14 Article found

Green supply chain stimulus model studied: the art of hand-made rug industry

چکیده THE GREEN SUPPLY CHAIN COMBINES ENVIRONMENTAL CONCERNS WITH THE CONCEPT OF SUPPLY CHAIN THROUGH IMPROVING COOPERATION AND COORDINATION OF SUPPLY CHAIN MEMBERS. THE AIM OF THIS RESEARCH IS TO PROVIDE GREEN SUPPLY CHAIN DRIVERS IN THE ART OF THE HAND-MADE RUG INDUSTRY. THE STATISTICAL COMMUNITY OF THIS RESEARCH HAS BEEN SELECTED IN THE FIRST PHASE OF EXPERTS IN THE HAND-MADE RUG INDUSTRY AND IN THE SECOND PHASE OF THE SUPPLY CHAIN MEMBERS OF THE RUG INDUSTRY: SUPPLIERS OF RAW MATERIALS, VENDORS, MANUFACTURERS AND COLOURS. FIRST, USING THE FIRST EXPERTS TEAM, OF THE 34 VARIABLES LISTED IN THE 17 ITEM QUESTIONNAIRE AS THE MAIN DRIVERS OF THE GREEN SUPPLY CHAIN IN THE HAND-MADE RUG INDUSTRY. ANOTHER QUESTIONNAIRE WAS THEN DISTRIBUTED AMONG THE SUPPLY CHAIN MEMBERS AND, USING THE EXPLORATORY FACTOR ANALYSIS, FACTORS 5. USING THE AHP METHOD, EACH FACTOR’S PRIORITY RATE IS TO MOVE TOWARDS THE SUPPLY CHAIN IN THE HAND-MADE RUG INDUSTRY: INFORMATION, REGULATIONS, COMPETITION, LOGISTICS AND MARKETING. AT THE END OF THE PRE-EMINENCY, INCLUDING THE USE OF INFORMATION TECHNOLOGIES, ATTENTION TO GOVERNMENT STANDARDS, GREATER COOPERATION WITH COMPETITORS AND MORE COOPERATION AT THE SUPPLY CHAIN LEVEL IS ESSENTIAL TO IMPROVING ENVIRONMENTAL PERFORMANCE. KEYWORDS: HANDMADE RUG, GREEN SUPPLY CHAIN, GREEN SUPPLY CHAIN DRIVERS

Publish Date : 1396/01/01

Creator : Ismail Magdalene (Master of the Department of Management and Caracas, Knowledge of Human Sciences, University of Kashan) – During the Jafari (Master of the Master of Interior, Architecture and Art of Kashan University)

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A half look at the design of the master's design

It is not possible to explain the art of the master of Rasht without the recognition and definition of rural rugs. It should be known that rural women of Persian civilization did not hand in rug tissue for income or material production. Our early ancestors believed that the world did not comply with laws outside our minds, and that the outer world was built or dependent on our intellectual structure, and that for the realization of our dreams and desires, we would only be mentally focused on that desire or wish, then in the outer world. The rural woman did not intend to sell or create artworks to carpet tissue, but believed that if she created her dreams in a world like rugs, she would be found in the outer world. It is media. The mass media of the people of this land, however, came when the West realized the importance of these historical documents and tried to collect these documents. As the demand for the media increased, other artists were added to the Jerga and made plans for the rug that had been mentally ill until then and produced in urban workshops. But the master of the city had abandoned the race of the city, and he started his first rug with a plan that had not reached anyone’s mind until that time.

Publish Date : 1399/03/19

Creator : And the shame of Muhammad

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Time, slowness and co-ordination, a different look at Iranian rug | special dialogue with Master of Honours, Lecturer and researcher of Handmade Carpet.

"It is a world that is calm.‌And the oven." The Iranian carpet is a narrative of the human being’s bio, which flows in every node, in the dice and the prophecies.‌He has it.: Time time.A rare and unique element in human life that is not the same.‌He says, from slowness, and from consistency, of those who spend time not as something to spend, but as an element of the creation of meaning.‌They are.. At a time when the world is overwhelmed by the speed and technology, one of my concerns, at the moment, living in the present, and understanding of time.‌O thou who hast spoken unto me,‌And he who has always taken a deep and different look at the Iranian carpet.‌Fer, Professor of Kashan University and researcher‌The familiarity of Iran’s hand-made rug that has always been a source of inspiration in this conversation, from his perspective on three elements.Time, slowness and consistency in Iranian rugsI asked him what he might have heard in today’s life.‌But in the depth of the Iranian carpet, they have a strong and historical presence.‌They can restore us to our inner, calm and authentic life again..And they say some of their precious words.‌I will.

Publish Date : 1405/01/22

Creator : The knowledge of the knowledge of the master.

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This article is not the case, but it is an attempt to answer what Iranian rug is.

Even though ancient discoveries still exist.‌And, by the way,‌The face is wide and astonishing.‌And they have a variety of flowers and carpets.‌History is against us.‌But the main question remains for the examiners.‌In addition to the Enlightenment in primary functions, it is a form of autopsies in the form of an autopsies.‌and the shape of the palm.‌title of a phenomenon.[1]It’s social and a pre-emptive note.‌It's coming.. [1]phenomenon or phenomen.Phenomenonword word word.‌It is a philosophy that is called every visible and experienced event (independent or indirect) in Persian language."Seed."There are two of them, and they are visible.

Publish Date : 1404/06/20

Creator : The Iranian-made carpet researcher

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And twice in the garden, from the cradle to the grave.

Unlike many industries.‌The hand used is an element beyond an efficient device or object, although the Iranian rug, though it does.‌It can warm and soft, but nothing.‌Which of these physical functions does not justify its true face.‌slow.. And the place,‌For the experience of biographies, cultural memory and Iranian human rituals.. Like the cradle, the first place in which the Iranian man is in.‌He turned, hand.‌And he goes.‌She is crying,‌Fall and go.‌rise, look.‌slow, pictured.‌He created the world and created the world.‌He teaches against the cradle.‌Wood or metal that the child is pulling out after a few months.‌Come, the cradle.‌He is the last day of his life.‌He wants to live in a garden like a garden and a garden.. This article is an attempt to explain the work of rugs in the Iranian bio experience, from first sight to the final farewell..

Publish Date : 1404/06/20

Creator : ← A researcher of hand-made rugs, Deputy Director of Iranian Carpet

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Look at recent news and events in different areas related to hand-made rugs

First event: How did Iran’s National Handphone Day go? 20 For the National Week of Iranian Handmade Carpet‌Henry Olden and the symbol of Iranian culture and identity this week is an opportunity to pass the heritage of carpets, emphasize its preservation and promotion, and reminding his important role in the domestic and global markets and transfer this treasure to the generation of the treasures to the generation.‌Futures..Let’s look at the events of this great day...

Publish Date : 1404/06/20

Creator : The Iranian public relations unit.

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Our priceless rug is welcome to market.

and in the market. About three decades ago, when I was a student in Kashan, the passage of Kashan was one of the entertainment.‌It was forever and what it was like to see the faithful team.‌Drink and drink tea, and drink.‌Milk sales and maps.‌And the priests and. As if the market is the only driver of the economic wheel or the interface between the manufacturer and consumption.‌It was no longer a place for people to pass and browse and shelter to keep the heat and solar radiation in the hot and cold season as if the market was a way between the cold.‌It was for the city, and we and I were under the roof of the market with that particular architecture.‌They will be comforted and peaceful.‌We arrived.

Publish Date : 1404/12/20

Creator : Guest worker, carpet expert, PhD in Communication Science

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Review of Iranian trade and carpets from the Safavid period so far

This review article.‌Set on Iranian rug trade and value from the Safavid period to the contemporary period (the time opening of 1300 to 1370), in which to the start of Iranian rug trade during the Safavid period, the development of Iranian global rug trade in the Qajar period and the Iranian rug value in the market within the period of 1300 to 1370 of the Solar Solar Sun.‌It was made.‌It is.

Publish Date : 1404/12/20

Creator : The Magician, the University of Kashan

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and the burning of blood.

In the wake of the spring, it is a story of water. One day... In the dust of the lost time.‌His name is only in the name.‌The Old Testament.‌There is a reminder of the magic.‌and mines.‌He is a sign of the covenant.‌In it, Abbey.‌Muhammad’s name is easy.«So they turned away.»facing face.‌face.‌It was Ben.‌We of this.«Research-based.»This is the historical document that is unprecedented.‌at least.‌The Arabic is returned from Arabic to Persian and under the title.«A good reminder of God’s Word.»It came, but the other part.‌This is the interest,‌The passage of the language of historical documentation is built on the delicate boundary between history and imagination, the journalist has tried to summon the spirit of the so-called carpet and show how his body is of origin.‌He went,‌It can memory.‌O Lord, who dwells in the kingdom of God, and in the spring of Sodom, is the story of God’s Word, and his people are the people of the world.‌This land in the long run...

Publish Date : 1404/09/20

Creator : David Hilello, an assistant professor of the Faculty of Arts in Shiraz University of Art

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In the Qur’an, the Qur’an is a reminder of the magic of the earth.

A little over a century of urban rug production.‌They came by the immigrants who came from Kashan.‌This time is a short life compared to cities like Kerman, Tabriz, Isfahan, Mashhad and many other cities producing carpets in Iran.‌But in the short term, that is the same.‌Like Cecil Edwards before.‌He saw it, the palm of the mountain.‌reputation and reputation in terms of texture quality, design and color‌Then he turned away.‌species of species.‌You who are today,‌Especially in the production of all the silks, the horn of the other cities has been hijacked and so on.‌There is a quality and beauty that some cities have been copied from the plot.‌colors and colors.‌The carpet.‌From this city,‌They call their names.‌They will do it..

Publish Date : 1404/09/20

Creator : Jafari Darer, PhD student of Iranian Social Affairs Sociology

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An artist who went from the wooden house of the grandmother to the world record of the rug of his area

“I learned from a child that every node is not just a task; it is a responsibility for the history of my land...” I am Kashani, born in 1337 in the village of Kilno, a green and beautiful village on the border between Kardstadt and Chavis. If I have a 49-year history of art and 30 years of history, if UNESCO’s show, seal of originality, art degree, patent, entrepreneurship, and dozens of honors and titles recorded in my record, its root dates back to the same simple house of childhood; a house in its courtyard always held two six meters, and our lives of the newly resolved wool, natural colors, the rugs and the natural sound of the sense of the rugs..

Publish Date : 1404/06/20

Creator : ← Dr. M. C. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. F. B. B. B. B. B. B. B. B. M. B. B. B. B. B. M. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B. B.D.D. B. B. B. B. B

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Publish Date : 1405/03/18

Creator :

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The story of life in the Iranian rug world is the story of Samantha Godard’s professional path, from young activists in Iranian rug trade.

In the old market of Kashan, under the roof.‌And the light of the light,‌And they have a hundred years old.‌Where the cool of the desert architecture is complex, the stone.‌There is more like a life gallery.‌to the carpet.‌Sales sales.. Its walls have color. it has music.‌He sits on the wall.‌And some of them are on earth.‌They seem like they were in the yard.‌Old in the summer,‌They are wide; they are the same.‌live and full of memories..and the shape of the‌More like telling a life.‌There is a place where the color and shape are complete.‌It will become.When you enter there.‌before, before it.‌Ask the price or even know what.‌You face.‌So, it feels,‌She entered the mental world of someone who was the year.‌To create taste.‌She lived her.. A man from that man.‌There are no ones that are just raised in the market; he looks more like someone else.‌It has made itself of the heart of art, nature, book, cinema, music and look.. God's story is a different story, but it's not a show difference between these days.‌Come from this.‌It was not the same world.‌As they gave him, he accepted..

Publish Date : 1405/03/18

Creator : Iranian content production group of nodes.

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How could the new generation narrative help develop Iranian rugs for the future of Iranian handmade carpets using storytelling?

Introduction Iranian handmade rug is part of Iran’s cultural, historical and social identity.‌In each hand-made rug,‌One of the symbols, color.‌mix, mix.‌grading.‌and narratives.‌There are signs that come from the century.‌Experiences, joy, belief and lifestyle of the people of this land. However, in today’s world, lifestyle, communication and taste of generation.‌The rapidly changing, relying only on the historical background of the Iranian rug is not enough to maintain its place. the Iranian handmade rug to continue life and effectively present in today’s markets and cultural space requires a new redefinition, narrative and communication with the young generation. One important one.‌The most important tools for achieving this goal are stories.‌A story or a story.‌They say.‌It can turn carpets from a purely decorative object into a cultural and emotional experience. a young generation also because of more familiarity with the media.‌New, Digital Space and Method‌New communication, you.‌It can play an important role in this path. In this part of the teaching.‌Handwritten, review.‌How the New Generation Is New‌You can use the story.‌Speech helps maintain, introduce and develop Iranian handmade rugs without damaging its authenticity and identity.

Publish Date : 1405/03/18

Creator : Expert, producer and hand-made furniture.

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