31 Article found

Ideal Union

In today’s economic world, is one of the most important successful factors for companies, organizations, unions, organizations, and ... the satisfaction of their customers. To satisfy customers, it is imperative that a company, organization and Union define their activities and actions around customer needs, wants and expectations.

Publish Date : 1398/07/15

Creator : (The Chief Executive Officer in the Hand-made Carpet)

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Identifying the Silk Carpet Entry Strategy to China’s Handed Carpet Market

by: The aim of the study is to identify the Silk Carpet entry strategy to China’s hand-made rug market from 21 experts (the study of hand-made rug cluster). The statistical community of this study consists of experts of hand-made rugs and the National Center of Iranian rugs, and has collected research data through the census. The method of research has been a method of data collection and ranking, and then using the Matrix of applicable strategies and to determine the relative attractiveness of these strategies through the strategy planning matrix. Due to the results of strategy prioritization, the product diversity strategy has the most attractive score and is followed by market penetration through marketing efforts and encouraging measures to encourage and attract customers. So for the successful and long-term arrival of silk carpets to the luxury goods market in China diversifying into products and following those measures from carpets’ government custodians such as Iran’s National Carpet Centre in line with an emphasis on various aspects of the rug, conducting market research by expert and committed individuals, paying attention to the discussion of the branding and celebrities of existing brands, including the actions that are taken into the market as a luxury of China. Key vocabulary: strategy – hand-made rug cluster – Subat- Matrix Strategy Planning Matrix – a quantitative method

Publish Date : 1394/04/01

Creator : HAMID SULEIMANI (DR. BUSINESS ADMINISTRATION) – ADELIAN (MASTER OF THE MBA OF MARKETING ORIENTATION – ISLAMIC FREE UNIVERSITY UNIT OF MEDICAL SCIENCES)

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Explore effective factors in the development of Iranian hand-made rug exports with a macro-environmental approach

چکیده Iran’s hand-made rug is one of the most important sources of currency revenue and major export items of the country, which, according to its special place in global markets as well as because of the need for countries to cut down on oil revenues, efforts to develop rug exports can lead to the growth of the country’s economy and the abandonment of the technological economy – as one of the major objectives of the economic development program. To identify effective factors in the development of Iranian hand-made rug exports, the research is focused on the dimensions of the markets in order to attract the attention of the country’s policymakers and decision-makers to this important and necessity of replaying its policies. In this regard, with a measure of experts and the method of factor analysis, seven major indicators were identified in four economic, social, political and technological environments, which include the distribution of income and lifestyles in the target market, monetary and financial policies and exchange rates in the country, tariff and non-profit barriers, international pressures and applications. Subsequently, research assumptions have been studied by the use of unpared dark tests of a two-and-a-two sentence, and based on the results, all seven assumptions are confirmed; intig, the effects of the review on the development of Iran’s hand-made rug exports are known. Also, the test was used to compare a couple of different criteria. The results are that the international pressure rating is bigger than all other categories. Keywords: Export/ Carpet Development/High-wire environment

Publish Date : 1391/04/01

Creator : Dr. Dr. Frequential-Free Speech

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Green supply chain stimulus model studied: the art of hand-made rug industry

چکیده THE GREEN SUPPLY CHAIN COMBINES ENVIRONMENTAL CONCERNS WITH THE CONCEPT OF SUPPLY CHAIN THROUGH IMPROVING COOPERATION AND COORDINATION OF SUPPLY CHAIN MEMBERS. THE AIM OF THIS RESEARCH IS TO PROVIDE GREEN SUPPLY CHAIN DRIVERS IN THE ART OF THE HAND-MADE RUG INDUSTRY. THE STATISTICAL COMMUNITY OF THIS RESEARCH HAS BEEN SELECTED IN THE FIRST PHASE OF EXPERTS IN THE HAND-MADE RUG INDUSTRY AND IN THE SECOND PHASE OF THE SUPPLY CHAIN MEMBERS OF THE RUG INDUSTRY: SUPPLIERS OF RAW MATERIALS, VENDORS, MANUFACTURERS AND COLOURS. FIRST, USING THE FIRST EXPERTS TEAM, OF THE 34 VARIABLES LISTED IN THE 17 ITEM QUESTIONNAIRE AS THE MAIN DRIVERS OF THE GREEN SUPPLY CHAIN IN THE HAND-MADE RUG INDUSTRY. ANOTHER QUESTIONNAIRE WAS THEN DISTRIBUTED AMONG THE SUPPLY CHAIN MEMBERS AND, USING THE EXPLORATORY FACTOR ANALYSIS, FACTORS 5. USING THE AHP METHOD, EACH FACTOR’S PRIORITY RATE IS TO MOVE TOWARDS THE SUPPLY CHAIN IN THE HAND-MADE RUG INDUSTRY: INFORMATION, REGULATIONS, COMPETITION, LOGISTICS AND MARKETING. AT THE END OF THE PRE-EMINENCY, INCLUDING THE USE OF INFORMATION TECHNOLOGIES, ATTENTION TO GOVERNMENT STANDARDS, GREATER COOPERATION WITH COMPETITORS AND MORE COOPERATION AT THE SUPPLY CHAIN LEVEL IS ESSENTIAL TO IMPROVING ENVIRONMENTAL PERFORMANCE. KEYWORDS: HANDMADE RUG, GREEN SUPPLY CHAIN, GREEN SUPPLY CHAIN DRIVERS

Publish Date : 1396/01/01

Creator : Ismail Magdalene (Master of the Department of Management and Caracas, Knowledge of Human Sciences, University of Kashan) – During the Jafari (Master of the Master of Interior, Architecture and Art of Kashan University)

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It is about a hand-made rug and maintenance

The hand-made rug of this ancient Iranian art, such as a pure poem, has made the imaginations of artists of this land in its dark and frightful fashion with patience, intertwined in the form of a dream paradise with a multitude of flowers and birds and nonsense. This imaginary paradise of thousands of distant sights has always made the most eye-catching sights of the people of the art of love and beauty cheap. Now, you need to know how to protect and protect this fully-placed wizard. Before all, we must know what they have done. .

Publish Date : 1400/04/30

Creator : conductors of the world (the senior expert in the management and economy of the rug)

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About the wash

In this case. Sex and material. They must and should not. How to wash. It was briefly paid

Publish Date : 1400/06/13

Creator : conductors of the world (the senior expert in the management and economy of the rug)

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Natural color detection method from artificial

In this article, it has been tried to express very practical ways of recognizing natural colors from artificial colors in hand-made rug fibers.

Publish Date : 1400/06/14

Creator : conductors of the world (the senior expert in the management and economy of the rug)

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A simple way to distinguish the dust from the dust!

Publish Date : 1401/06/28

Creator : conductors of the world (the senior expert in the management and economy of the rug)

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Do not compare hand-made rugs with any other floor...

Publish Date : 1402/08/05

Creator : (The Chief Executive Officer in the Hand-made Carpet)

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About the maintenance of hand-made rugs and methodical materials on the internet pages and some books

Publish Date : 1404/04/19

Creator : And the world's drive

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And the time and time, and time,

In the age of human beings,‌And the fall of meaning, where all things mean short term.‌In the age of habit to be consumed and then discarded, it’s easy to talk and write about a rug like a rug and writing.‌and will not end.‌It is worth it, but with consumption.‌In this regard, the spiritual and material capital of life.‌It is hard to write from the carpet because in the age of the house.‌and the people of Paradise and Adam.‌Memoryless rugs have little opportunity to breathe along with humans, but writing a thousand pieces of rugs every time is a favor that is less writer.‌O eyes of it,‌Wearing.

Publish Date : 1404/03/20

Creator : Mehdi Rosen, PhD student of Philosophy of History

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This article is not the case, but it is an attempt to answer what Iranian rug is.

Even though ancient discoveries still exist.‌And, by the way,‌The face is wide and astonishing.‌And they have a variety of flowers and carpets.‌History is against us.‌But the main question remains for the examiners.‌In addition to the Enlightenment in primary functions, it is a form of autopsies in the form of an autopsies.‌and the shape of the palm.‌title of a phenomenon.[1]It’s social and a pre-emptive note.‌It's coming.. [1]phenomenon or phenomen.Phenomenonword word word.‌It is a philosophy that is called every visible and experienced event (independent or indirect) in Persian language."Seed."There are two of them, and they are visible.

Publish Date : 1404/06/20

Creator : The Iranian-made carpet researcher

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A hand-made rug, an art that sits on the ground, a dialogue with the wisdom of the farm, Iranian handmade rug designer.

Farm wisdom is born in 1359 in the city of Gorgan, this young designer of handmade rugs in 1381 to 1381.‌random face and seeing a few flowers.‌They are full of magic.‌Hand of hand.‌He became Iranian, and despite his family’s inner desire.‌She decided to take this field at college to college.‌Follow seriously.‌His promise is to fight for art that is not so valuable at university.‌It was, and perhaps art is not known at all.‌He was born in 1385 from the University of Art of Tehran.‌He was taught and walked in a path that was determined to succeed.

Publish Date : 1404/06/20

Creator : ← Siddham, a PhD in Art Research, Designer and Idea Design

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Our priceless rug is welcome to market.

and in the market. About three decades ago, when I was a student in Kashan, the passage of Kashan was one of the entertainment.‌It was forever and what it was like to see the faithful team.‌Drink and drink tea, and drink.‌Milk sales and maps.‌And the priests and. As if the market is the only driver of the economic wheel or the interface between the manufacturer and consumption.‌It was no longer a place for people to pass and browse and shelter to keep the heat and solar radiation in the hot and cold season as if the market was a way between the cold.‌It was for the city, and we and I were under the roof of the market with that particular architecture.‌They will be comforted and peaceful.‌We arrived.

Publish Date : 1404/12/20

Creator : Guest worker, carpet expert, PhD in Communication Science

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How to define the intrinsic value of Iranian carpets in the market?

In the carpet market, usually dominant.‌The most important question is:«How many of these pieces are?»A simple, short and seemingly rational question, but the same question, and the apparent questions of such a question, the boundary between it.‌What you saw?‌and it, and‌What they ignore.‌They reveal the truth.‌Iranian carpet, before.‌which sets.‌One of the nodes.‌It is the collection,‌from time.‌and the bio,‌They, beliefs and narratives.‌But the market, often when converting the value of the rug into numbers, is this layer.‌determining.‌He ignores the receiver.‌Or to take it or‌It's hard.‌It can.‌Translate them..

Publish Date : 1404/12/20

Creator : Iranian merchant, producer and activist in the field of Iranian handmade rug

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In fact, they are the ones who are in the right place.

If we consider it an act of gravity, neither judgment is merely a pleasure, nor a poetic or philosophical expression of the matter.‌Cash, before everything, is an attempt to understand the effect, recognize the characteristic.‌They and why it works.‌It can be important for art audiences in modern history. And contemporary art, this understanding has always been formed in a direct proportion to the art market, an institution that bases the effect in the social world.‌And wait for that horizon.‌He is the one who makes it easy to judge.‌The art market, unlike the common imagination, is not merely an economic exchange field, but one of the fields of the field.‌There are indications in which art is defined, described and evaluated.‌and shall be judged.‌How do you see an effect?‌What awaits him?‌And what is the foundation of value?‌They are investing.‌It depends largely on its position in this economic field.

Publish Date : 1404/12/20

Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training

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How to buy on the basis of “value understanding”, not just price

Buying handmade rugs is not the choice of a consumer product, but rather the exposure of time, human skill, culture, experience and individual creativity. However, a significant portion of rug purchases, even at high price levels, end with discontent, doubt or regret. The root of this issue often lies not in the quality of the rug, but in the way of the buyer’s eyes, where the price takes the place of “value perception.”This article is written for hand-made rug lovers, who are not experts, but do not want to buy unknowingly. The first and most important stage in buying carpets starts before seeing any rugs.

Publish Date : 1404/12/20

Creator : ← Expert, producer and hand-made furniture

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Take a look at the most important recent events of hand-made rug.

First event. International Exhibition of Research, Technology and Technology‌Market and advertising, marketing. 1404 Official story of what you are talking about.‌We read: 2020‌The show between‌International Research, Technology and Technology‌Market and 20‌The exhibition between‌International advertising, marketing was held.

Publish Date : 1404/12/20

Creator : The Iranian public relations unit.

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The story of a friend of the rug is a sign of peace: the narrative of the Abbasid, the researcher and writer of the realm of euthanasia and the protocol and the Iranian rug

Abbasidone, born in September 1362 in Tehran, is a specialist of the Swiss country. He also has an academic background in the field of clinical psychology from London and the Grand Diploma in both cooking and confederation of the prestigious Paris Blue School. This unique combination of behavioral science, international customs and the delicate arts of cooking, draws a multi-layered picture of his curious and unproductive personality..She is now resident of Tehran and teaches research and writing in the fields of ethics, social customs and communication practices, as well. Along with all of these activities, he has come with an attachment to the Iranian handmade rug, an art that is not only a long tradition, but also a form of meditation and daily peace..One of the main concerns of Abbasid is the culture in areas where he has learned knowledge and skills. He believes that any expertise, if combined with a human and cultural perspective, can have a lasting impact on society. Therefore, weaving for him is not merely the art of working with darkness, but a way to return to himself, to speak to the past and reflect the inner order of man..In addition, Al-Sadiq al-Sadiq (A) writes from his sight to the path of the weaving..

Publish Date : 1404/03/20

Creator : The Qur’an of the Qur’an, the researcher and the writer of the field, the protocol and the Iranian carpet

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← Understanding carpet fibers and hand-made tips to keep them from them

Because of all the carpets.‌Iranian handmade fibers are woven from natural fibers such as wool, cotton and silk.‌They are aware of the character.‌These fibers in the maintenance and care process.‌of special importance.‌It is possible that the structure of an Iranian handmade rug is entirely composed of wool or silk fibers, or a combination of wool, silk and cotton.‌The title of Tar or Pop.‌And they will be in the midst of the dust.‌They can too.‌The title of Tar, both Pooh and Perez in hand-made rug texture.‌Continue, variety of fibers, feature.‌The unique effects of each and the impact of environmental factors on it‌The reviews will be explored and finally, important points will be provided regarding the correct maintenance of Iranian handmade rugs with natural fibers..

Publish Date : 1404/03/20

Creator : And the world’s guidance, the healing, and the furniture.

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Mr. Flynn is a summary of W. L. Flynn's private memories.

The son of a Manchester Zigler partner traveled for 40 years for Zigler’s purposes in Iran. Zigler‌It was Manchester that was the arch.‌cotton cloths.‌You export yourself to Iran.‌He gave him his money around Sultanabad.‌Personal travel.‌He left about sixty photographs of the Iranian community, which he was a member of, most notes.‌His selfish feelings are travel reporting, but there are important points during which he has a feature.‌And they say that day.‌Unfortunately he is less about the carpet.‌He wrote his own words.

Publish Date : 1404/09/20

Creator : Written by Anthony Wayne, a researcher.

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In the Qur’an, the Qur’an is a reminder of the magic of the earth.

A little over a century of urban rug production.‌They came by the immigrants who came from Kashan.‌This time is a short life compared to cities like Kerman, Tabriz, Isfahan, Mashhad and many other cities producing carpets in Iran.‌But in the short term, that is the same.‌Like Cecil Edwards before.‌He saw it, the palm of the mountain.‌reputation and reputation in terms of texture quality, design and color‌Then he turned away.‌species of species.‌You who are today,‌Especially in the production of all the silks, the horn of the other cities has been hijacked and so on.‌There is a quality and beauty that some cities have been copied from the plot.‌colors and colors.‌The carpet.‌From this city,‌They call their names.‌They will do it..

Publish Date : 1404/09/20

Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology

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Old recognition and authenticity in Iranian handmade rugs

An analytical approach to visual and technical signs.Recognition of the age and authenticity of a hand-made rug is one of the most difficult undergraduate discussions in the field of Iranian handmade rug. This process, more than based on the public appearance of the effect, relies on deep recognition of the history of texture, technical structure, color system and cognitive design characteristics. Handmade rugs, like any other artwork, carry signatures and cues of their time, and each node can be a document of social, technical and aesthetic transformations of a period..

Publish Date : 1404/06/20

Creator : And the world’s hand-investment, producer and lecturer

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Iranian rug museum landscape, a look at the new path of management, preserving the originality and future of Iran’s Carpet Museum, speaking with the head of the museum’s museum, Mohammadjud Slow, president of the museum

In the third edition of the Journal of Handbayev in the Part of the “Surely Eyes,” this time we moved to Mohammadjudyan, the young and highly sought-after director of Iran’s Carpet Museum; a manager born of 1367 who has taken a background in adult education management and tourism development, two years ago leading one of Iran’s most important handmade rug identity centers, Iran’s Museum of Iranian carpets..

Publish Date : 1404/06/20

Creator : Iranian content production group of nodes

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Art critique in Iran’s contemporary handmade rug: from the lack of ancestry to the roadmap for the new generation.

Introduction Iran’s contemporary hand-made rug from few phenomena‌In the world of art,‌It can too.‌Cover the floor time and conquer the gallery wall.«Also, too.‌Time time.»Not a simple event, which is the modern and reflectable nature of Iran’s handmade rug, in that unit, an applied object for everyday life, an artwork with the visual system of the organization.‌It was an economic product and a skilled product.‌Carpet, rug, carries Iran’s historical and cultural memory and sequencing style style.‌tradition, tradition.‌Visual and transformation.‌And the taste.‌Beauty.‌← Psychologists.‌O thou who dwells in the centuries.‌In this continued civilization, they maintain themselves.‌and return.‌They are shining. In contemporary times, on this layer.‌Before available, layer.‌new ones.‌And it is the one who has made it.‌Especially in the realm of art, complex.‌On the one hand, contemporary art is made with the logic of concept.‌Question and question.‌No, no, no.‌title of a decorative commodity, which‌as media.‌For an idea.‌The narrative,‌and worries.‌Today’s people are served.«Art of texture.[1] »From the second half of the twentieth century, the boundaries between the high art and the crafts of hands-on, fibers, nodes and textures to the light.‌The title of the independent language of artistic expression is recognized. in this new situation, technique is the technique.‌Traditional ovens are no longer just the means of producing a commodity, but the media itself.‌For the creation of art.‌They come too.‌Time, expansion.«Design design.»to‌The title of a paradigm that blurs the boundary between the functional object and the artistic object has shown carpets in a new realm, where a rug is a rug.‌It can too.‌Time of a floor.‌A visual statement is a consumer product and a collection effect, thus, Iran’s hand-made rug that previously floated across the borders of art, culture, history, economics and industry, now within the realm of art itself with a new multiplicity.‌Amidst traditional art, contemporary art, the art of texture and design is encountered and«Being in the middle.»Contemporary rug to a very complicated situation.‌He has become more. This is a few characters.‌Ability through two distinct theoretical concepts but complementary facial expressions‌The first concept,«border object.[2]»Star and Ferrari in the community‌Science is introduced.‌They are concept.«border object.»In this theory, to object.‌It points out that while maintaining its material integrity, it is possible to interpret differently among the system.‌They provide knowledge and social heterogeneity.‌They will do it.(Star & Griesemer, 1989)This concept provides an efficient framework for understanding Iran’s contemporary handmade rug.‌It makes sense because hand-made carpets operate in their contemporary state not in a single semantic system, but at the intersection of several knowledge regimes, including art, design and market,‌Along this reading, the situation.«Among the‌It was you.[3]»They will.‌power to‌As a cultural dimension.–Theoretically understood that it refers to the possibility of generating meaning in midway spaces, where identity, meaning and value are attributed to the possibility of producing meaning in midway spaces where identity, meaning and value.‌face stabilized.‌They do not exist, but in the process of continuous exposure and translation.‌They take this situation.‌power in relation to concept.«Third space.[4]»Father's face.‌He said, where the meaning is.‌Liquid space between tradition and modernity, center and around, and the domestic and global production.‌It will become (Bhabha, 1994)As a result, the contemporary rug would take Iran.‌power to‌title of a title.«Border object is translating.»He also considered it.‌Time is present in several systems of knowledge and its meaning and value not through stability, but through the same situation, suspended and intertwined.‌It was shape.‌Take it. Combining these two concepts, the exact picture.‌More of Iran’s contemporary handmade rugs.‌And the carpet, on the one hand, as a«border object.»Between the world.‌There are different social groups and between them.‌Translated.‌On the other hand, as a phenomenon.‌with a feature.«Among the‌It was you.»In none.‌One of these worlds.‌to them.‌Not completely solved.‌And it keeps a unique, fluid and multiple identity.‌From this point of view, the contemporary rug of Iran’s hand-made rug.‌power of one.«border object.»He knew that his identity was not exclusive to a field, which is exactly the same.«Being in the middle.»And floating between different realms.‌It is the boundary that is the horizon.‌The future of the hand-made carpet.‌Maybe the carpet is hand-made.‌It can too.‌Time of a floor.‌Applications are at home, a luxury in the market, a visual document at the museum, a conceptual statement in the gallery and a design effect.‌Based on a design event,‌And none.‌One of these roles.‌They will reject other things.‌You need an analytical framework that can.‌Time for all these funds. There are literature on Iran’s handmade rugs, with all breadth and length.‌It was mostly based on approaches that each given one aspect of this border phenomenon.‌They are research.‌Historical, hand-made carpet to‌As a document from the period.‌Previous studies.‌And cultural and cultural studies, it to‌symbol of Iranian identity.‌Technical and economic approaches also analyze hand-made rugs in a workshop product.‌They are based on the‌Number, raw materials and scalable market mechanisms‌It's also packed.‌Time, an interpretation of the design and role, followed by decryption of hidden symbols and meanings, and the style of interpretation is hidden.‌Regional Biology.‌And they tried to do it.‌Organize them according to texture geography, each of these approaches has made a part of the truth of hand-made rug.‌They are, but nothing.‌One as one.«border object.»I haven’t seen it.‌His identity is not in compliance with a framework, which is right in line.«Among the‌It was you.»And a sail between it.‌shape.‌Take it. Understanding and recognizing contemporary handmade rugs as one«border object.»It still requires a conversation that can handle these few steps, not in history.‌He is a journalist.‌It can be found, not in style.‌Biology, not in analysis.‌Technical and economic approaches, because each of these approaches, according to its nature, inevitably sink the hand-made rug into one of its funds.‌They are the discourse they make.‌It can not be a few.‌title of a class issue.‌by which,‌The title of the basic nature of the hand-made rug, and from the heart of this acceptance, it is possible.‌new ones.‌You will open for the future of Iran’s contemporary hand-made rug,«Henry's critique.»However, such a discourse has always been absent in Iranian hand-made rug studies. What criticism of history‌← Style, Style.‌Biology and technical description are separate.‌Not only the method of analysis,‌It's time-consuming history.‌Poetry to the past.‌Do not look at it, nor do it.‌Biology within the framework of known rules.‌to the floor.‌The works.‌Paying.‌In fact, in his own nature,«Contemporary contemporary contemporary»It's now, he's going.‌and possible.‌They will take the future.‌Maybe they are.(Belting, 1987)If history.‌Ask the hand hand-made carpet.«How do you find this magic?‌Does it take?»cash,‌Asked.«What is the possibility of this hand-made rug for the future of Iranian handmade carpets?‌Or maybe?»This direction.‌The future.‌Then he turned the cash into a conversation.‌It slows it.‌It can also be with contemporary handmade rug dynamics.‌Take a step, unlike history.‌And the past is fixed.‌Kennedy, it's from the past.‌And the way.‌He will bring them to the new generation, and the horizon.‌new ones.‌Open for this artistic heritage. [1] Textile Art [2] Boundary Object [3] In-Betweenness [4] Third Space

Publish Date : 1405/03/18

Creator : Mehdi Farmer | Associate of Art Research Department of University Teacher Training

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The future that is designed is not a repetition of dialogue with the magic of the New Generation in Iranian rugs.

Magician, hand-made rug designer, including new generation designers, is a career path.‌You are at the point.‌He created many young people today.‌There is a place between choice and doubt, between tradition and innovation, and between what they learned.‌And what they are in reality.‌They become. He entered the field of hand-made rug design at Tehran University of Art in 1384, a choice that he said was not quite conscious at first, but soon became a path with which he felt deep belonging.‌First educated, from one.«academic degree.»to one.«ecological.»It became the soul in it.‌The clock.‌They sat down, among the rules of the root.‌Designed, St.‌Historical ideas and ideas.‌He moved and reached a new mix. And the design of the palms.‌You are.‌He knows in it, too.‌Time with an accurate and structured system.‌At the same time, there is also the possibility of creativity and unconsciousness of the artist.‌A kind of reflection is the status of a generation that must be a legacy of consolidation.‌Revisioned in a changing world. Professional path.‌O you, after the end of the education, he started from limited and dispersed works, from Eddie and the reform of the map.‌In the field of machine rugs to gradually enter independent design. the turning point of this path was the presence of Iran’s rug company and working alongside the poor professor; experience of experience;‌He says, second.‌to‌The second was learning for him. He goes on with different manufacturers in style.‌Different regions and regions.—From the place to the right,‌And the tribes.—He has collaborated and this diversity is one of the most important.‌The biggest growth factors are growing.‌Along the way, the teaching of hand-made rug design and production experience is also part of his work, where he tries.‌between education, experience and practice, establish a real link. For Ilkhan, the design of a hand-made rug is not a job, but a separation.‌It is an inescapable of life, as far as he says, from morning to night his mind is involved in the map.‌ideas, idea.‌There are signs and images.

Publish Date : 1405/03/18

Creator : Siddham, Ph.D. of Art Research, designer and idea-making in the field of traditional design

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From the first node under the old oak to the promotion of the weaving between young women and girls, the story of the life of Khadadi Baba, Bacher and Professor of Buffett

Khashoghani, born 1361, is Iran's rug today, a woman whose story begins from a child, from the same day that her small hands struck her mother's first node in the dark. He said, “My story starts from childhood, from the day my small hands shook the first node with hands.”His hometown, the province of Ilam, the village of the bottom, was where under the shadow of old oak trees, the rugs were set up, and life was meant by Tard. It wasn’t six years that she sat next to her mother, her aunt and Mrs. Mrs. Mrs. His hands were shaken, but he was proud. The first node, the new world opened before it, the world in which everything was summed up in the abyss and nodes..

Publish Date : 1405/03/18

Creator : Dr. Abdham, researcher and lecturer

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The story of life in the Iranian rug world is the story of Samantha Godard’s professional path, from young activists in Iranian rug trade.

In the old market of Kashan, under the roof.‌And the light of the light,‌And they have a hundred years old.‌Where the cool of the desert architecture is complex, the stone.‌There is more like a life gallery.‌to the carpet.‌Sales sales.. Its walls have color. it has music.‌He sits on the wall.‌And some of them are on earth.‌They seem like they were in the yard.‌Old in the summer,‌They are wide; they are the same.‌live and full of memories..and the shape of the‌More like telling a life.‌There is a place where the color and shape are complete.‌It will become.When you enter there.‌before, before it.‌Ask the price or even know what.‌You face.‌So, it feels,‌She entered the mental world of someone who was the year.‌To create taste.‌She lived her.. A man from that man.‌There are no ones that are just raised in the market; he looks more like someone else.‌It has made itself of the heart of art, nature, book, cinema, music and look.. God's story is a different story, but it's not a show difference between these days.‌Come from this.‌It was not the same world.‌As they gave him, he accepted..

Publish Date : 1405/03/18

Creator : Iranian content production group of nodes.

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How could the new generation narrative help develop Iranian rugs for the future of Iranian handmade carpets using storytelling?

Introduction Iranian handmade rug is part of Iran’s cultural, historical and social identity.‌In each hand-made rug,‌One of the symbols, color.‌mix, mix.‌grading.‌and narratives.‌There are signs that come from the century.‌Experiences, joy, belief and lifestyle of the people of this land. However, in today’s world, lifestyle, communication and taste of generation.‌The rapidly changing, relying only on the historical background of the Iranian rug is not enough to maintain its place. the Iranian handmade rug to continue life and effectively present in today’s markets and cultural space requires a new redefinition, narrative and communication with the young generation. One important one.‌The most important tools for achieving this goal are stories.‌A story or a story.‌They say.‌It can turn carpets from a purely decorative object into a cultural and emotional experience. a young generation also because of more familiarity with the media.‌New, Digital Space and Method‌New communication, you.‌It can play an important role in this path. In this part of the teaching.‌Handwritten, review.‌How the New Generation Is New‌You can use the story.‌Speech helps maintain, introduce and develop Iranian handmade rugs without damaging its authenticity and identity.

Publish Date : 1405/03/18

Creator : Expert, producer and hand-made furniture.

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And the right hand of hand

In this section of the journal’s teachings, handmade is addressed to the most important legal questions related to Iranian handmade rugs. In each number, an applied question in areas such as contracts, purchases and sales, ownership, exports, trade disputes and legal issues of the hand-made rug market will be reviewed by official justice experts and answered clearly and documentedly.The audience can also send us legal questions to answer them in the next numbers, with experts. The aim of this sector is to increase the legal awareness of activists, consumers and enthusiasts of the field and to help make more accurate decisions in transactions and activities related to hand-made rugs..

Publish Date : 1405/03/18

Creator : The Magician of Justice

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The roots

In Comem, the rug was not just for the width of the foot. before it.It was built before and before.Which party.And they are full, and they are full.Dar, and the sky. And they were on the side of the river, where the soil was still warm.They are still.They knew what it meant.

Publish Date : 1404/12/20

Creator : ← Expert, producer and hand-made furniture

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