15 Article found

Time, slowness and co-ordination, a different look at Iranian rug | special dialogue with Master of Honours, Lecturer and researcher of Handmade Carpet.

"It is a world that is calm.‌And the oven." The Iranian carpet is a narrative of the human being’s bio, which flows in every node, in the dice and the prophecies.‌He has it.: Time time.A rare and unique element in human life that is not the same.‌He says, from slowness, and from consistency, of those who spend time not as something to spend, but as an element of the creation of meaning.‌They are.. At a time when the world is overwhelmed by the speed and technology, one of my concerns, at the moment, living in the present, and understanding of time.‌O thou who hast spoken unto me,‌And he who has always taken a deep and different look at the Iranian carpet.‌Fer, Professor of Kashan University and researcher‌The familiarity of Iran’s hand-made rug that has always been a source of inspiration in this conversation, from his perspective on three elements.Time, slowness and consistency in Iranian rugsI asked him what he might have heard in today’s life.‌But in the depth of the Iranian carpet, they have a strong and historical presence.‌They can restore us to our inner, calm and authentic life again..And they say some of their precious words.‌I will.

Publish Date : 1405/01/22

Creator : The knowledge of the knowledge of the master.

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Time in the context of nodes: Philosophical reflection on the concept of time in Iranian rugs

In a world where speed is measured.‌So fast, the discourse is the master of everyday life, the arts that invites us to the moment, reflection and presence.‌They need more than ever.‌In this case, the Iranian rug, with a thousand years of history and a lasting effect, is like a cultural context that not only returns time.‌Rather, it is recorded in itself.‌This article is an attempt to re-read the concept of time in texture, plot and role, structure and inner meanings of the Iranian rug, from an intertwined perspective.‌A philosophy, beauty.‌Biology and people.‌And he binds together.‌She is crying..

Publish Date : 1404/03/20

Creator : Iranian merchant, producer and activist in the field of Iranian handmade rug

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Look at recent news and events in different areas related to hand-made rugs

First event: How did Iran’s National Handphone Day go? 20 For the National Week of Iranian Handmade Carpet‌Henry Olden and the symbol of Iranian culture and identity this week is an opportunity to pass the heritage of carpets, emphasize its preservation and promotion, and reminding his important role in the domestic and global markets and transfer this treasure to the generation of the treasures to the generation.‌Futures..Let’s look at the events of this great day...

Publish Date : 1404/06/20

Creator : The Iranian public relations unit.

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Our priceless rug is welcome to market.

and in the market. About three decades ago, when I was a student in Kashan, the passage of Kashan was one of the entertainment.‌It was forever and what it was like to see the faithful team.‌Drink and drink tea, and drink.‌Milk sales and maps.‌And the priests and. As if the market is the only driver of the economic wheel or the interface between the manufacturer and consumption.‌It was no longer a place for people to pass and browse and shelter to keep the heat and solar radiation in the hot and cold season as if the market was a way between the cold.‌It was for the city, and we and I were under the roof of the market with that particular architecture.‌They will be comforted and peaceful.‌We arrived.

Publish Date : 1404/12/20

Creator : Guest worker, carpet expert, PhD in Communication Science

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How to define the intrinsic value of Iranian carpets in the market?

In the carpet market, usually dominant.‌The most important question is:«How many of these pieces are?»A simple, short and seemingly rational question, but the same question, and the apparent questions of such a question, the boundary between it.‌What you saw?‌and it, and‌What they ignore.‌They reveal the truth.‌Iranian carpet, before.‌which sets.‌One of the nodes.‌It is the collection,‌from time.‌and the bio,‌They, beliefs and narratives.‌But the market, often when converting the value of the rug into numbers, is this layer.‌determining.‌He ignores the receiver.‌Or to take it or‌It's hard.‌It can.‌Translate them..

Publish Date : 1404/12/20

Creator : Iranian merchant, producer and activist in the field of Iranian handmade rug

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In fact, they are the ones who are in the right place.

If we consider it an act of gravity, neither judgment is merely a pleasure, nor a poetic or philosophical expression of the matter.‌Cash, before everything, is an attempt to understand the effect, recognize the characteristic.‌They and why it works.‌It can be important for art audiences in modern history. And contemporary art, this understanding has always been formed in a direct proportion to the art market, an institution that bases the effect in the social world.‌And wait for that horizon.‌He is the one who makes it easy to judge.‌The art market, unlike the common imagination, is not merely an economic exchange field, but one of the fields of the field.‌There are indications in which art is defined, described and evaluated.‌and shall be judged.‌How do you see an effect?‌What awaits him?‌And what is the foundation of value?‌They are investing.‌It depends largely on its position in this economic field.

Publish Date : 1404/12/20

Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training

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Review of Iranian rug value in global markets

A special conversation with Ali Maryam and Ali Bradbar, Iranian rug activists in international space The Iranian hand-made rug market does not‌It can only be read with numbers and charts; this market is the result of the intersection of experience, trust, narrative and decision.«value.»You should listen to the voices that make the market from the heart of the profession.‌I have experienced myself.‌Those who are familiar with the logic of the global economy and with the layer.‌Hidden Cultures and Meanings‌This number is an attempt to hear these sounds; the narrative of two different paths in two different geographies, but with concern.‌Common: Rereading Iranian rug value in the contemporary market.

Publish Date : 1404/12/20

Creator : The knowledge of the knowledge of the master.

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A narrative of the market; in search of the lost value of the Iranian rug, from the peak of exports to the dust of sanctions.

He is the owner of the land and the owner of the land. In the trade area between‌The name of some people is tied to the blossoming period of an industry.‌He is the 13-year-old walk in the corridor.‌And the full.‌And the market’s crust has seen many ups and downs, since the rug was the second pillar of Iran’s economy by 1374, which, as a country sample exporter, had the pulse of the global market.«Iranian rug value.»Let us say, “The value of the time.”‌They are hidden in the name of the producer and sometimes in politics.‌They lose money.‌It will become.

Publish Date : 1404/12/20

Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology

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Slow culture of living by looking at Iranian rug | a special dialogue with Saeed Aaris, social and environmental activist, founder of the Algen Foundation

In the midst of the‌colors, colors.‌and subtleties.‌Somewhere in the booth.‌The collection.‌from the«Iran Iran‌node.»In the 18th exhibition, there was a conversation that transcended the play of the character, a meeting in which two deep sights of life and art.—One of the heart of nature, the other from the heart of the dark and the carpet.—They sit together and make a new plan of time.. Sa’alas, Social Active and Environment‌In a conversation with Al-Khal.‌In an intimate but vibrant atmosphere, the sons of Levi were given the words that these days, more than ever.‌We need them: Slow life, bonding with nature, and root.‌In a culture that is a symbol,.

Publish Date : 1404/03/20

Creator : Iran’s content production team.

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and the burning of blood.

In the wake of the spring, it is a story of water. One day... In the dust of the lost time.‌His name is only in the name.‌The Old Testament.‌There is a reminder of the magic.‌and mines.‌He is a sign of the covenant.‌In it, Abbey.‌Muhammad’s name is easy.«So they turned away.»facing face.‌face.‌It was Ben.‌We of this.«Research-based.»This is the historical document that is unprecedented.‌at least.‌The Arabic is returned from Arabic to Persian and under the title.«A good reminder of God’s Word.»It came, but the other part.‌This is the interest,‌The passage of the language of historical documentation is built on the delicate boundary between history and imagination, the journalist has tried to summon the spirit of the so-called carpet and show how his body is of origin.‌He went,‌It can memory.‌O Lord, who dwells in the kingdom of God, and in the spring of Sodom, is the story of God’s Word, and his people are the people of the world.‌This land in the long run...

Publish Date : 1404/09/20

Creator : David Hilello, an assistant professor of the Faculty of Arts in Shiraz University of Art

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In the passages of time: the history of the so-called "peaceful" carpet, the true virtue of the righteous.

In contemporary times, we stand over history.‌We are a lot of texts, images and material objects.‌Beyond the past, history is against the eyes of the contemporary man, not as a single and continuous line, but rather a narrative of narrative.‌And they are the ones.‌It turns.‌It makes the layer.‌They will reveal the past in connection with each other.‌Create a history.‌Not in the past.‌One of the signs.‌separate, but the system.‌One interaction.‌interference, interference.‌And, too,‌retreat.‌and layers.‌grading.‌It has been a host..

Publish Date : 1404/06/20

Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training

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An artist who went from the wooden house of the grandmother to the world record of the rug of his area

“I learned from a child that every node is not just a task; it is a responsibility for the history of my land...” I am Kashani, born in 1337 in the village of Kilno, a green and beautiful village on the border between Kardstadt and Chavis. If I have a 49-year history of art and 30 years of history, if UNESCO’s show, seal of originality, art degree, patent, entrepreneurship, and dozens of honors and titles recorded in my record, its root dates back to the same simple house of childhood; a house in its courtyard always held two six meters, and our lives of the newly resolved wool, natural colors, the rugs and the natural sound of the sense of the rugs..

Publish Date : 1404/06/20

Creator : ← Dr. M. C. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. F. B. B. B. B. B. B. B. B. M. B. B. B. B. B. M. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B.D.D. B. B. B. B. B

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And the right hand of hand

In this section of the journal’s teachings, handmade is addressed to the most important legal questions related to Iranian handmade rugs. In each number, an applied question in areas such as contracts, purchases and sales, ownership, exports, trade disputes and legal issues of the hand-made rug market will be reviewed by official justice experts and answered clearly and documentedly.The audience can also send us legal questions to answer them in the next numbers, with experts. The aim of this sector is to increase the legal awareness of activists, consumers and enthusiasts of the field and to help make more accurate decisions in transactions and activities related to hand-made rugs..

Publish Date : 1405/03/18

Creator : The Magician of Justice

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Mary's House of Eden and Muhammad

Sometimes a rug is not just a rug. It’s like a living memory that has spread over the earth, a memory that has memories of the previous home and is recording current home events. In Mary’s house and Muhammad al-Madiq, a great rug of cloth is of the same genus, a rug that not only fills the space, but also keeps a part of the memories of his owners..The story begins where the rug was not in the house. Before that, the house lived with other rugs, the carpets they were, but they had little. The house was a perfect house: his belongings came from the heart of the families, every piece of souvenir, every object had a past. But with all of these, there was nothing in the whole picture. A hidden kind of inconsistency, which may be called "preservation" later..Mohammad Hussein, the architect himself, said he had no connection with classical carpets and busy designs. He knows these types of rugs too much; carpets that weigh it instead of accompanying space and do not allow breathing to the environment. In his experience, however, he had come to the idea that he was more important than the role and design: the color balance and the relaxation that a space should have..He learned from this rug in his sister’s house; a different rug with colors that were neither crowded nor neutral, but in a coordinated mix, and the same colour was one of the most important and influential points; colors that were synchronized with the air of the house. These qualities were enough to attract the attention of Muhammad al-Malaam al-Malaam all those years at his sister’s house..Mary had been enamored in her home before she was born. Especially at parties with which this rug took her look more than anything else. For him, this choice was not merely a momentous decision, but a continuation of the sense that was made up of childhood in his mind; a sense of life and presence in space. The same experience eventually decided to bring this rug home..Maryam Mirhani said from that moment that the rug first spreads home. Not as an ornamental choice, but as something that happened. He speaks of an interesting conflict: a house that seemed perfect before, but with the arrival of this rug, something was stabilized. Not change, but everything is in place..In the narrative of this house, the rug is more than the role and color. It is a biological experience. What is tied to everyday life. In normal days, at parties, in commutes, and even in difficult and difficult days..Maryam Mirini points to a moment that seems simple at first sight, but remains in his memory; the days of war and anxiety, the days when the mind was involved in the news and external pressures. In those days, the mornings that woke up were the first thing to look at, the colors of this rug. This peaceful and unrecognized presence on Earth, among which anxiety created a real kind of relaxation, which was more like a long pause in the heavy days..

Publish Date : 1405/03/18

Creator : Iranian content production group of nodes

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Pike

Publish Date : 1405/03/18

Creator : And the world's drive

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