The conference begins with the singing of the national anthem
From the horizon of the seal of the East, the light seen by the true believers of Bahman, the dawn of our faith, the message of the Imam, "Independence, freedom" is the role of our martyrs' lives, wrapped in the ears of time, your cry is permanent and eternal, the Islamic Republic of Iran.
Beautiful Hello, beautiful Hello, beautiful... The air of my boredom is cloudy, give me an eye of love to face the sun, my longing, beautiful, sit next to my boredom, sit me down to the song of the poem, sit me down to the landscape of love, to the landscape of the rain, to the landscape of my green growth I will be beautiful hello...
His father starts the production of hand-woven rugs with designs in the style of Isfahan by the master of Archang and Mosavarol-Molouk, but on one of the green days of May in the Eram garden of Shiraz, he was so impressed by the enchanting beauty of the roses in this garden that he stared at them for a long time. It seems that this mystical observation of roses inspired him for the initial design of roses. Abolfazl, who showed his artistic talent and taste since childhood, entered the field of handwoven rug art and industry at the request of his father, and besides studying and obtaining a bachelor's degree, he engaged in the production of handwoven rugs and collaborated with his father.
The speech of the head of Qom carpet exporters union
Master Rashtizadeh was an educated person and an artist. I would like to say that a complete and perfect artist, if we create a work of art, he was a master of the production process from the beginning, that is, he did the production process from the wool that was picked from the sheep. Even the rug pattern, the artwork plan themselves, the colors and dots themselves... they were fully familiar with all the production issues.
Tie a string to my body, so that I can make a plan with your string, you make my wings, let me tie a cocoon around your string from the rug. Every yellow, red and pink knot of mine is a flower on the canvas and a prayer, the bud on my mouth, see that behind every slimy twist of someone whose heart is tied to you, I am looking at you full of the symmetry of my little flowers. I have stoned the house, the house of your plan, be in the river In the arms of my hut and lawn, the knot of minutes, the knot of seconds, the knot of night and day, from this minute to minute, how can I have a heart? If I have gone astray and torn apart, it is yours to heal the wounds of my life and body, my eyes are in your hands. How do you want to put a price on my every knot, shine above the sky to lift me, the old flag of my old country?
Throughout the history of human culture, many sages and all mystics and almost all the founders of religions and even some philosophers were in the same story on one point and that is that there are signs of God in the universe and especially in the human world. And it can be seen that sometimes they have said this about the whole universe and sometimes they have said about the human world that God has left his signs in the universe and about the human world, and in this sense it can be said that all The phenomena of the natural world and the phenomena of the human world can be a sign and a sign from God.A verse or a sign in the Persian language is always something that reminds you of something else when you see it, or it indicates you are guided to the existence of something else. If you were guided by hearing a voice, or you remembered an artist, singer, or if you smelled a flower, or you were reminded of a flower in your surroundings, then it can be philosophically interpreted that this flower was represented by that smell. This flower represents that smell, and this smell is a sign of that flower, or that sound is a sign of that artist, and therefore it can be said that that sound is a sign of the existence of that artist or a reminder of that artist.
Master Ali Tajer Rashti was born in 1923 in one of the winter days in Kashan. Master Ali Tajer Rashti, known as Rashtizadeh, emigrated to Kashan from Kashan in 1939 with a new idea. At that time, with a capital of 400 Tomans and the purchase of wool, they started spinning wool in homes and producing woolen yarn. Due to the good quality of the yarn produced, this work developed rapidly and a master set up a spinning workshop. Over time, the master became interested in handmade rugs as one of the manifestations of the original Iranian culture and civilization. In their view; The handmade rug was the product of human hand art and the recognition of color and harmony of colors in the form of various Iranian original designs. In this regard, they set up their first rug hanger in a spinning workshop.
The speech of Engineer Tayebinejhad, CEO of Industrial Towns
The view of industrial towns and small industries organization on the art of rug industry is a development view. The role of the ancient background of the rug has been explained in the field and time of our ancient history. Perhaps looking at this background and the glorious past of today's rug has opened the hands of the artists who are inheritors of this ancient heritage to make a role from the heart and color of the rug threads.