The role in the words of someone’s face and shape or something that remains on earth or other objects is “the role of the rug” of Iran’s hands, the art of representation of designers and their paintings, and the art of this land throughout the ages and centuries, which is distinct for the beauty and diversity of roles and colours of other nations. The role of Iranian rug is to combine lines and shapes and types of "plays" and fit between them, shape and pink, which means the texture of the rainbow of pruns on carpets according to the previous or mental map, and without introduction, the role of hand-made rugs is actually a set of roles that each have individually and have distinct meanings and concepts, in total, and in all, the concepts and concepts of the expression of the beautiful and evolution. The role of hand-made carpets is a series of clear stories and desires and hidden secrets that the painter creates a pleasant effect through his artistic tie to the rug. The coordination of the role of rugs with other hand arts of the people of this land, such as the tile of labour, the densities and pillars of historical monuments and the domes of the mosques represent the principle of this art and the common states of the people of this land, the role of the Iranian handmade rug, especially the artist of the designers and the Safavidists, has been influenced by the ancient artists and artists of the way of the art of the art of this land. “In the Kingdom of Ismail and King of Shir 1524-1576, one of the most delicate carpets that the world has ever seen, these carpets have been sold in terms of artistic value more than palaces, and now each is the decorative part of the palace or museum.”