On Saturday, May 25, 2024, Mr. Mohammad Reza Rashtizadeh, the head of the Rashtizadeh Cultural and Art Foundation, gave an explanation about the Clue event (a series of discussion sessions, reviews and reviews of contemporary persian hand-woven carpet) in the Salam khabarnegar of the Khabar network reporter.

To view this program in full, you can use the following link:

Radio news agency

Saturday, May  25, 2024, a press conference with the presence of Mr. Mohammad Javad Inanlou, the director of the Iran Carpet Museum, Mr. Mohammad Reza Tajerrashti (Rashtizadeh), the director of the Rashtizadeh Cultural and Art Foundation and the Iran Guereh Company, and Zahra Shavandi, the executive director of the Iran Guereh Company, with a group of journalists. and journalists of the country were held at the Iran Carpet Museum about the clue event.

In this meeting, the main goals of this event were stated as follows:

• Correct introduction of persian hand-woven carpet from the artistic, cultural, historical and sociological aspects
• Introduction of persian hand-wowne carpet artists and familiarization with their biography, lifestyle and type of thinking
• Cultivation in the field of interaction, discussion and criticism about persian handmade carpet
• Establishing communication between persian hand-woven carpet artists and artists of other fields of art
• Promotion of visual literacy and artistic and cultural knowledge among the persian handwoven carpet community
• More attention to artistic, cultural, historical themes and concepts in persian handwoven carpet
• Promotion of meetings of artistic review of handmade carpet on a regular basis
• Increasing creativity and innovation among new artists in the field of persian handwoven carpet
• Introducing persian handwoven carpet as a work of art and placing it in the category of visual arts
• Presenting a manifesto for the Iranian lifestyle

About the main process of these meetings and discussion panels, it was presented that this event includes two parts as follows:

The first part: Presentation of works in the form of an exhibition in the upper hall of the Carpet Museum every 4 days to introduce contemporary hand-woven carpet of Iran to lovers and enthusiasts of hand-woven carpet.

The second part: Holding discussion panels to review new and different works by contemporary persian handwoven carpet artists

In this 4-day event, every day from 15:30 to 18:00, one to three hand-woven carpets (determined in advance) will be unveiled, and about this work of art, the idea and style of production, as well as why and how to create the work, by the creators. They will be discussed for 15 to 20 minutes and after finishing the presentation of the work, art experts will review these works one by one from different artistic, cultural, historical, sociological, etc. perspectives.

You can read the text of the clue event from newspapers and other news agencies.

1. the online youth news agency link
2. Hamshahri news agency link
3. Ilna news agency link
4. Mehr news agency link
5. Jam Jam news agency link
6. Etamad news agency link
7. Iran news agency link
8. Sharq news agency link
9. the Economic News Agency link
10. Our message news agency link

The names of the experts who are present in this event as critics and experts, as well as the secretary of the meeting, are as follows:

Art experts:

Honorable Mr. Ali Asghar Khosh Goftar Moghadam, President of the Association of Designers and Painters of Qom

Dear Mr. Turaj Jhole, researcher and handwoven rug expert

Dear Mr. Behzad Soleimani, faculty member of Al-Zahra University Faculty of Arts

Dear Mr. Ahmed Abedini, Vice President of Research, Faculty of Arts, Al-Zahra University

Dear Mr. Fathali Qashqaeifar, researcher and handwoven rug expert

Dear Mr. Mehdi Keshavarz Afshar, a member of the faculty of Tarbiat Modares University

Secretary of the meeting:
Honorable Mr. Kianoush Motaghedi, a researcher of persian art

It should be noted that this event is organized by the Iran Guereh Company with the support of the Rashtizadeh Art Cultural Foundation and the organizations and bodies that will accompany us in this event are: Ministry of Cultural Heritage, Tourism and Handicrafts, Vice Handicrafts and traditional arts, Iran Carpet Museum, Tehran Handwoven Carpet Producers and Sellers Union, Qom Chamber of Commerce, Qom Handwoven Carpet Designers and Painters Association, Qom Handwoven Carpet Employers Association, and Heritage Voice Media.

On Monday, May 27, 2024, Maryam Jalali, Deputy Minister of Handicrafts of the Ministry of Cultural Heritage, Tourism and Handicrafts, during the opening ceremony of the clue exhibition, while visiting 40 pieces of rugs on display at the Carpet Museum, said in an interview with the reporter: "The Carpet Museum is a valuable treasure." It is considered and has many capacities that should be identified and introduced well. He added: There is a very close relationship between carpets and handicrafts and these two are not separate from each other. Rug is one of the most beautiful art and crafts. In line with the clue event, he said that introducing artists and their works is a worthy thing that should be repeated. Finally, he suggested that innovation, creativity and new digital technology be used in exhibitions to better present the works.

On Monday, May 27, 2024, the first part of the clue event (conversation about contemporary persian carpet) was opened with the presence of a group of heads, managers and activists of the field of persian handwoven carpet, the Ministry of Industry, Mines and Trade, and the Ministry of Cultural Heritage.

In the first part of the first day of the event, Kianoush Motaghedi, a researcher of Iranian art and the secretary of the meeting, while welcoming the participants who accompanied us in this event, stated that the event is a clue for the first time to critique, discuss and analyze handwoven carpet. has been held, which includes two parts of lectures and reviews of the creators' works every day.

Mohammad Javad Inanlou, the head of the Iran Carpet Museum, said about the title of the clue, that the clue is the confused coil of the rug, which needs to be untied. He added that carpet have many patrons in the public and private sectors, but no one prevents fake carpets from entering the country and selling them under the name of persian hand-woven carpet. For this reason, the rug dialogue event was held for the first time in the National Carpet Museum so that artists can criticize their works and knowledge and awareness in the field of carpet can be improved among the people. Rather, from this point, new solutions can be found to unravel the challenges of handmade carpet.

Mohammad Reza Tajerrashti (Rashtizadeh), the head of the Rashtizadeh Cultural and Art Foundation, said that despite the great prosperity of today's society, the industry has caused people to forget their roots. He said that persian hand-woven carpet is 2,500 years old and has its roots in the art, culture, history and civilization of Iran, but it has received less attention from an artistic, cultural and even sociological point of view. Therefore, the Iran Guereh Company has tried to properly introduce persian carpet from an artistic, cultural, historical and sociological point of view, and in this event gathered artists to introduce persian handwoven carpet as a work of art and put it in the category Visual arts create a manifesto for the Iranian lifestyle.

Amirhossein Asadi, Director General of the Business Services Office of the Ministry of Security, spoke about the development of the handwoven carpet industry and stated that the advertising and branding industry can help persian handwoven carpet. He added that persian rug need to improve in design and technology and communicate with the world community so that art can be taken to advertising branding and mixed art.

Turaj Jhole, a researcher and expert in hand-woven carpet, considered legislation and wrong interventions in hand-woven carpet as the cause of the bad condition of rug and stated that these people should be responsible for the current condition of hand-woven carpet. In the end, he pointed to the unprecedented nature of criticism of persian hand-woven carpet and stated that until there is no positive or negative criticism of persian hand-woven carpet, nothing will happen in this area, and an artist who accepts his works to be criticized must reach an artistic maturity. has arrived

Amin Asali, an artist and creator of hand-woven carpet, said that the war and peace rug is the result of combining several layers of different literary and artistic disciplines and a unified work. He added that by producing a story that is full of desired images and concepts, he has created an excuse to create a visual narrative curtain, that too in the form of a rug, inspired by persian miniature images and recreating motifs while respecting the classical routine of rugs.  has managed to achieve a modern composition.

In the second part of the first day of the event, the opinions of critics and experts regarding the war and peace carpet by Amin Assali are as follows:
Toraj Johle, a researcher and expert on handwoven carpets, stated that this carpet is admirable in terms of color and combination, and in terms of design, it is very beautiful, but it does not belong to the category of authentic Iranian carpets and it can be considered as part of the designs He knew visual art.

Ali Asghar Khosh Giftar, the head of Qom's Handwoven Carpet Designers and Painters Association, stated that it is excellent in terms of material, texture and plant color, and in terms of design, the rules of literacy and whiteness have not been observed.

Behzad Soleimani, a faculty member of Al-Zahra University Art Faculty, said that in the first place, it is better to determine the audience of this carpet, whether it is for foreign markets or designed for one's own interest and heart. Therefore, until this issue is investigated and determined, it is unfair to criticize and evaluate it.

Mehdi Keshavarz Afshar, a member of the academic staff of Tarbiat Modares University, stated that in the discussion of art criticism, the work should be categorized as the war and peace carpet is considered a contemporary work of art and the most important features of contemporary art, namely conceptualism and integration And he has the composition in himself and is an accomplished artist.

Ahmad Abedini, Research Vice President of Al-Zahra University Art Faculty, mentioned that the war and peace carpet has a narrator that any person can create its story.

Human nature of life video, produced by Iran Garh collection

The second day of the clue event started with the speech of Ahmed Abedini, Vice President of Research at Al-Zahra University Art Faculty, who added that regarding industrial design (product), a professional service that optimizes the three titles of performance, beauty and value, in various products, is different He added that today the carpet is considered a work of art and is not used as a product, so whenever the carpet goes out of its function, it competes with other products.

Masoud Mohammad Beigi, the artist and creator of the hand-woven carpet, added that three groups of birds are used in this carpet, and the first group is the pair of birds that experience love and life. The second group shows the birds that are the indicator and the center of attention of others, and the third group is the birds that are in the fence of solitude and a force has hidden their existence and presence from the eyes of the rest of their species.

Hadi Pourjahan, the artist and creator of the hand-woven carpet, added that the pattern is derived from the Bijar grape branch, which is a combination of tangled leaves and small and large knots. With the difference that in this work, the idols have been transformed and appeared in the form of freeing birds. Therefore, the idols were birds in a cage and now they have the opportunity to be freed.

In the second part of the second day of the event, the opinions of critics and experts regarding the carpet "Dream of Birds" by Masoud Mohammad Beigi are as follows:
Toraj Johle, a researcher and expert in hand-woven carpets, said that this carpet is an interesting idea and thought, but it is better to take a serious look at the works of the predecessors, who communicated in a simple and fluent way with minimal colors. He added that the world is a simple and easy world to communicate with, so he suggested that the other version of this rug should be closer to Iran's historical calligraphy and painting and be presented in a simpler way.

Ali Asghar Khosh Geftar, the head of Qom Handwoven Carpet Designers and Painters Association, added that it is admirable in terms of material and dyeing, but it would be better if the theme of diversity and unity is applied more in this carpet.

Mehdi Keshavarz Afshar, a member of the academic staff of Tarbiat Modares University, mentioned that the bird dream carpet is placed in the category of decorative art or art deco, and the reason for the growth of these works is the new patrons for these works that display the wealth and glory of a person. .

Ahmed Abedini, Research Assistant of Al-Zahra University Art Faculty, stated that it is admirable as a work of art, but as a carpet, it is better to use less details and coloring in this carpet.

Following are the opinions of critics and experts regarding Farsh Rahai by Hadi Pourjahan:
Toraj Johle, researcher and handwoven carpet expert, said that this carpet is influenced by William Morris period, and the predominance of green color in some of his works is a part of William Morris's indicators. Finally, he added that art declines when it becomes class-based and is designed and produced for certain people in society.

Mehdi Keshavarz Afshar, a member of the academic staff of Tarbiat Modares University, considered the liberation carpet to be a combination of symbolism and decoration, which forms another current in the contemporary treatment of carpets, which can be seen in this work. In this carpet, the bird is a symbol, in which other trinity is also used.

Ali Asghar Khosh Geftar, the head of the Qom Handwoven Carpet Designers and Painters Association stated that the design of this rug and the release of the rugs inspires the viewer with a meaning and a message that can be conveyed to the viewer with simple elements. gave In the end, he considered it important to liberate the fringes in order to better convey this concept to the audience.

The third day of the clue event began with the speech of Behzad Soleimani, a respected member of the Faculty of Arts of Al-Zahra University. Since Behzad Soleimani is an industrial designer and strategist in the field of art, he talked about the 3 principles of accepting theories, looking at the species system and classifying objects and production with a strategic view of handwoven carpets. He added that due to the uniqueness of the Iranian handwoven carpet and its systematic production process, it is better to stay in the market in the blue ocean and in peace than to enter the war with the competitors in the red ocean. In the end, Behzad Soleimani said about the review and analysis of the condition of hand-woven carpets that it is better to give special importance to several items in the field of Iranian hand-woven carpets, which are: gathering information about the details of hand-woven carpets and checking its condition, paying attention to the future In the field of handwoven carpets, instead of focusing on hindsight, pay attention to usefulness and profitability

Ali Bardbar, an artist and creator of hand-woven carpets, said that the legendary carpet of Deldar refers to a story from the 19th century to the end of Mughan and tells everything about the truth of feeling woven on the pattern of Deldar. In the margin of this work of art, there are inscriptions in which poems written by the creator of the work, in Persian language, are woven into them. The text of the poems is as follows: Your love became sweeter than Farhad, the story became color and night and moonlight, this work surpassed the story of Majnoon, the legend became heartened, the sun turned golden yellow from your gaze, the blue of your eyes became more beautiful than any color. A love arose and a heart was cherished, this work became a legend in the service of Hamid's love.

Saadi Hakim, an artist and creator of hand-woven carpets, mentioned that tang-bari is a part of handicrafts that has emerged in architecture. In the golden periods of the formation and use of decorative arts, such as the Timurid period, the use of tengbari was very common, and gradually in the Safavid period, it became an architectural ornament of special buildings and palaces, which created unique environments in architecture. He added that today the use of tangbari has disappeared and it is no longer used in buildings. Today, the carpet and its special type of carpet can be a powerful medium and a culture-building art, reminding us of the precious elements that we once used for a better life.

Sina Irannejad, an artist and creator of hand-woven carpets, said about the night worship carpet that the code sealed inside this carpet is deep and the fundamental link between the elements with the presence of a representative of them. The dragon is the ruler of the sky, the lion is the ruler of the earth and the seabed and its representative, the fishes. While we think that this merger and attraction has appeared in the sea, it is as if we are watching the sky and stars. He added, the existence of only two colors, white and black, is another indication of the foundations. If this work had other colors in it, such attraction would not have been created in it.

In the second part of the third day of the event, the opinions of critics and experts regarding the Afsana Deldar carpet by Ali Bardbar are as follows:
Toraj Johle, a researcher and handwoven carpet expert, said that there is an optimal combination of revival and reweaving in this carpet, which is from the Salting group of the Safavid era. He added that the new thing that happened in this carpet and made it more aristocratic compared to the Safavid carpets is that this carpet is made of silk. In the end, he considered Afsana Deldar carpet as a successful and good example of all-silk carpet.

Ali Asghar Khosh Giftar, the head of the Qom Handwoven Carpet Designers and Painters Association, in line with the design and color of Afshanah Deldar carpet, said that it is better to use more balanced color distribution and proportions in the frame parts, border width and tangerine color.

In the following, the comments of critics and experts regarding the Aali Qapo music room carpet, by Saadi Hakim, are as follows:
Mehdi Keshavarz Afshar, a member of the academic staff of Tarbiat Modares University, said that in the contemporary approach, the artist is a key concept and its important feature is the transitional reference of art, that is, it is transferred from one art to another art.

Behzad Soleimani, a member of the Faculty of Arts of Al-Zahra University, stated that an artwork has components that lead people to complexity or simplicity, and in this carpet, it seems that the goal is to find simplicity at the same time as complexity. In the end, he added that it is better that the color contrasts in this carpet are closer to each other so that order, harmony and proportion can be obtained more easily.

 Toraj Johle, a researcher and expert in hand-woven carpets, considered the Aali Qapo music room carpet as an innovative work with a beautiful view of architecture and added that if this movement continues, a new view and angle of Isfahan architecture can take place at this time.

In the following, the comments of critics and experts regarding the night prayer rug by Sina Irannejad are as follows:
The eloquent Ali Asghar, the head of Qom's handwoven carpet designers and painters association, said that this type of vision and boldness is rarely seen in handwoven carpets, so this is admirable. He added that this can be done with more colors and in layers to convey the concept better.

Mehdi Keshavarz Afshar, a member of the academic staff of Tarbiat Modares University, mentioned that this carpet is the result of a modern treatment of carpets, which is in the field of romantic art and expressionism, and has a strong exaggeration in form, color and emotional states.

Behzad Soleimani, a member of the Faculty of Art of Al-Zahra University, said that the use of two colors in this carpet is very clever and intelligent, because due to the complexity of this carpet, it is desirable to see it with the least tonality and color contrast.

On the sidelines of the clue event, three exquisite Safavid carpets of the country, which belong to 400 years ago and were woven in Isfahan in the 11th century of Hijri, were unveiled. These carpets have the map of Herat, which is one of the most beautiful and common Iranian carpet maps created by artists and weavers in the city of Herat (the capital of Timor) in Afghanistan. This map consists of a central flower in the middle with a rhombus shape, surrounded by a beautiful pattern of lanceolate leaves parallel to the sides of the rhombus.

The fourth day of the clue event began with a speech by Mehdi Keshavarz Afshar, a member of the academic staff of Tarbiat Modares University, who said that in line with the classification of contemporary styles in Iranian carpets, the concept of contemporary is divided into two categories: chronological and stylistic in art. . Regarding modernity, he said that like a line, he separated the world of tradition from the modern world, and the result of this transformation of modernity was the formation of three concepts of traditional art, modern art and contemporary art in our world.

Mohammadreza Tajerashti (Rashtizadeh), the head of the Rashtizadeh Cultural and Art Foundation, said that there are hand-woven Iranian carpets in most of the houses of the world and of the rich, which can introduce thoughts, ideas, lifestyles, etc. to the world. He added that the condition of the carpet is at a bad level and few people want it, because we have not raised the value of Iranian handmade carpets.

Mohammad Mehdi Safdarzadeh Haghighi, an artist and creator of hand-woven carpets, spoke about the poetic carpet and how to choose this work, that this design is by master Issa Bahadri, which is exhibited in the museum with large dimensions. He added that in order to produce this work, he tried to reweave it in the best possible way and one of the changes he made in its map is to increase the width of the border. He also emphasized that due to the importance of recreating this plan, a team was formed to investigate this issue and change the fit of the plan and map according to the new context. In the end, he added that he designed and produced this carpet out of his personal interest.

Amirhossein Safdarzadeh Haghighi, an artist and creator of hand-woven carpets, said about the 5 carpets he presented with the names of Autumn, Winter, Spring, Night and Ali Akbar Sadeghi, that their designs are taken from the designs of Master Ali Akbar Sadeghi, the father of surrealism in the country. . He added that the world of his works is a figurative world that resembles old miniature paintings with more popular forms of art, therefore, with his approval, the designs were drawn and produced.

Alireza Safdarzadeh Haghighi, the artist and creator of the hand-woven carpet, said in line with the Red Star carpet that the originality of the color and the originality of the design are important characteristics of this carpet, that in the design of this carpet, repetition and change still maintain the originality of this work.

In the second part of the last day of the event, the opinions of critics and experts regarding the Tashir carpet by Mohammad Mahdi Safdarzadeh Haghighi are as follows:
Fathali Qashqaei Far, a member of the Faculty of Art and Architecture of Kashan University, said that professor Isa Khan Bahadari is one of the people who revives the history and past of Isfahan. He added that the Safavi carpet can be seen in the details of this carpet, but by examining the details, none of the elements such as forms, movements and aesthetic rules are new. In the end, he stated that the aesthetic characteristics of the Safavid era have been observed in the Tashir carpet and it can be considered an Iranian carpet.

Ali Asghar Khosh Geftar, the head of Qom's Handwoven Carpet Designers and Painters Association, said that the adaptation of Master Issa Bahadri's design was done in the best way and accurately. He added that it would be better if its narrow border was designed a little wider and its coloring was such that the flower pot next to the carpet showed itself more.

Behzad Soleimani, a member of the Faculty of Art of Al-Zahra University, stated that this carpet has no defects, but considering that the artist designed and produced this carpet for his own passion, there is no criticism on it.

In the following, the opinions of critics and experts regarding the Red Star carpet by Alireza Safdarzadeh Haghighi are as follows:
Toraj Johle, researcher and handwoven carpet expert, mentioned that each of the carpets presented in the museum were the best children of their time and today's carpets are expected to reflect the surrounding conditions and if there is a reference to the past has, with the changes of the contemporary artist, can present it in the best way.

Fathali Qashqaeifar, a member of the Faculty of Art and Architecture of Kashan University, said that this carpet is like a new child from the past of Isfahan art, which includes all the hereditary characteristics. He added that the pink and green color of this carpet controls its red excitement and shows the beauty of the carpet more.

In the following, the opinions of critics and experts regarding the 5 carpets of Autumn, Winter, Spring, Night and Ali Akbar Sadeghi by Amir Hossein Safdarzadeh Haghighi are as follows:
Mehdi Keshavarz Afshar, a member of the academic staff of Tarbiat Modares University, said that these works are classified in the contemporary category, which can create a new feature for the carpet and display it.

Ali Asghar Khosh Geftar, the head of Qom handwoven carpet designers and painters association, said that this style of design is the introduction of animation to carpet design and this view of a young artist is admirable.

Fathali Qashqaei Far, a member of the Faculty of Art and Architecture of Kashan University, stated that this idea is a new window to the carpet art of Iran and Isfahan. The form can be seen.

On Thursday, June 24, 1403, the review meeting of the first clue event was held with the presence of respected experts and professors. In this meeting, the opinions of the experts were shared about how to organize this event and to share ideas and suggestions for better organization of future events. . It should be noted that this event will be repeated once every season if possible. In the end, the Iran Garh group concluded this meeting with appreciation and thanks to the respected experts and professors.

Some of the reviews and opinions of the participants who followed the lead event in person and online are as follows:

Review No. 1: Mohammad Nouri, a producer and activist in Qom's hand-woven carpet field, said that another angle of looking at the interesting and important margins, at the level of content, if not less than the text, of the "Clues" event. A happy event for "carpet culture promotion", the relationship between "beauty and performance, unveiling the beautiful truth", and entering the "choice of art for God's pleasure" which is due to the great efforts of all scientific and executive departments and at the top of it, the presence of Nazanin Mr. Rashti Zadeh, who was charged with the song of Sagar Negar. The experimental taste of the artists and the owners of the work is exhibited in the Farsh Museum next to the incomparable exquisiteness, which shows an inspired character and a reminder of the holy and proud suffering, for the realization of the essence of Hazrat Dost, in line with the development and upliftment of the following. Art works of the carpet culture of dear Iran...

- All discussions were broadcast in person and live

- 95% of the participants have higher education

- 700 man-hours of scientific operation

- The number of participants with 12,800 years of education (with only a bachelor's average)

Saeb Nazaran from Europe, America and Iran

- Simultaneous unveiling of three exquisite works (Salting and Sangsheko) by Herati

- The presence of two deputy ministers

- The presence of three general managers

- The presence of three prominent and expert collectors

- The presence and participation of 12 university professors

- Efforts with the approval of the academic board of 4 universities

- Display of 40 exquisite carpet boards in the border

- Documentation of all steps

- Capturing all moments in 20 hours

- 900 photos

-120 posts and stories

- News information about 10,000 (ten thousand) words

- Sada and Vasima news coverage, Heritage news agency,

- The serious participation of people from the cities of Isfahan, Shiraz, Tabriz, Qom, and Kashan

-Choosing the right time and place without traffic

The selected works were evaluated and accepted in an expert group with the condition of having a birth certificate

- The collection of 9 reviewed works has about (36 million 305 thousand) knots

- This 26 meters carpet was woven by 11 talented Hazeg artists in a period of 169 months and 8 days

- Communication of manufacturers with designers of at least twenty cases

- For the first time, this criticism initiative was organized in the framework of "identity", "idea-oriented", "conceptualism", "aesthetics" and "individual creativity".

- Meeting the quantity and quality of most of the programs from acceptable and academic standards

Finally, inducing a point of hope for lessons and learning from this period of "stagnation" in order to rebuild the teams and continue such practical discussions and the reliable confirmation of the owners, due to the culture combined with the aesthetic and artistic attitude of Farsh, over the ages, the carpet has offered richer experiences of knowledge to the world. and therefore has an uplifting property.

Review No. 2: This event challenges people's thinking and literacy with talks and comments from academic professors, and this event was the most interesting part of the clue event.

Criticism No. 3: The winning card of this event is that the hand-woven carpet becomes an art criticism and is included in the category of other arts.

Criticism No. 4: The way it was held had very small weaknesses that are normal in all events, but its strengths are commendable. One of the strong and unique points of this event was the continuous live broadcast with high quality and very professional.

Criticism No. 5: The organization and performance was great, but the first day of the event was better and more challenging. It is better to ask the critics to express negative points in addition to the positive points in the next events. Because this event can be the creator of contemporary carpets.

Review No. 6: Two positive and hopeful points of this event are that an opportunity was provided for the presence of carpet artists and the discussions created new questions in people's minds. In the end, he suggested the link between carpet and architecture in the next event.

Review number 7: The look and horizon of the collection is very admirable. This conference can be more complete in different parts such as the audience's chosen carpet and the first production of a producer, etc. And another point, the professors and experts in the first place and the audience in the second place have to stand for a long time. And the next thing should be given the opportunity to speak to the audience to express their opinions in relation to the opinion of the experts.

Criticism No. 8: The clue event, the clue event, was a different event, but one should have been more careful in choosing the carpets, some carpets such as War and Peace, Miniature and Aali Qapu were great and had a new story. It is better to see newer carpets with newer stories in the next programs. The other thing is that each day is dedicated to one or at least two carpets, because on the days when there were 3 carpets, the focus was not on a particular carpet.

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