9 Article found
A half look at the design of the master's design
It is not possible to explain the art of the master of Rasht without the recognition and definition of rural rugs. It should be known that rural women of Persian civilization did not hand in rug tissue for income or material production. Our early ancestors believed that the world did not comply with laws outside our minds, and that the outer world was built or dependent on our intellectual structure, and that for the realization of our dreams and desires, we would only be mentally focused on that desire or wish, then in the outer world. The rural woman did not intend to sell or create artworks to carpet tissue, but believed that if she created her dreams in a world like rugs, she would be found in the outer world. It is media. The mass media of the people of this land, however, came when the West realized the importance of these historical documents and tried to collect these documents. As the demand for the media increased, other artists were added to the Jerga and made plans for the rug that had been mentally ill until then and produced in urban workshops. But the master of the city had abandoned the race of the city, and he started his first rug with a plan that had not reached anyone’s mind until that time.
Publish Date : 1399/03/19
Creator : And the shame of Muhammad
Carpet as a miniature canvas: A fresh narrative of Iranian rug with Iran’s Sinai Race
"The sense of curiosity and pleasure that exists in the touch of handmade rugs and living with it is far more and more valuable than watching it." In the year.More recently, the art style of insight.[1]It has attracted me more than anything else, which is why in cyberspace and the internet, it is always new.Follow the news about this style.About two years ago, when reviewing the artists’ pages of this area, I filmed Alex Gray.[2]I was sitting next to the carpet.with a map.In the same post, the name of the creator was mentioned:Sinai Iran.Race.. [1]- Visionary Art [2]from known.It was made.Best and most influential face.The art of vision.
Publish Date : 1404/06/20
Creator : Saeed Fishing, researcher of Iranian art and hand-made rug
IntroductionIn contemporary society, critique of an essential tool for dealing with complexityThe growing arts has become today’s art because of its characteristics.like the foundation.Discipline, identity rethink, addressing social issues, passing through style.Science and beauty.Classical Biology, concept.Main and pluralism in form, matter and meaning, constantly new dimensions.You are.And every day, it will be complicated.It's more.It will become. In the lack of cash.Many, many layers.FormsCognitive, beautiful.Cognitive, intellectual and social works of contemporary art.And that is what it does.It can lead to understanding, denying and even exclusion of art from the audience, so artistic critique transcends a purely descriptive role or value.It has become an analytical and interpretive paradigm that is capable of layering.Multiple Beauty.Cognitive, social and context.To reveal the works of art and to the possibility of deep understanding.More than that.And he made it easy for him to do it.He moved to the understanding of contemporary art..
Publish Date : 1404/06/20
Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training
How to define the intrinsic value of Iranian carpets in the market?
In the carpet market, usually dominant.The most important question is:«How many of these pieces are?»A simple, short and seemingly rational question, but the same question, and the apparent questions of such a question, the boundary between it.What you saw?and it, andWhat they ignore.They reveal the truth.Iranian carpet, before.which sets.One of the nodes.It is the collection,from time.and the bio,They, beliefs and narratives.But the market, often when converting the value of the rug into numbers, is this layer.determining.He ignores the receiver.Or to take it orIt's hard.It can.Translate them..
Publish Date : 1404/12/20
Creator : Iranian merchant, producer and activist in the field of Iranian handmade rug
Review of Iranian rug value in global markets
A special conversation with Ali Maryam and Ali Bradbar, Iranian rug activists in international space The Iranian hand-made rug market does notIt can only be read with numbers and charts; this market is the result of the intersection of experience, trust, narrative and decision.«value.»You should listen to the voices that make the market from the heart of the profession.I have experienced myself.Those who are familiar with the logic of the global economy and with the layer.Hidden Cultures and MeaningsThis number is an attempt to hear these sounds; the narrative of two different paths in two different geographies, but with concern.Common: Rereading Iranian rug value in the contemporary market.
Publish Date : 1404/12/20
Creator : The knowledge of the knowledge of the master.
He is the owner of the land and the owner of the land. In the trade area betweenThe name of some people is tied to the blossoming period of an industry.He is the 13-year-old walk in the corridor.And the full.And the market’s crust has seen many ups and downs, since the rug was the second pillar of Iran’s economy by 1374, which, as a country sample exporter, had the pulse of the global market.«Iranian rug value.»Let us say, “The value of the time.”They are hidden in the name of the producer and sometimes in politics.They lose money.It will become.
Publish Date : 1404/12/20
Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology
In contemporary times, we stand over history.We are a lot of texts, images and material objects.Beyond the past, history is against the eyes of the contemporary man, not as a single and continuous line, but rather a narrative of narrative.And they are the ones.It turns.It makes the layer.They will reveal the past in connection with each other.Create a history.Not in the past.One of the signs.separate, but the system.One interaction.interference, interference.And, too,retreat.and layers.grading.It has been a host..
Publish Date : 1404/06/20
Creator : Mehdi Farmer | Professor of Art Research Department of University Teacher Training
Mary's House of Eden and Muhammad
Sometimes a rug is not just a rug. It’s like a living memory that has spread over the earth, a memory that has memories of the previous home and is recording current home events. In Mary’s house and Muhammad al-Madiq, a great rug of cloth is of the same genus, a rug that not only fills the space, but also keeps a part of the memories of his owners..The story begins where the rug was not in the house. Before that, the house lived with other rugs, the carpets they were, but they had little. The house was a perfect house: his belongings came from the heart of the families, every piece of souvenir, every object had a past. But with all of these, there was nothing in the whole picture. A hidden kind of inconsistency, which may be called "preservation" later..Mohammad Hussein, the architect himself, said he had no connection with classical carpets and busy designs. He knows these types of rugs too much; carpets that weigh it instead of accompanying space and do not allow breathing to the environment. In his experience, however, he had come to the idea that he was more important than the role and design: the color balance and the relaxation that a space should have..He learned from this rug in his sister’s house; a different rug with colors that were neither crowded nor neutral, but in a coordinated mix, and the same colour was one of the most important and influential points; colors that were synchronized with the air of the house. These qualities were enough to attract the attention of Muhammad al-Malaam al-Malaam all those years at his sister’s house..Mary had been enamored in her home before she was born. Especially at parties with which this rug took her look more than anything else. For him, this choice was not merely a momentous decision, but a continuation of the sense that was made up of childhood in his mind; a sense of life and presence in space. The same experience eventually decided to bring this rug home..Maryam Mirhani said from that moment that the rug first spreads home. Not as an ornamental choice, but as something that happened. He speaks of an interesting conflict: a house that seemed perfect before, but with the arrival of this rug, something was stabilized. Not change, but everything is in place..In the narrative of this house, the rug is more than the role and color. It is a biological experience. What is tied to everyday life. In normal days, at parties, in commutes, and even in difficult and difficult days..Maryam Mirini points to a moment that seems simple at first sight, but remains in his memory; the days of war and anxiety, the days when the mind was involved in the news and external pressures. In those days, the mornings that woke up were the first thing to look at, the colors of this rug. This peaceful and unrecognized presence on Earth, among which anxiety created a real kind of relaxation, which was more like a long pause in the heavy days..
Publish Date : 1405/03/18
Creator : Iranian content production group of nodes