beauty that some cities have been copied from the plot.‌colors and colors.‌The carpet.‌From this city,‌They call their names.‌They will do it..

Publish Date : 1404/09/20

Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology

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An artist who went from the wooden house of the grandmother to the world record of the rug of his area

“I learned from a child that every node is not just a task; it is a responsibility for the history of my land...” I am Kashani, born in 1337 in the village of Kilno, a green and beautiful village on the border between Kardstadt and Chavis. If I have a 49-year history of art and 30 years of history, if UNESCO’s show, seal of originality, art degree, patent, entrepreneurship, and dozens of honors and titles recorded in my record, its root dates back to the same simple house of childhood; a house in its courtyard always held two six meters, and our lives of the newly resolved wool, natural colors, the rugs and the natural sound of the sense of the rugs..

Publish Date : 1404/06/20

Creator : ← Dr. M. C. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. F. B. B. B. B. B. B. B. B. M. B. B. B. B. B. M. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B.D.D. B. B. B. B. B

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Passenger from Time: The introduction of antic rug and the Frost Museum

In the history of Iran, wonders and appearances are not low. Then the king’s glory comes from our heads and shows us the art market, and sometimes the fall of Sultan Hussein’s era, the sweat of shame on our foreheads, of the intensity of cultural and artistic decline. In this article, but we have a passenger. 250 250 The year when he tells the story of his observations..

Publish Date : 1404/06/20

Creator : Professor of Art Research

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The future that is designed is not a repetition of dialogue with the magic of the New Generation in Iranian rugs.

Magician, hand-made rug designer, including new generation designers, is a career path.‌You are at the point.‌He created many young people today.‌There is a place between choice and doubt, between tradition and innovation, and between what they learned.‌And what they are in reality.‌They become. He entered the field of hand-made rug design at Tehran University of Art in 1384, a choice that he said was not quite conscious at first, but soon became a path with which he felt deep belonging.‌First educated, from one.«academic degree.»to one.«ecological.»It became the soul in it.‌The clock.‌They sat down, among the rules of the root.‌Designed, St.‌Historical ideas and ideas.‌He moved and reached a new mix. And the design of the palms.‌You are.‌He knows in it, too.‌Time with an accurate and structured system.‌At the same time, there is also the possibility of creativity and unconsciousness of the artist.‌A kind of reflection is the status of a generation that must be a legacy of consolidation.‌Revisioned in a changing world. Professional path.‌O you, after the end of the education, he started from limited and dispersed works, from Eddie and the reform of the map.‌In the field of machine rugs to gradually enter independent design. the turning point of this path was the presence of Iran’s rug company and working alongside the poor professor; experience of experience;‌He says, second.‌to‌The second was learning for him. He goes on with different manufacturers in style.‌Different regions and regions.—From the place to the right,‌And the tribes.—He has collaborated and this diversity is one of the most important.‌The biggest growth factors are growing.‌Along the way, the teaching of hand-made rug design and production experience is also part of his work, where he tries.‌between education, experience and practice, establish a real link. For Ilkhan, the design of a hand-made rug is not a job, but a separation.‌It is an inescapable of life, as far as he says, from morning to night his mind is involved in the map.‌ideas, idea.‌There are signs and images.

Publish Date : 1405/03/18

Creator : Siddham, Ph.D. of Art Research, designer and idea-making in the field of traditional design

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From the first node under the old oak to the promotion of the weaving between young women and girls, the story of the life of Khadadi Baba, Bacher and Professor of Buffett

Khashoghani, born 1361, is Iran's rug today, a woman whose story begins from a child, from the same day that her small hands struck her mother's first node in the dark. He said, “My story starts from childhood, from the day my small hands shook the first node with hands.”His hometown, the province of Ilam, the village of the bottom, was where under the shadow of old oak trees, the rugs were set up, and life was meant by Tard. It wasn’t six years that she sat next to her mother, her aunt and Mrs. Mrs. Mrs. His hands were shaken, but he was proud. The first node, the new world opened before it, the world in which everything was summed up in the abyss and nodes..

Publish Date : 1405/03/18

Creator : Dr. Abdham, researcher and lecturer

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The story of life in the Iranian rug world is the story of Samantha Godard’s professional path, from young activists in Iranian rug trade.

In the old market of Kashan, under the roof.‌And the light of the light,‌And they have a hundred years old.‌Where the cool of the desert architecture is complex, the stone.‌There is more like a life gallery.‌to the carpet.‌Sales sales.. Its walls have color. it has music.‌He sits on the wall.‌And some of them are on earth.‌They seem like they were in the yard.‌Old in the summer,‌They are wide; they are the same.‌live and full of memories..and the shape of the‌More like telling a life.‌There is a place where the color and shape are complete.‌It will become.When you enter there.‌before, before it.‌Ask the price or even know what.‌You face.‌So, it feels,‌She entered the mental world of someone who was the year.‌To create taste.‌She lived her.. A man from that man.‌There are no ones that are just raised in the market; he looks more like someone else.‌It has made itself of the heart of art, nature, book, cinema, music and look.. God's story is a different story, but it's not a show difference between these days.‌Come from this.‌It was not the same world.‌As they gave him, he accepted..

Publish Date : 1405/03/18

Creator : Iranian content production group of nodes.

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Mary's House of Eden and Muhammad

Sometimes a rug is not just a rug. It’s like a living memory that has spread over the earth, a memory that has memories of the previous home and is recording current home events. In Mary’s house and Muhammad al-Madiq, a great rug of cloth is of the same genus, a rug that not only fills the space, but also keeps a part of the memories of his owners..The story begins where the rug was not in the house. Before that, the house lived with other rugs, the carpets they were, but they had little. The house was a perfect house: his belongings came from the heart of the families, every piece of souvenir, every object had a past. But with all of these, there was nothing in the whole picture. A hidden kind of inconsistency, which may be called "preservation" later..Mohammad Hussein, the architect himself, said he had no connection with classical carpets and busy designs. He knows these types of rugs too much; carpets that weigh it instead of accompanying space and do not allow breathing to the environment. In his experience, however, he had come to the idea that he was more important than the role and design: the color balance and the relaxation that a space should have..He learned from this rug in his sister’s house; a different rug with colors that were neither crowded nor neutral, but in a coordinated mix, and the same colour was one of the most important and influential points; colors that were synchronized with the air of the house. These qualities were enough to attract the attention of Muhammad al-Malaam al-Malaam all those years at his sister’s house..Mary had been enamored in her home before she was born. Especially at parties with which this rug took her look more than anything else. For him, this choice was not merely a momentous decision, but a continuation of the sense that was made up of childhood in his mind; a sense of life and presence in space. The same experience eventually decided to bring this rug home..Maryam Mirhani said from that moment that the rug first spreads home. Not as an ornamental choice, but as something that happened. He speaks of an interesting conflict: a house that seemed perfect before, but with the arrival of this rug, something was stabilized. Not change, but everything is in place..In the narrative of this house, the rug is more than the role and color. It is a biological experience. What is tied to everyday life. In normal days, at parties, in commutes, and even in difficult and difficult days..Maryam Mirini points to a moment that seems simple at first sight, but remains in his memory; the days of war and anxiety, the days when the mind was involved in the news and external pressures. In those days, the mornings that woke up were the first thing to look at, the colors of this rug. This peaceful and unrecognized presence on Earth, among which anxiety created a real kind of relaxation, which was more like a long pause in the heavy days..

Publish Date : 1405/03/18

Creator : Iranian content production group of nodes

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Pike

Publish Date : 1405/03/18

Creator : And the world's drive

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And then, in the name of the Lord

Jacob Edward Polaki[1] The doctor, professor of Austrian Medicine and Iranianologist of the 19th century, was born in Bohr in 1818 and taught medicine at Central European universities.. In the 1850s, Polak came to Tehran in the framework of sending European professors to Iran and hired the Qajar government. As a professor of medicine in Darffenon and court doctor, Polak played a central role in the transfer of new European knowledge and techniques to Iran. His book, Iran: Land and Its Residents[2]A comprehensive picture of Iran of the Nazareth era. The story of Polk from Easter and the role of carpets in different situations from the home of ordinary people to the palace can be seen well. The voyage is published as Iran and Iranians and by translating the cosmopolitan cakes by the grocery publication.[1]Jakob Eduard Polak[2]Persien. Das Land and SEO Bewohner

Publish Date : 1404/12/20

Creator : Muhammad (peace be upon him)

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The roots.

None.‌No one in the land.‌He knew first.‌Who is the carpet?«The root.‌They are.»It was called, but everyone would.‌They knew where the name came from.‌And because of the magic.‌O, long, soft, and always fresh, were hanged from two heads and people of the year.‌They are them.‌They touched for wish, blessing, rain, love, healing and even peace..

Publish Date : 1404/06/20

Creator : And the world's drive.

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